Meeting Spencer

The pseudo-sophisticates behind "Meeting Spencer" may think they have written and produced a clever insider's look at the "real" world of show business. Instead, it is an appalling hash of a movie that one watches in disbelief, assuming that it must somehow have a point. It does not. This film would get a B- as a film school project. As a commercially-released film, it is laughable. Which is NOT to suggest that it is, for one moment, actually funny. The stilted dialogue is at least partly saved by the incredibly poor sound quality, which prevents most of the actors from being heard. This is, I think, meant to be a satire on the pretensions of the world of "the theatah." Instead it is a savage indictment of the world of indie film making, and even though the budget was clearly minimal, one can't imagine who might have actually put up whatever was spent to make this embarrassment.

I enjoyed the ride more than the destination. Just as the stakes raised, the credits rolled. The movie's first half was a little slow but I still liked it overall. The character interplay held my interest and Jeffrey Tambor was good, as usual. I'm a sucker for NYC films. So if anyone can recommend more NYC movies similar to this, I'm all ears. Though I prefer the Woody Allen type more than the Whit Stillman version. There's only so much pretension I can take.

Meeting Spencer is a hilarious comedy that entertains all movie and theatre goers alike. Set in NYC at Frankie & Johnnies Steakhouse, we walk into the restaurant ready to "seal the deal" on the next Broadway "hit" and exit with a comical change of direction for our theatre production on turn of the century coal miners. At every stage of our evening out at this NYC landmark, whether at the bar or prancing about the restaurant, writers Andrew Kole, Andrew Delaplaine, and Scott Kasdin placed great wit at every spot providing a well-paced film. Director Malcolm Mowbray navigated the audience through each scene masterfully over each careful string of the deal-web without losing even the most novice movie or theatre goer. Jeffrey Tambor is stellar as the theatre director and ringleader for the theatre troupe with his ravishing and impeccable Melinda McGraw. Spencer, our up and coming actor, played by Jesse Plemons, helps us all identify with the novice who is looking to learn the ropes; Plemons certainly manages to climb the ropes fast with assistance of the reporter, played by the voluptuous Jill Marie Jones, and equally enticing actor Mark Harelik, who gives Spencer his confidence to move on. Superlative performances from all others! Whether we follow the sexual innuendos or the interactions between the young and old, the audience is continuously taken on a roller coaster of the "deal"—casting and recasting the leads, enlisting investors, signing on agents, and setting up Hollywood film makers. Meeting Spencer is a crafted film sure to amuse every viewer. Producer and attorney George Braunstein and director Malcolm Mowbray gave us a film with a sensational troupe of actors who are sure to make you double over in your seat!

Valerie Lapena and Gustavo Lamanna

It was great to see Jeffrey Tambor carry a movie like this. He shows himself as a great talent, leading an ensemble. The material is a little complex because of being about the inside workings of show business, but it moves and it's funny & smart. It was particularity good seeing old Morgan Shepard as the cranky veteran Broadway star. Also I particularly liked seeing Yvonne Zima as the young and beautiful coat-check girl; I've been a fan of her older sister Madeline for some time. If fact all the women are wonderfully appealing and playful.

"Meeting Spencer" is my kind of movie because it reminds me of the great movies about Broadway and Hollywood like "The Producers" and "All About Eve." It was fluke that I ended up at a preview screening, so I'd keep an extra eye out for this movie.

I was lucky enough to get to see this witty movie recently at a Sneak Preview. . Its a different kind of comedy, its really more old school, very sophisticated and intelligent - adult type of humor, subtle -- like a Woody Allen film, not like Jud Apatow films... Very smart and you really have to pay attention to get all the jokes,. It all takes place at one restaurant in New York on one night.

Jeffery Tambor plays a director trying to get his carer back on track with a famous play he wants to produce on Broadway. But while he's at the restaurant to get the financing set up, ten million things start to go wrong, such as accidentally bumping into a sexy reporter who it turns out, he actually has an affair withl years earlier.

Form there things get more and more crazed and its a comedy of errors - mistaken identities and people who turn out not to be who you think they are, and lots of surprises Very unpredictable and keeps you guessing to the end! I'm hoping thus will be out in the theaters soon, I want to see it again. You need to see it twice to get everything. A lot of familiar faces in the cast and great soundtrack too!