King of Kotha

When you have Dulqeer Salmaan on screen and an ensemble cast featuring Shabeer Kallarakkal, Prassana and Aishwarya Lekshmi, expectations are high. Alas, it was a case of wrong expectations. The movie had everything going for it on the drawing board - a gangster saga, a hero who's a brilliant actor, a stylish villain but it was all unravelled by a single fatal mistake. The movie is so slow that one can sleep through it and still wouldn't have missed anything.

On the positives - The background score by Jakes Bejoy is as good as it can be.

The movie is strictly for DQ fans.

As a producer, DQ had the tools to create a cult gangster classic, he has fluffed it & he knows it.

Just an Average movie. But as compared to the tamil movie BEAST this is far better.

This is a Drama, Crime movie so some people may feel lag while watching. As a film lover I didnt feel any big lag in it. Way of presenting the story is very bad. Story is very common. Second half is really boring. I feel too much violence from the hero in this movie to portray him as a deadly killer and to get more claps (failed). In my opinion that can make in a different way. Watched in an old English movie villain killed his enemies with just throwing a Pen or Playing Card without direct fight.

BGM, Fight scene, Acting and Camera are amazing. Really appreciate it. This is the first DQ movie I dont like, all other movies from DQ are amazing. Still remembering Lalu, Charlie, Faizy etc. Expected an action story like KALI, KAMMATTIPPADAM, SECOND SHOW etc. Ie; People should remember the story and Hero. Hero should make an impact or attachment (connection) in the viewers mind. Eg. Rocky Bhai and Adheera in KGF, Kattappa in Bahubali, Pushpa, or RAM in SEETHARAMAM, If they are targetting pan India.

Overall - watch and forget movie.

DQ screen presence was awesome however the script was very weak. 2nd half was too lagging. I kept looking the time, why is not getting over. When you do a pan indian release expecially a south indian movie people expect a minimum quality to the script. I wonder if Abhilash showed the script to his dad just to take a opinion.

I couldn't also stop noticing Gokul Suresh was only in police uniform entire 2nd half and his looks remind you of old Suresh Gopi. Music and bgm were top notch. Aishwarya lakshmi was wasted. Soubin was hardly in the movie for 5 minutes, either way that is OK because he can can really annoying with his stereotype acting.

Abhilash you had all the right ingredients just you dint do right. Anyway long way for you to go and do things right next time.

First, let's talk about the things I liked in KoK, since they're very few.

• 3 scenes, in all of 3 hours: For a film with an excruciating run-time of 175 minutes, only three little scenes left a mark. Two of them involve Shammi Thilakan, who absolutely towers over the rest in terms of sheer screen presence (as a retired gangster turned family man). The third is a random drinking scene featuring DQ's and Shabeer's characters, and the only one where the dialogues sounded natural and indicative of a "supposedly" deep friendship. The rest of the film is completely flat, and of the two intro scenes for DQ's Raju, the first is slightly better. Chemban Vinod, playing a funny bad guy, is also quite good.

• That kickass background score - Jakes Bejoy single-handedly tries to cover up the gaping holes in the script with a fantastic effort on the score. If there's any reason to catch this on the big screen, it is to recognize this guy and the stuff he brings to the table even for the most mediocre flicks. "People of Kotha" is great ringtone (+ workout) material indeed.

• Cinematography & colour grading - Nimish Ravi paints Kotha in shades of brown and yellow, making for some organic visual texture. The setups and backdrops for some scenes actually look better than the scenes themselves. The colour palette is beautiful, be it in a bookstore, a bar, or at a playground.

Now, let's talk about the things that put me off.

• The writing: Abhilash N Chandran, who previously penned Porinju Mariam Jose, seems way too interested in creating conflicts that even lack a basic structure. Everything and everyone in Kotha is so random. How annoying it is that even when the writing lazily spends hours trying to detail various characters, including the main protagonist and antagonist, you don't feel emotionally connected to their journeys AT ALL! There's no shock of betrayal, no thrill of revenge; plus a surprising lack of elevation moments (except for the ones mentioned in the positives). The screenplay is old wine in an old bottle!

• Performances: Take a bow, seniors! The gangster crime sagas from your generation were obviously a lot better. DQ probably gives it everything he could, but Raju isn't a character anyone emotionally attaches themselves to, and he's too much of a charmer to carry/pull off the grit of a raw, cold-blooded gangster with almost psychotic shades. Shabeer Kallarackal's Kannan Bhai boasts a peculiar (but also familiar) blend of behaviours, and even though the guy's got the look and the gangster mannerisms right, I couldn't envision him as a "final boss". Aishwarya Lekshmi is utterly wasted, while Nyla Usha makes for an interesting-but-underwritten femme fatale.

• Sluggish pacing: Okay, when the story developments are so damn predictable, why director Abhilash Joshiy chose to stretch scenes out the way he did is beyond my understanding. Several scenes in both halves bring the pace to a drastic halt, and it takes a really long while to get to that forseeable finale. The tail-end also leaves much to be desired.

• Fight choreography: Except for the climax set-piece (which apparently was re-shot), the fight sequences in KoK are really meh. Action is an area where guys like Tovino and Antony Varghese have shown promise, but DQ falls way behind on this list. He's got a long way to go before he can even get close to what his father can still manage to do at 70+. For now, I'll put the blame sorely on the choreography, as even the final set-piece looks uninspiringly rehashed from the recent John Wick films.

Conclusion - Again, one could say that the massive hype and promotions for this film made you believe something incredible was in the works (of several second-generation artists and technicians), but unfortunately, they failed to deliver.

It's a pity that Malayalam movies are being overly influenced by Tamil/Telugu films. Amongst movies from the south, Malyalam movies are held in high regards even by Bollywood for their superior stories & acting. Then you get these kind of movies that brings down the overall standard. The malayalee audience is far more cranial so they can discern quality from mass drivel. Now to talk about Dulquer Salmaan. He is a good actor in his own rights, given a good story. This kind of genre is not suited for him at all as he does not have the commanding on screen presence and physique that Mammotty has. Even with the facial beard and all he still has the urban boy soft look and not very convincing as a badass. So whilst experimenting with various roles, he should pick only ones that suits his personality. The story was kind of flat and one dimensional with no sidebar to it so it got boring after awhile. No comedy content to relieve the tension either. Due to the limited role you'll barely notice Shammi Thilakan, which is a shame. The bad guy seemed to have an unlimited stock of henchmen in his closet and that was an irritant to the watcher. The slow motion fights weren't too bad but that alone cannot hold the attention of the audience for long. The movie did not have the content to drag it for nearly 3 hours, maybe 2 hours 15 minutes at most. The ending suggested there could be a sequel, I certainly hope not, considering the first part was declared a flop.