PUNTUACIÓN EN IMDb
7,5/10
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TU PUNTUACIÓN
Un crítico sarcástico repasa películas y programas de televisión de su infancia y de su vida adulta.Un crítico sarcástico repasa películas y programas de televisión de su infancia y de su vida adulta.Un crítico sarcástico repasa películas y programas de televisión de su infancia y de su vida adulta.
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I used to like this guy's show (Pre-Skit-Heavy Era) But MAN has his show gone bad, unfunny, lame, boring and just plain mean-spritited. Doug Walker is a terrible critic and comedian and the fact there are idiots still buying what he says in his review just tells me that society is crumbling. Honestly, Doug should've just gone with his old job when Demo Reel failed (as it should). Everyone who made rant videos (SHINOBI-03, Magma Paint,Etc) where absolutrey right to criticize Doug and his unfunny group of losers and anyone who defends them honestly deserve to have their internet connection taken away from them. If any of you dislike this review then i know your'e just some stupid fanboy that wont accept that he isn't funny anymore.
On one hand, the Nostalgia Critic is one of the most important figures to me, at least in internet culture. His content introduced me to the world of critical culture, which is watching analysis on their takes on media. And I'm not going to pretend that N. C.'s old content were always bad. These episodes weren't either clever or deep compared to today's contemporaries. But these episodes, Batman and Robin, The Room, Dungeons and Dragons, the bizarre animated Titanic rip-offs, they had their charm and at least was entertaining. He was alongside AVGN as these forefathers of this emerging genre.
But on the other hand, the N. C. Is also the most outdated and ironic critic in all of YouTube. Since his revival and since his Jurassic world review, the N. C. was going to rely more on using live-action skits to evade copyright issues. In theory, this could possibly work if you have enough creativity, quality production, and, great acting and writing. But in execution, Doug Walker had none of them. The skits are, and continue to be, the worst aspect of his more modern episodes. These episodes are plagued with such puss-poor production that it makes The Incredible Bulk look like a James Cameron film, impressively bad and repetitive comedy that feels ripped off from Seizer and Friedberg, horrible pacing that causes all of the scenes to be unintentionally awkward and unbearably boring, sets that are either a lazy green screen or be set in this unbelievably dull office building, and even the music is this repetitive, stock "epic" tune that feels way too overused. But even then, most of the later episodes aren't consistently bad either, just extreme hit or extreme miss (though it's more the later). And these episodes just get worse and more dumber as the years go by.
But then comes the lingering elephant in the room: "Change the Channel," which, long story short, recontextualized him and his company, Channel Awesome. Gone was the perception of a flawed, yet passionate filmmaker who made a company so that others can accomplish their dreams, instead revealed Doug Walker as an inept, out-of-touch, and egotistical idiot. While there were far more insidious individuals who turned Channel Awesome into a toxic workplace of nepotism, sexual harassment, and gross mistreatment, it was Doug Walker who enabled this to happen. He is still complicit with their actions. And as such justifiably resulted in the largest exodus of creators from a YouTube company which brought the death knell for community-based YouTube Channels.
Watching the Nostalgia Critic turn into a parody of himself is genuinely sad. I truly did grew up in that golden age of YouTubers. He was the reason why I got into cinema and the arts, why I became obsessed with how movies get made and why I follow that weird genre of YouTube Critics like him, but more sophisticated, earnest, and actually funny. He's a trailblazer lost making his own trail in circles. He's the Nostalgia Critic, we remembered him because he doesn't anymore.
But on the other hand, the N. C. Is also the most outdated and ironic critic in all of YouTube. Since his revival and since his Jurassic world review, the N. C. was going to rely more on using live-action skits to evade copyright issues. In theory, this could possibly work if you have enough creativity, quality production, and, great acting and writing. But in execution, Doug Walker had none of them. The skits are, and continue to be, the worst aspect of his more modern episodes. These episodes are plagued with such puss-poor production that it makes The Incredible Bulk look like a James Cameron film, impressively bad and repetitive comedy that feels ripped off from Seizer and Friedberg, horrible pacing that causes all of the scenes to be unintentionally awkward and unbearably boring, sets that are either a lazy green screen or be set in this unbelievably dull office building, and even the music is this repetitive, stock "epic" tune that feels way too overused. But even then, most of the later episodes aren't consistently bad either, just extreme hit or extreme miss (though it's more the later). And these episodes just get worse and more dumber as the years go by.
But then comes the lingering elephant in the room: "Change the Channel," which, long story short, recontextualized him and his company, Channel Awesome. Gone was the perception of a flawed, yet passionate filmmaker who made a company so that others can accomplish their dreams, instead revealed Doug Walker as an inept, out-of-touch, and egotistical idiot. While there were far more insidious individuals who turned Channel Awesome into a toxic workplace of nepotism, sexual harassment, and gross mistreatment, it was Doug Walker who enabled this to happen. He is still complicit with their actions. And as such justifiably resulted in the largest exodus of creators from a YouTube company which brought the death knell for community-based YouTube Channels.
Watching the Nostalgia Critic turn into a parody of himself is genuinely sad. I truly did grew up in that golden age of YouTubers. He was the reason why I got into cinema and the arts, why I became obsessed with how movies get made and why I follow that weird genre of YouTube Critics like him, but more sophisticated, earnest, and actually funny. He's a trailblazer lost making his own trail in circles. He's the Nostalgia Critic, we remembered him because he doesn't anymore.
