Marcel, la concha con zapatos

Touching and cute, and surprisingly, didn't feel padded out to stretch it to feature length. Both Jenny Slate and Isabella Rossellini created characters whom you care about.

I did have some trouble understanding some of the words Marcel was saying, not a problem I've ever had with Jenny Slate in her other movies. It might have been the sound system in the theater; other people had the same problem.

If you are at all whimsy-tolerant, this is a move worth seeing.

Sublime. Truly delightful little gem that will help you feel like it's all ok. This should be on prescription. Recommended for:

• Sunday evening blues when you dread the upcoming week

-When the world feels like a harsh place

• When someone has been rude to you for no reason

-When you spent too much time on social media, or the news, and it feels so loud

• When you feel like nothing matters to anyone anymore
• When you need to hear a tiny voice thats very similar to the little voice you hear inside when you touch some truth.

• When you just had a big fight with someone you love

I'm so grateful for the makers. Thank you.

Marcel the Shell with Shoes On is remarkably somber for a film so cute; it is a film about small adorable characters and animated inanimate objects spawned from the idea that (to quote the director) "if an object is neglected long enough, it develops a spirit of its own".

Based on Jenny Slate's and Dean Fleischer Camp's beloved web series about a tiny shell with a big heart and even bigger shoes (the popularity of which is acknowledged by the characters/"interviewees" in this film), it's a stop-motion/live-action mockumentary that is sure to make you cry tears of sadness and even more certain to inspire tears of "MY GOD, THIS IS SO PURE AND PRECIOUS". Something to that effect.

Some of you might worry that the film is merely cutesy (which is different than being genuinely cute). But the picture is actually rather interesting on a technical level.

I'd love to see a featurette on just how much of the stop-motion animation is truly stop-motion, and how they made said animations interact so seamlessly with the live-action footage (which is filmed to make the world that surrounds Marcel seem a large and confusing one indeed). Another noteworthy behind-the-scenes detail -- that might have influenced the themes and tone of the film in some way -- is the fact that, whereas Fleischer-Camp and Slate were married when they created the original web series together, they worked on the movie as exes.

Last but not least: like all great things, Marcel the Shell with Shoes On also contains an appearance by Nathan Fielder. Why are you still here?

What would you do, in an Airbnb for you, where you thought you were alone, until a tennis ball did roam; then appears a little shell, puts you under his cute spell, seems he's been left and deserted, though he's charming and assertive; has the place all to himself, alongside Connie and her shelf, there was once a bigger throng, for unknown reasons they've all gone; so you start to record moves, capture chats and he approves, publish them for all to see, where they're gobbled up with glee; before you know it he's a star, people travel from afar, the search begins for family, does he find them - watch the movie.

An endearingly told tale about a shell called Marcel.

Marcel the Shell with Shoes On is an absolute joy from start to finish. It's really funny, incredibly moving and extremely deep whilst exploring the need to connect with others and the safety in community as well as the highs and lows of being an internet success.

Jenny Slate is perfect as Marcel, imbuing the character with an innocence and earnesty that would melt the coldest of hearts. Director Dean Fleischer-Camp essentially being co lead is a risky move that thankfully pays off and it's honestly really impressive how genuine his bond with Marcel feels.

Dean's direction is equally impressive with the documentary style construction of the film blending with the stop motion animation as seamlessly as possible. The tone is well handled overall however there's just one scene that really didn't need a joke, even if it was pretty funny.