Savannah

Ward Allen (Jim Caviezel) likes what he likes. Born into a family of wealth in Savannah Georgia at the turn of the twentieth century, he nevertheless does not become a businessman. Instead, he likes to be on the marshes near the ocean, hunting duck for the fine restaurants of Savannah. With him is his constant companion and partner, Christmas (Chiwetel Efiolor), a former slave. This alone is a cause of gossip at a time when whiles and African Americans didn't socialize in the South. but, in truth, Ward just loves the "wild places" over sitting in an office somewhere. Very handsome, he catches the eye of a lovely woman, Lucy Stubbs (Jamie Alexander) who her stuffy father (Sam Shepherd) has promised to another man. Yet, Lucy is also a lady who walks to a different beat. She shuns her father's choice and pursues Ward. Soon, they are married and living in Ward's opulent mansion. Still, his married state doesn't change Ward, who continues to hunt and get roaring drunk at the local bars, where he tells long stories. From time to time, Ward is also hauled before a judge (Hal Holbrook) for charges of hunting in forbidden waterways. Yet, Ward always gets off easy, for the judge likes him and his strong arguments for his chosen profession. Naturally, this creates some conflict for Lucy, especially when she discovers she is expecting a baby. Will Ward ever change? This beautifully lyrical movie, an homage to the loveliness of Savannah and its surroundings, will charm a certain type of movie fan. Its quiet, unusual story is paired with sumptuous scenery for a visually stunning experience. Also, Caviezel is one attractive and talented man, an actor who tops my list of "men who can make the heart pound". Alexander, Holbrook, Shepherd, Efiolor and all of the supporting cast is very fine, also. Do you consider yourself drawn to artistic, independent flicks? Take a trip to this Savannah soon.

The story of Ward Allen is not unknown to hunters. THe relationship he shared with freedman Christmas Moultrie seems to confound and confuse people like Roger Ebert. He cannot see how a White man "of the manor born" could befriend a Black man in those times, and therefore assumes that only Southerners would like this film.

This is my first review on IMDb. I want people to know that this film is far more than worth a watch. The complexities of a new world and a new way of life in post Civil War America, more specifically Savannah, are captured honestly here. THere is no scenery chewing, or unnecessary verbosity in the film. The marrow of the film is the story of friendship, family, loss, and inevitable change. THis film succeeds in making a complicated era of American history a simpler issue, one of laws, man, and the spirit of going against the standard of a mans time and station.

I am very happy that I was able to watch this, and I hope that it gets more respect from humble movie goers like myself who are willing to give it a fair shake, and ignore the Roger Ebert's of the world.

Greetings again from the darkness. Beginning with "Based on a True Story", the movie takes us on a bumpy ride known as the life and times of Ward Allen, a silver-tongued duck hunter with a free spirit like few others. Director Annette Haywood-Carter utilizes Jack Cay Jr's "Ward Allen: Savannah River Market Hunter" as her source material, and the marsh lands of Savannah make for a beautiful setting.

Jim Caviezel dives into the role of Ward Allen and it's initially quite startling to see him play such a loquacious character … we are so accustomed to his normally quiet and stoic nature. Caviezel seems to revel in the courtroom scenes where he recites Shakespeare and charms the judge (Hal Holbrook) and gallery. Flip a switch and the next scene will have Allen exchanging familiar glances and verbal jousts with his duck hunting buddy Christmas (Chiwetel Ejiofor), a freed slave who is the perfect companion for Allen.

Evidently the real Mr. Allen was smart and engaging, but drank too much and constantly pushed the limits of legal hunting. His loyal dog, Rock, follows him everywhere and seems to anticipate his every need. This odd life takes a turn towards normalcy as Allen falls for a beautiful socialite played by Jaime Alexander. The two hit it off and get married, against the wishes of her father played by the great Sam Shepard. Unfortunately, it's at this point that the movie gets convoluted and loses focus, trying to be too many things at once.