This is the worst YouTuber just watch his review of the wall and you'll see why. he is just a rip off of avgn who's good. if you watch him your supporting a bad person.
As far as I'm concerned there are two "Nostalgia Critics" those that were before "To Boldly Flee" and those that came after. Whereas not all the ones before TBF were gold or necessarily all that good, they were a far sight better than what we got afterwards. Let me take a few steps back.
Doug Walker was a man with a dream. He wanted to be the next Stephen Spielberg. He went to school to study filmmaking and when youtube was still new he came up with the idea of being an internet reviewer. His first reviews were fresh, a little raw around the edges, but they were reviews as done by a screaming, sarcastic, angry guy. But as time went on they became more polished and, dare I say it, enjoyable. I genuinely started to enjoy this and through him I discovered other that I still watch to this day. But time changes things. Whereas before he would have small asides, snide comments and short little skits, as time went on they practically became the driving force. Too much time was devoted to them and less on analysis or just having fun with it. And while reviews like "The Room" are still among one of my favorites they're just not like that anymore.
But Doug got tired of the whole NC shtick and wanted to move onto different things. So he killed the character off, started up "Demo Reel" which was unwatchable, tried his hand at a game show called "Pop Quiz Hotshot" which was equally painful and because the fans wanted it he went back to being the Nostalgia Critic.
It wasn't the same. Now the skits took up a good portion of the review. In some cases they practically were the review. And it became less about the movie and more about Doug and the Chicago Crew, all of whom are community theater actors at best. The show just got to be unwatchable. And then came the whole Change the Channel bit.
if anything this served to sour me on the whole NC show and the cast of characters that seemed to grow with each passing month. Too often there would be recurring characters with no hint of subtlety. It was all in your face obvious and there was literally none of the magic that the show used to have, It was reduced to a paint by numbers set and I finally signed off forever.
I would love it if he went back to his old way of doing things. One camera, short asides, maybe a thirty second sketch and actual care taken to review the movie whether it was good or bad. But sadly he seems stuck on this new way of doing things. Sadly he will never really achieve his dreams but will be playing this character until it stops being profitable and then will fade into obscurity having accomplished very little.
Doug Walker was a man with a dream. He wanted to be the next Stephen Spielberg. He went to school to study filmmaking and when youtube was still new he came up with the idea of being an internet reviewer. His first reviews were fresh, a little raw around the edges, but they were reviews as done by a screaming, sarcastic, angry guy. But as time went on they became more polished and, dare I say it, enjoyable. I genuinely started to enjoy this and through him I discovered other that I still watch to this day. But time changes things. Whereas before he would have small asides, snide comments and short little skits, as time went on they practically became the driving force. Too much time was devoted to them and less on analysis or just having fun with it. And while reviews like "The Room" are still among one of my favorites they're just not like that anymore.
But Doug got tired of the whole NC shtick and wanted to move onto different things. So he killed the character off, started up "Demo Reel" which was unwatchable, tried his hand at a game show called "Pop Quiz Hotshot" which was equally painful and because the fans wanted it he went back to being the Nostalgia Critic.
It wasn't the same. Now the skits took up a good portion of the review. In some cases they practically were the review. And it became less about the movie and more about Doug and the Chicago Crew, all of whom are community theater actors at best. The show just got to be unwatchable. And then came the whole Change the Channel bit.
if anything this served to sour me on the whole NC show and the cast of characters that seemed to grow with each passing month. Too often there would be recurring characters with no hint of subtlety. It was all in your face obvious and there was literally none of the magic that the show used to have, It was reduced to a paint by numbers set and I finally signed off forever.
I would love it if he went back to his old way of doing things. One camera, short asides, maybe a thirty second sketch and actual care taken to review the movie whether it was good or bad. But sadly he seems stuck on this new way of doing things. Sadly he will never really achieve his dreams but will be playing this character until it stops being profitable and then will fade into obscurity having accomplished very little.
The Nostalgia Critic was a very early example of the type of entertaining internet personality who doubled as a media critic. He gave reviews and retrospectives to old works with a flair of sarcasm, injecting some funny jokes and insights. Over time his reviews have become a bit bloated and straying from the point, but I still like them.
¿Sabías que...?
- CuriosidadesThe Critic's feud with The Angry Video Game Nerd (2004) started as a joke when the Critic complained about the Nerd's fans comparing them. Doug Walker didn't expect James Rolfe to acknowledge him, but when he stated on his site that he was a fan, Walker contacted him about keeping a feud going. This became one of the show's best-loved running gags, culminating in no fewer than three in-person confrontations between the Critic and the Nerd, and leading to a real-life friendship between Walker and Rolfe.
- Citas
[repeated line]
Nostalgia Critic: I'm the Nostalgia Critic. I remember it so *you* don't have to.
- Créditos adicionalesStarting with the Battlefield Earth review, the worst line from the movie/movies reviewed is repeated over the Channel Awesome logo.
- Banda sonoraThe Review Must Go On
(Theme music: 2013-present)
Written by Doug Walker
Orchestrated by Michael Schiciano (as Michael 'Skitch' Schiciano)
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By what name was Crítico de la nostalgia (2007) officially released in India in English?
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