Elfie Hopkins

If you like the dark humor of the Seth MacFarlane animated sitcoms, perhaps you will like this. It was described as a horror movie in the TV listings I saw, but it's not really a horror movie. More of a creepy comedy/mystery. Toward the end it does become quite violent and the laughs stop. Not everyone is going to survive to the end, and as is often true with horror movies, even someone you care about is not safe.

Despite her "whatEVER" attitude toward everything, I had to like Elfie. I know nothing about Jamie Winstone but there's something adorable about her, despite her hate for the world and lack of concern for her looks, though somehow she looks sort of pretty.

Aneurin Barnard I have never heard of, but Dylan was very likable. I did find one thing strange: Dylan is a computer genius but this movie was made in 2012. If it was set at that time, why is Dylan using 1992 computer technology? He uses what is essentially the Internet but gets there the way geeks did when people in general started using PCs.

Rupert Evans as the mysterious neighbor shows quite a range, going from friendly to downright creepy in a humorous way.

Ray Winstone is memorable as a butcher who is also a creepy storyteller.

Either one actress is either really good at pretending to be still or someone really talented recreated her head. You might either love the scene for its humor or be totally repulsed by it.

Is it good? Well, I did enjoy it as long as it was funny. The ending is effective if not pleasant.

The film follows a pair of detective-wannabe stoners who begin investigating a suspicious family who move into their sleepy hunting village in England. While billed as a horror film it's actually more of a quirky coming-of-age story that just so happens to feature cannibalism and gratuitous violence. The story is overshadowed by the vivid characterisation and splendid performances from the cast. Jamie Winstone and Aneurin Barnard are engaging and likable as the oddball pot-loving duo at the centre of the film while the bizarre family of Gammons provide comedy and terror in equal part.

Elfie Hopkins is a B-movie story with fully-fleshed and precisely portrayed characters that is entertaining, heartwarming and occasionally rather gruesome, with a hilarious cameo from Ray Winstone. It takes elements of cult cinema and mixes them with slick contemporary filmmaking to make the ideal midnight movie and a promising debut from a new young director. As Elfie would say, "skin up", sit back and enjoy.

This is the most underrated work I have ever reviewed. I didn't look it up first so I didn't know what I was going to get. Seeing that this film sits at 3.8/10 makes me never to decide whether or not to see a film on account of the IMDb & the user's collective "wisdom" alone. Although 95% of the time I do completely agree with them. This though was something different that carried a sort of a 60's-70's feel/dark beauty, with the scenery & sets, the wonderful colorful outfits & even the time they took to construct Elfie's room right down to the smallest of things. So the scenery & cinematography are 5/5 which definitely helped to even out some of the weak areas in the film.

Getting back to the story now, a lot of people may compare it to Twilight mainly because of the dark & mysterious neighbors moving in next door, with the girl that starts to investigate the truth behind the obvious facade that they put forth, but wait, don't drop it from my previous observation. If anything it's a Twilight spoof but not the Scary Movie kind at all. It is a well told tale that is quite interesting from beginning to end. The imagery & cool vibe make it worth a watch. For the most part, the film was well acted despite the mostly novice cast. I really liked the character of Elfie Hopkins played by the up & coming Jaime Winstone, yes she is the daughter of Ray Winstone, the talent does seem to be genetic, it's undeniable, well at least in some cases.

Ray Winstone only pops up for a few seconds once in the beginning & once in the end which was cool to see them appear together on screen for a bit. So why this sits at 3.8/10 when there is a unique little story with cute characters whose acting in my opinion didn't stick out a bit with good sound & cinematography that was spot on, is a mystery to me. It has a decent amount of dark humor in it, it's not meant to be a serious, gory, scare the heck out of you film. Although there is some moments of gore & suspense it isn't really that dark a film as its main mission is of a more lighthearted story telling.

In checking the history of 3 of the other reviewers that gave this a 1/10, it was their first review in each case(which sounds personal to me) but the top two users gave it fair reviews so stick to them. I give this a solid 7/10 & I've written plenty(sorta)other reviews on films in these type of genre's in the past year. So you know who to believe, the other review by Tony Bush sums it up a bit better than I, and the mention of the boy & Harry Potter was spot on, I was thinking that during the entire film. I recommend it to anyone, just don't expect a tense gory experience. Even people that hate gore may very well still enjoy the story, just close your eyes for a few seconds here or there...7/10

If you love films with literally no redeeming features, then Elfie Hopkins is for you. If, on the other hand, you are like me, and you enjoy written, well shot and well acted cinema then avoid like the plague.

The film focuses on angsty teenager Elfie Hopkins, played by sour faced 26 year old Jaime Winstone, who lives in a sleepy village in the depths of Wales with her father and step-mother. Her days seem to be entirely comprised of bickering with the step-mother and then smoking weed with Elijah Wood look-a-like Aneurin Barnard. When the village welcomes some new arrivals, the peculiarly named Gammons, Elfie's curiosity is piqued - are they all that they seem? What goes on behind the door's of this seemingly charming and cosmopolitan foursome? And why are the village's inhabitants steadily going missing?

The more relevant question is, why should we care? The answer, revealed over the course of what felt like 2 and a half torturous hours, but what was in fact just 89 minutes, is: we shouldn't.