Caviezel and Ejiofor have a really nice screen presence together, but the interjections of home life between Caviezel and Alexander just stomp out any flow to the story telling. The attempts to make Mr. Allen a legendary, larger-than-life figure fall short because of the clunky script structure. The bookend with Christmas telling the stories to both a young and adult Jack Cay (Bradley Whitford) just beg for continued focus on the bond between kindred spirits Allen and Christmas. The enigmatic Ward Allen was clearly an interesting man and I look forward to reading Cay's book … it's just disappointing that the script was not sharpened prior to filming. It should be noted that there are a few tremendous songs throughout, including two very different versions of "Wade in the Water".

Go back in time, a couple of decades after the civil war, to Savannah, GA, and meet a largely unknown character choosing to live against the flow of prevailing contemporary attitudes and social mores. Enjoy stunning cinema-photography, a host a familiar actors performing at their best, and sit back and enjoy what the best movies do----tell a wonderful story in a unique way. "Savannah" was truly an emotional journey through primarily the life of one man while also taking time for the viewer to invest in the lives of those whom our protagonist chooses to invite to share in his adventures and way of life. I enjoyed the flow of the movie, enjoying each change of perspective. I contend the director prevailed in accomplishing balance in moving our story along in every way.

This is based upon a true story.

Ward Allen (Jim Caviezel) gives up the privileged life on a plantation in Savannah, GA to live free on the river so he can hunt ducks.

We start off in 1954 where Christmas Moultrie (Chiwetel Ejiofor) - the last of the free slaves from the Moultrie plantation - tells of his relationship with Ward Allen decades before. Then we go to 1918 and see Ward Allen.

We have an all-star cast with Hal Holbrook as Judge Harden; Sam Shepard as Mr. Stubbs who is the father of Lucy (Jaimie Alexander), who eventually marries Ward Allen; and Bradley Whitford as Jack Cay, a lawyer, who is the listener - and eventual writer of this story - to Christmas and his stories of Ward Allen.

I suppose we are all wondering what there was about Ward Allen to have a movie made of his life so-to -speak and further…… why would he give up a life of privilege to roam the woods and the river just to hunt and shoot ducks? We must listen and believe, as true, the stories Christmas tells about his friend. And, you must come to know that this friendship was pure gold.

However, this is quite sketchy. We have 3-stories and any one of which could have carried this movie, but it was decided to provide a little something of all three. It is difficult to incorporate everything especially when all three stories have a lot to say. We see Ward's relationship with his wife and this almost turned into a love story, but later that was abandoned; then we see his battles with new government rules and regulations regarding his disregarding them that got him to the courts many times (he didn't believe in quotas for the number of ducks killed or the shooting of a certain type of "protected" duck); then we have the relationship with Christmas and this is where the story should have been centered. It is with this angle that a great legend could have materialized. But, we get only bits and pieces here. Bummer.

It was decided to tell all three stories, sketchy as they might be, because……..well, Ward Allen was "a hell of a man's man" and we do get this perspective from the movie. Maybe that was the point of all this.

The acting all around is very good. The best and lighter moments in the movie involve Ward Allen in court with Judge Harden who has a propensity to overlook Allen's transgressions as we can clearly see that Judge Harden is most impressed with Ward Allen, who by the way was Oxford educated and spouted Shakespeare often. Throughout there are good lines that provide some chuckles.

The cinematography is outstanding regarding the Savannah River background. The ending is somewhat confusing because the movie cannot tell us what really happened to Ward Allen or his wife after his wife was sent to a rest home.

But, to answer the question why abandon the good life for a life of hunting ducks on the Savannah River in Ward Allen's words: The river belongs to us and we to it. It was the only place he felt really free and that was most important to him. (7/10)

Violence: No. Sex: Not really, we see more of a make-out session with his wife. Nudity: No. Language: No.