Atenea

...too much of everything. It makes the impression that the director and the d.o.p. Were working for their reel and their reputation instead for the film. The long shots, the fire works, the steadycam shots, the drone shots...everything is kinda used all the time and frequently without serving any purpose except of being there and looking cool. And thats the biggest problem of the film. It feels like the wet dream of any music video director, but not like an generic and authentic film. It lacks of bravery to look ugly...sure it looks good if a dude on a horse is riding through the smoke weaving the french flag in the middle of a revolt...but does it really need to be there?

Athena is a bleak, almost dystopian look at the near future of France, a country familiar with racial tensions. We follow three brothers: Karim, a revolutionary leader of the community in revolt, Athena (Salimane), Abdel, a respected military man (Dessalah), and Moktar, a drug dealer (Embarek), as they reel from the death of their brother Idir, at the hands of police.

The death, supposedly the third in one month, leads to an uprising reminiscent of the 1871 Paris Commune, where the city essentially seceded from France for a year. Athena follows the chaos and starts with possibly the best intro of 2022: a blistering, intense one take that introduces the movie with an incredible bang. It's so good I've watched the intro itself three times.

But Athena doesn't let up from there; this isn't a movie that bogs itself down in drama and conversation. It's high octane, kinetic, and a feast for the senses. This is a gorgeous movie; the cinematography so perfectly captures the chaos and finds beauty in it. There are literal shots from this movie that I could see being album covers. The music is epic; orchestral mixed with booming synth that gives this very contemporary story a timelessness. It's as if we're watching an ancient siege take place in the 21st century. I can't gush enough about the amazing music, especially that sinister main theme.

The performances are also excellent; Salimane and Dessalah in particular convey a lot with their facial expressions; I fully understood the dynamics of their complicated relationship even though they shared the screen together quite briefly.

When I first watched Athena, I was a bit disappointed by the lack of substance to the story; while we get clues as to why the anger that is displayed in the film - the anger of immigrant communities vis a vis their interactions with the police in suburban Paris - the world we're entering isn't *fully* disclosed to us.

There are also some plot developments that I don't think make a ton of sense, and the movie begins to falter a bit for me by Act III. There's a plot development and we're sort of rushed into a the third act; the people I watched this movie with were shocked the movie was ending so quickly. It felt like we could've and should've gotten more.

But, the fact that I could watch this movie with others and know they'd be entertained is kind of a miracle. The French tend to make films about their society collapsing along racial and religious lines quite a bit. It's something I would never really expect to see from American filmmakers, and it's incredible to see it so often from France (I'm thinking of movies like Frontieres, Les Miserables etc.).

If you want to introduce audiences to French cinema, you really can't get better than Athena. It's an incredible, accessible, and very rewatchable movie. I highly recommend it, because I guarantee you're probably not going to see anything like it.

This film is great. All the losers slamming it are just low-key right-wing supporters who are disappointed it didn't end up like they were thinking it would. It was heading the way they wanted and then when it took a turn they got pissed. They can't fathom the situation, so they have to cry foul. It doesn't fit with their perception of how things "really are" so they have to bash it. It's a fictitious story, but they would have you believe that it's too far removed from reality, which is not the case.

The "critics" trying to rip on technicalities like cinematography or camera work or whatever are just reaching here. I'm a video editor. This film is incredibly shot. Almost every scene is a one-shot continuous camera shot and done perfectly. And these people are complaining about it?! They're just reaching for something that isn't there because the actual subject matter makes them uncomfortable. The lighting in every scene is superb, and the backdrop is unwaveringly urban to the point you can taste the concrete. It's near perfect. It is so well done.

Just watch this film and enjoy it for what it is. Don't let these fake and butt-hurt "reviewers" deprive you of an excellent watch. They always feel the need to come on here and try to dissuade you right away because it's not up their alley, but don't miss out on an overall top-notch flick.

This is very good. The initial scene is one of the best intros...in the cinema history. As simple as that. Technically the film is always great and one of those that I would really have preferred to watch in a cinema room. Unfortunately, Netflix doesn't want that.

I see some people criticising the plot or the script. Well, the plot is good IMO. For a film that happens in one night I think it touches in many things and isn't even politically correct (a lot of the spectators would have preferred to blame only the police because for them is always white and black). The script is...honestly, good enough? Yeah, some dialogue is not that great, but what do you think would be the real dialogue in a situation like this one? Do you really know how these people or most people usually speak in these scenarios?

A very good film. Really surprised to see this is the first film of one of the main actors and one of those films that will force me to watch previous films of this director.

As "Athena" (2022 release from France; 99 min) opens, a guy of Algerian descent announces at a police station that his younger brother, just 13 yo, has died resulting from police brutality, and that the police is investigating who is responsible. The guy urges for calm. But before we know it, someone throws a Molotov cocktail into the police station, and it sets into motion the looting of the police station... At this point we are less than 10 min into the movie.

Couple of comments: this is the latest from French director Romain Gavros, best known for shooting edgy music videos. Here Gavros brings the fictional tale of a suburban (filmed in a Paris banlieue) uprising following yet another instance of police brutality. While fictional, it feels all too familiar of course. Heads up: the opening sequence that lasts about 10 minutes is insanely intense, and... brought in a single take. In fact the long takes are a recurring feature in the film (I honestly don't know how some of these shots are even possible). The movie's tension is palpable from the get-go and really doesn't let up. The no-names cast is quite good, in particular the main character Abdel, played by French-Algerian actor Dali Bensallah. Bottom line: this revenge crime drama grabbed my attention from start to finish. But if intensive and over the top violence is not your thing, better stay away.

"Athena" premiered earlier this month at the Venice film festival to positive buzz. It started airing on Netflix this weekend. After seeing a positive write-up in Friday's New York Times, I just had to check it out. Glad I did. If you are in the mood for a very intense revenge crime drama set in a French banlieue, I'd readily suggest you check this out and draw your own conclusion.