Dos impopulares estudiantes de instituto montan un club de lucha para lograr tener sexo antes de la graduación.Dos impopulares estudiantes de instituto montan un club de lucha para lograr tener sexo antes de la graduación.Dos impopulares estudiantes de instituto montan un club de lucha para lograr tener sexo antes de la graduación.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 24 nominaciones en total
Reseñas destacadas
Let me start off by saying that I absolutely love this movie. I really adore all of the characters because they don't feel forced. Most of the time when I see Gen Z being portrayed on TV it is physically painful to watch, but with this writing it was so unserious and fun that I actually caught myself laughing multiple times. The humor is definitely not for everyone but it was exactly my cup of tea so it was absolutely delightful to watch. And seeing loser lesbians as main characters is something straight out of my dreams...
This is going to become a classic in my house and a nostalgic pick when i want to get reminded of my youth!
I really recommend it!
(Ruby Cruz absolutely stole my heart as Hazel and this movie made me a fan of hers lmao)
I really recommend it!
(Ruby Cruz absolutely stole my heart as Hazel and this movie made me a fan of hers lmao)
The "teen movie" is making a comeback, and the latest from Emma Seligman (of 2021's Shiva Baby) is one of the funniest, wildest, and most delightfully ridiculous in recent memory.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
People were hyping this movie up like it was the second coming of Brian. But not only did it fail to evoke any response mildly resembling a laugh, it in fact made me wonder what people even consider to be funny these days.
It's over-the-top satire, sure, I get that, and I even get what this movie tries to poke fun at, but I just found myself being unable to enjoy or even connect with this particular style of annoying teenage humour. I don't know if this is a generational thing or a cultural thing... it could be both. All I know is that it just wasn't for me.
I don't think I'll ever recommend this to anyone, but neither would I recommend against it. Because humour is extremely subjective, and maybe this might be the funniest movie you'd have seen.
It's over-the-top satire, sure, I get that, and I even get what this movie tries to poke fun at, but I just found myself being unable to enjoy or even connect with this particular style of annoying teenage humour. I don't know if this is a generational thing or a cultural thing... it could be both. All I know is that it just wasn't for me.
I don't think I'll ever recommend this to anyone, but neither would I recommend against it. Because humour is extremely subjective, and maybe this might be the funniest movie you'd have seen.
I really can't score this movie any lower than a nine. Not only was it my style of humor, it was able to stay entertaining all the way to the end. No third act deflation! And on top of being funny for the entire runtime, I enjoyed the story. I actually thought it had a plot that drew me in and gave me a highly satisfying resolution. I appreciated the fact that there were so many ridiculous details that it was almost like this movie was set in an alternate universe. For me, it kept the balance exactly right. Wild, but with some grounded elements to keep me caring about the characters. I think this could become one of my favorite comedies of all time. I don't know how many other people I would show it to, because I think the humor was extremely subjective, but I treasured it.
As "Bottoms" (2023 release; 92 min.) opens, we are introduced to BFFs PJ (who has a crush on cheerleader Brittany) and Josie (who has a crush on cheerleader Isabel). After a "back to school" event, PJ and Josie decide to start a self-defense club, and Brittany and Isabel are among the girls joining the club...
Couple of comments: this is the second feature-length of writer-director Emma Seligman ("Shiva Baby"). Seligman co-wrote the script with Rachel Sennott who plays PJ. Elizabeth Banks is one of the movie's producers. The plot as it is is purposefully over the top and frankly meaningless. It just creates the excuse, as if one is needed, for zippy dialogue and satire of just about everything. I knew all of this beforehand. What I expected was a bunch of funny situations peppered with zany jokes. What I actually experience was something quite different. A smile here and there, but I couldn't really get into it, sorry. I fully realize that as a straight male I am not the intended target audience but bottom line is that funny is funny, no matter what, and this wasn't really it. This is of course a very subjective take but I can only convey what I experienced.
"Bottoms" premiered at the SXSW Festival in March, and was rolled out nationwide in theaters this Labor Day weekend. The Friday early evening screening where I saw this at my local arthouse theater here in Cincinnati was attended okay (about 10 people). For what it's worth, "Bottoms" is currently rated 95% Certified Fresh on Rotten Tomatoes. If you are in the mood for a rowdy HS comedy, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is the second feature-length of writer-director Emma Seligman ("Shiva Baby"). Seligman co-wrote the script with Rachel Sennott who plays PJ. Elizabeth Banks is one of the movie's producers. The plot as it is is purposefully over the top and frankly meaningless. It just creates the excuse, as if one is needed, for zippy dialogue and satire of just about everything. I knew all of this beforehand. What I expected was a bunch of funny situations peppered with zany jokes. What I actually experience was something quite different. A smile here and there, but I couldn't really get into it, sorry. I fully realize that as a straight male I am not the intended target audience but bottom line is that funny is funny, no matter what, and this wasn't really it. This is of course a very subjective take but I can only convey what I experienced.
"Bottoms" premiered at the SXSW Festival in March, and was rolled out nationwide in theaters this Labor Day weekend. The Friday early evening screening where I saw this at my local arthouse theater here in Cincinnati was attended okay (about 10 people). For what it's worth, "Bottoms" is currently rated 95% Certified Fresh on Rotten Tomatoes. If you are in the mood for a rowdy HS comedy, I'd readily suggest you check this out, and draw your own conclusion.
¿Sabías que...?
- CuriosidadesMarshawn Lynch was initially unsure about accepting the role. He ended up taking it as a way to rewrite his regret of mishandling his younger sister coming out to him in high school.
- PifiasWhen Hazel places a bomb beneath Jeff's car, Isabel and Josie are seen sitting in the front seats of the van, about to kiss. However, fifteen seconds later when the bomb goes off, Josie and Isabel are somehow in front of the van with the rest of the group.
- Créditos adicionalesThe first half of the credits features many outtakes and alternate line readings.
- ConexionesFeatured in eTalk Daily: Episodio fechado 28 agosto 2023 (2023)
- Banda sonoraPain
Written by Shawn Everett, Tobias Jesso Jr., Nicholas Alex Long and King Princess (as Mikaela Straus)
Performed by King Princess
Courtesy of Zelig Music, LLC/Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Bottoms?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Bottoms
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 12.036.071 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 461.052 US$
- 27 ago 2023
- Recaudación en todo el mundo
- 12.976.079 US$
- Duración1 hora 31 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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