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Un lugar donde quedarse (This Must Be the Place)

Título original: This Must Be the Place
  • 2011
  • 7
  • 1h 58min
PUNTUACIÓN EN IMDb
6,7/10
38 mil
TU PUNTUACIÓN
POPULARIDAD
4956
862
Sean Penn in Un lugar donde quedarse (This Must Be the Place) (2011)
Cheyenne, a retired rock star living off his royalties in Dublin, returns to New York City to find the man responsible for a humiliation suffered by his recently deceased father during WWII.
Reproducir trailer2:08
3 vídeos
99+ imágenes
Dark ComedyRoad TripAdventureComedyDrama

Cheyenne, una estrella de rock retirada que vive en Dublín, regresa a la ciudad de Nueva York para encontrar al hombre responsable de la humillación que sufrió su padre recientemente falleci... Leer todoCheyenne, una estrella de rock retirada que vive en Dublín, regresa a la ciudad de Nueva York para encontrar al hombre responsable de la humillación que sufrió su padre recientemente fallecido durante la Segunda Guerra Mundial.Cheyenne, una estrella de rock retirada que vive en Dublín, regresa a la ciudad de Nueva York para encontrar al hombre responsable de la humillación que sufrió su padre recientemente fallecido durante la Segunda Guerra Mundial.

  • Dirección
    • Paolo Sorrentino
  • Guión
    • Paolo Sorrentino
    • Umberto Contarello
  • Reparto principal
    • Sean Penn
    • Frances McDormand
    • Judd Hirsch
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,7/10
    38 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4956
    862
    • Dirección
      • Paolo Sorrentino
    • Guión
      • Paolo Sorrentino
      • Umberto Contarello
    • Reparto principal
      • Sean Penn
      • Frances McDormand
      • Judd Hirsch
    • 102Reseñas de usuarios
    • 208Reseñas de críticos
    • 61Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 20 premios y 17 nominaciones en total

    Vídeos3

    U.S. Version -- #1
    Trailer 2:08
    U.S. Version -- #1
    U.K. Version
    Trailer 2:33
    U.K. Version
    U.K. Version
    Trailer 2:33
    U.K. Version
    "Mick Jagger Sang with Me"
    Clip 1:09
    "Mick Jagger Sang with Me"

    Imágenes120

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    Reparto principal76

    Editar
    Sean Penn
    Sean Penn
    • Cheyenne
    Frances McDormand
    Frances McDormand
    • Jane
    Judd Hirsch
    Judd Hirsch
    • Mordecai Midler
    Eve Hewson
    Eve Hewson
    • Mary
    Olwen Fouéré
    Olwen Fouéré
    • Mary's Mother
    Johnny Ward
    Johnny Ward
    • Steven
    Sam Keeley
    Sam Keeley
    • Desmond
    Danielle O'Brien
    • Supermarket Girl #1
    Margaret O'Reilly
    • Supermarket Girl #2
    Mairin O'Donovan
    • Old Lady in Bank
    Simon Delaney
    Simon Delaney
    • Jeffrey
    Jer O'Leary
    Jer O'Leary
    • Old Man in Cemetary
    Master Deng
    • Chinese Tai Chi Teacher
    Jane Myers
    • Jeffrey's Girlfriend
    Heather Fedyk
    • Elevator Woman #1
    Iris Frank
    • Elevator Woman #2
    Andrea Mellos
    • Elevator Woman #3
    Sarab Kamoo
    Sarab Kamoo
    • Elevator Woman #4
    • (as Sara Kamoo)
    • Dirección
      • Paolo Sorrentino
    • Guión
      • Paolo Sorrentino
      • Umberto Contarello
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios102

    6,738K
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    Reseñas destacadas

    6dansview

    Boring but Reasonably Meaningful

    If you come up with a complicated and quirky plot, there is almost no way to avoid people accusing you of trying too hard to be "indie." The core of this plot is a good one, although it's hampered by throwing too many ingredients in the soup. Hence, like other reviewers, I too will accuse the makers of trying a bit too hard. But I appreciate the originality of the plot.

    I've noticed that most small films tend to focus on depressed or outsider type people. I'm guessing that's because the people who make them are that way. But it would be nice once in a while to see a small film about essentially happy people growing in some way, or overcoming an obstacle.

    If you took a bunch of drugs, you haven't worked in 20 years, you live in a dreary place, and you're going through a midlife crisis, you would move and talk slowly and perhaps softly. Also, if you were a cross dresser, you might speak with an effeminate voice. So i get all that. But the mumbling aspect was a bit much. Unless you want to interpret that a guy who made millions from his voice, is now crippled in the voice. The mumbling was my biggest complaint. Even if he had cranked it up a tiny notch, I would have been satisfied.

    I think the sex scene was put in there specifically to justify why a woman would stay with such a loser for so long. Make no mistake about it. This guy is a loser. His awareness of that fact is the main source of his depression.

    What I liked about the plot was the idea of needing a purpose or mission to get yourself out of a funk or grow up. But having his dad be American and orthodox Jewish is a shock to the system. There were no previous references to his even being American, and none about growing up as an orthodox Jew. Wouldn't you see some vestiges of Jewishness at his house, or in his mannerisms or conversation?