The film opens with the eponymous Elfie driving her beat-up old car down a leafy Welsh Lane. We know she's cool because she's wearing John Lennon glasses and a knitted woollen hat. She finds a tree branch blocking the road, so gets out to move it; finding the car won't restart, she mutters an expletive under her breath and lights a cigarette. I've already forgotten that this is a woman at least 8 years older than the character she's supposed to be playing because everything about this scene is so real. The Gammons swoop by in their expensive looking 4x4 - they are sinister because their car and hair is black.

You know when adults try to write dialogue for teenagers and it feels like all those times that you and a friend were in the car with your dad and he kept using the word 'cool' and doing Ali G impressions? This is like an hour and a half of that. We are asked to believe that Winstone and Wood are the best of friends, bonded by their mutual love of weed and claustrophobic existence in this Welsh backwater, but at no point does their relationship seem convincing, and their conversations make the film feel like one long episode of skins. The chemistry is non- existent, and their scenes together only serve to enable to writers to introduce clunky plot- devices into the narrative ("Cripes Dylan, I can't believe I found this letter of acceptance to London University of London City in plain view on your desk and you weren't going to tell me about it?!").

There is only a token effort at characterisation: the step-mother is a cardboard cut-out of a succubus; Elfie is haunted by the demons of her past (including her dead mother); Elijah Wood is a nerd with glasses and curly hair; the Gammon man is a suave city-type who does yoga and wears lots of black; one of the Gammon children also likes black and shooting wildlife, while the other is kooky and dresses like a doll. None of these characters are likable because none of them are fleshed out beyond two-dimensions. They exist only to be a part of badly written dialogue and a poorly conceived narrative.

What I particularly enjoyed was the way that stuff was routinely shoe- horned into the film in the most hideously awkward way. Example: When a party guest of the Gammons is seemingly haunted by disembodied voices on his walk home and comes dashing back down the road screaming, Elfie, apropos of LITERALLY NOTHING, decides she needs to begin one of her investigations into the Gammons. Oh right, yeah, Elfie's an amateur detective: apparently everyone except the audience already knew this. When the 'investigation' fails to turn up any meaningful leads, the Elijah Wood character just announces that he has hacked into the computer systems of police stations in villages where the Gammons have lived. Of course we should have realised that he had that capability; he has glasses and curly hair, and a Packard Bell PC from the mid 90s, so it's on us to make those kind of assumptions.

Ray Winstone also makes a cameo appearance as a butcher who can't decide whether he is from East London, the West country or North Yorkshire, and ends up sounding like a cross between Ronnie Kray and one of the Wurzels. Try as Ray might however, there's simply no saving this train- wreck.

The film is at least shot in a beautiful part of the world, and autumnal colours prevail throughout, but personally I think the opportunity to use those colours to make the film more stylised and ethereal was completely missed. An other-worldly quality would have enhanced the film no-end, and made the unoriginal and tiresome twist, (which is thrust into the story with all the subtlety and finesse of Ray Winstone in stiletto heels) entirely more appropriate. Moreover making a remote Welsh village seem oppressively small is surely like shooting fish in a barrel, but at no point in the film is that sense of claustrophobia adequately conveyed. Finally the final scenes are gory and unpleasant, and are accompanied by incredibly jarring and inappropriate violin chords.

Basically this film doesn't know what it wants to be; it's not a teen comedy, or teen horror nor is it a twee indie flick; in the end the makers seem to have settled on that genre affectionately known as 'straight to DVD'.

Attempting to find meaning in her world, an amateur detective finds her new small-town neighbors are the perfect opportunity to refine her skills only to stumble upon an even deadlier secret that threatens her small-town home.

This one here didn't really turn out all that bad and had some decent stuff about it. What really tends to work here is the slow-broiling mystery throughout here which comes off rather nicely with the strange, odd family seeming like completely worthwhile avenue of study here that really makes for quite a nice time. The fanciful stories and traveling quips, the secretive glances and looks at each other and then the sudden slow-turn into being mysterious and somewhat intimidating lets this initiate the mystery into the fine later half here as this one manages to get that paid off in rather exciting form here as there's a lot of rather enjoyable encounters to come from how they manage to keep up their true nature in the face of the continually persecutions. That leads to plenty of fun here with the building evidence fully realized in the rather brutal encounter in the woods where the entire family is shown engaging in the stalking which is what makes for quite a fun time overall here as the night-time forest setting is put to great use here. Likewise, the family brawling in the final half is all kinds of fun with the stalking taking place on the multiple floors of the house, the brutality in the kills is appealing and it pays off the mystery quite well here. These here are enough to make this one worthwhile despite the fact that there's not much else in here. The film is more of a mystery film about her sleuthing their behavior for the majority of the film and that doesn't tend to offer very much in the way of interesting efforts here since these consist of her sitting in front of a computer piecing everything together or going off on accusations that don't really amount to much throughout here in terms of exciting sequences since nothing happens until the end. The mystery does work, but it's not how it goes about accomplishing it which is where this one falls. As well, the film also tends to run along a big side-plot about her friend and how he's carrying on in life without her, and despite this attempting to stir up a rather noticeable amount of teen-angst drama about it there's just nothing really interesting about them due to the low-key nature of their discussions really bringing anything about them. Otherwise, this here was pretty decent overall.

Rated R: Extreme Graphic Language, Graphic Violence, Brief Full Nudity and rampant drug use and references.