Leonor Will Never Die

I am still feeling stoked after watching it. What a ride that was!! Damn!! The film brought me into different emotions and then smash it when i got a hold of it. Very Kaufmann and Beckett feels. It is like Chekovian experience as well. Great performances from Sheila Francisco as Leonor and Bong Cabrera as her son Rudie. Watch out for this gem of a film from the Philippines. Now, i need to see those 80's action movies from the Philippines. Any links?

When a former film star, Leonor, gets clocked in the head by a falling television, she drifts into a world where dreams and reality collide. Wandering like a ghost in one of her unfinished films, Leonor confronts villains and assists friends in a world as far-fetched as her imagination. Concerned friends and relatives attempt to revive her from her dream-like state, but they also become transformed by her visions.

Winner of the Sundance special jury prize, Leonor Will Never Die is a heart-warming, funky, purely Filipino, and humorous tribute to the power of film, stories, imagination, and community. Seen at the Toronto International Film Festival, midnight madness.

I feel like this will draw a lot of comparisons to Everything Everywhere All At Once due to some of the similar "meta" themes, but I liked this more. It's a hard line to walk balancing both comedy and drama in a film without giving the audience whiplash, this movie simply handled it better.

Kudos to the director for achieving the authentic feel of a schlocky B-Movie from the 80's, it's something a lot of people try and fail to do. For half the movie I was convinced they just took some unknown film and edited around it.

It was a fun movie, a touching movie, and it left me with a smile on my face.

For creative types (especially writers), sometimes it's all too easy for the lines between reality and their work to become blurred. Where does one leave off and the other begin? Indeed, can someone become so absorbed in a project that perspective becomes lost? And what does this mean for those who care (and worry) about the artist? Those are the dynamics at play in this quirky, thoughtful comedy-drama about a retired screenwriter (Sheila Francisco) who has experienced her share of heartache during her life and has now fallen on hard times during what are supposed to be her golden years. She longs to complete an unfinished work, an action film reminiscent of those frequently made in the Philippines in the 1970s, with elements similar to those also found in classic martial arts and Blaxploitation pictures of the era. However, while in the midst of writing, she experiences a freak accident that leaves her in a coma - and her consciousness in the middle of her script as one of its central heroic figures, a sudden, unexpected appearance that befuddles the characters she created. But, as her adventure plays out in her mind, her family and friends can only look on and wonder what, if anything, they can do for her - that is, until these two different worlds somehow manage to become intertwined with one another. And, as these two parallel yet interwoven stories play out, a curious mix of synchronicities, kooky laugh-out-loud moments and metaphysical insights into the nature of existence all begin to emerge (sometimes simultaneously), providing viewers with much to ponder and plenty to chuckle over. Writer-director Martika Ramirez Escobar's multiple-layered debut feature is an absolute delight, one that tells a hilarious yet perceptive tale, a challenging narrative combination to pull off as successfully as it is here, an accomplishment comparable to what was achieved in such other 2022 releases as "Everything Everywhere All at Once" and "Strawberry Mansion." What's more, this offering is a campy yet lovingly reverential homage to the cheesy action flicks it so capably and intentionally mimics in terms of its clichéd camera work, trite dialogue and sloppy technical elements (like out-of-sync vocal dubbing). Admittedly, the film begins to drag a little in the home stretch, but, as a very deserving Independent Spirit Award nominee for best international film, this is must-see viewing for those who appreciate unexpectedly profound subject matter served up with a healthy slathering of unrepentant kitsch.

This is a gutsy film. It oozes an enigma I wish to see more in the local scene. I haven't felt this way since watching Dwein Baltazar's Gusto Kita With All My Hypothalamus.

It revisits a beloved era of PH action movies, its templates carefully recreated throughout. The one-liners, FPJ punch, the iconic 4x3, the warehouse endings, but even in its thoughtful tribute, Leonor Will Never Die veers away from one clear distinction in its inspiration; it is cleverly unpredictable. In a way, it sheds light on the path Philippine cinema has been headed; it is films like this that inspire future artists to dig deep and look outward.

Structured like a dream's dream. It is fluid, strong on one end, then breaks like water in some parts. My only gripe is that it has more potential; there is a classic craft in it somewhere that I wish the filmmakers explored-a hint of logistic limitations, perhaps, or time constraints. But anyway, you could sense that it was done as best as it could, like a dreamer's passion project.