    As other reviewers mentioned, it was clear that he had no real interest in the Holocaust or his dad's history. He just felt remorse at not giving his father a chance. Couple that with needing a purpose and you have his mission.

    Most of the people he interacted with in small town America were not random. They were family members of the Nazi he was hunting or knew something about him. But we did get a little slice of American life in the process. Although here's a tip to non-American indie film enthusiasts. Not all Americans are quirky. Many just work, live, love, pray, volunteer, serve, and laugh.

    This guy was always about depression and regrets, but never about rage. So it's no surprise that he had no rage for the Nazi. Another person might have, because although the humiliation he caused his father was relatively mild, he was still involved with slaughter.

    I'm OK with the subplots about the woman with a missing son and the Gothic teen. It makes sense. The girl was the type he would have hung out with in his own teens and he was basically stuck at that stage of life. Meanwhile the woman's son apparently skipped town the way our main character had years ago.

    I love the Talking Heads song. So I certainly appreciate the idea of building a story around it. "Home, this must be the place." You could say that our protagonist was searching for a home in this world his whole life.
    8blogurious

    Penn is simply wonderful!

    How refreshing it is to sit through an inspirational and yet entertaining story. If you fell in love with Sean Pen during the trailer, you will definitely be happy to know that those two hours will not disappoint you.

    "This Must be the Place" brings back Penn and his wonderful talent to depict a strange character that doesn't seem to connect with the world around him. It's a delicious journey through the ups and downs of life and the numerous ways of facing them. It's about love and family, courage and determination in searching for what makes sense to you in spite of what people may think. Penn is extraordinarily funny in a simple way, unpretentiously humble and somehow adorable as a man who sees the world differently from everybody else. I had a wonderful time watching this movie, without that feeling of betrayal left by so many deceitful trailers.
    7lastliberal-853-253708

    I think a man who does that with his wife of 35 years like it's the first time...is not depressed.

    It's very difficult to get a handle on Sean Penn's aging rocker character. One thinks he has fried his brain. He speaks and acts slower than anyone I have ever seen. He looks the same as he did in the 80s, including makeup, but has lost interest in his music.

    Cheyenne (Penn) is married to Jane (Frances McDormand). They have been together for 35 years. Not only is this the opposite of what one would expect of a rock star, but she works as a firefighter. No, they are not broke, it's just what she does.

    The two of them are surrounded by some interesting characters in a film that moves at a snail's pace.

    You never really know where it is going, but at the end you realize that it was good for Cheyenne to get out of his world and grow up.
    5rlaine

    Great acting, not that great a movie

    I thought this would be a better movie. The premise is quite interesting and I usually like these artsy dramedies. This one on the other hand tries to be more artsy than it really is.

    At first I didn't like how Sean Penn portrayed Cheyenne, but later on in the movie I completely forgot that I was watching Mr. Penn. So I guess the performance is good, and maybe I just didn't find the character to be a very interesting or likable.

    This movie is slow, and I don't even mind slow movies. Hell I usually think the slower the better, but this just drags forever. The plot doesn't take off until half way thru and even then it feels like you've already watched this movie for hours.

    There's an insane amount of camera trickery, almost every scene uses some camera dolly or crane thing, even if it serves no purpose other than moving the camera around in an "imaginative way". It was really distracting and I didn't find the camera work that fun to look at.

    The script leaves a lot of stuff untold. There is talk about people who are seemingly important, but they are never explained who they are and while you have ideas, it's not something you'd like to spend any energy guessing. Some movies make these mind games fun, but here they're just annoying. I noticed myself thinking all the time if I had missed something, but reading at the forums here, I don't think I missed anything. This movie just doesn't inspire you to figure out those loose endings at all.

    In the end I gather I just don't like the directors way of making movies. The story is quite interesting, but the way it's told just wasn't my cup of tea.
    7rmgentile

    Beautiful Words

    This film has beautiful performances and words - it's the moments that end up holding the most merit. Otherwise, a lot of it is lost on a practical level. For example, I didn't understand most of the characters' relationships on a completely literal level. How were Mary and her mother related to Cheyenne? What did Mary say in the first scene at the mall coffee shop? Between the unintelligible way they spoke and the (refreshing) non-expositional quality of the movie, you just have to take it as it comes. Much of the dialogue is poetic and nuanced, the performances from each actor are strong, and the photography is fun. I found it to be poetic and wonderful despite its befuddling aspects.

    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      The organ-like instrument that David Byrne plays for Cheyenne is a variation of Byrne's "house organ." Byrne created the organ in 2008 as part of an art installation project in New York City. Instead of playing musical notes, each key on the organ transmits a signal through a wire, which in turn "plays" the building: for example, motors vibrating a set of metal girders, hoses blowing air through the building's water pipes, or metal rods striking the radiator.
    • Pifias
      Cheyenne refers to the band as "The Talking Heads". David Byrne and group went so far as to name an album "The Name of This Band is Talking Heads" to help people drop the "the".
    • Citas

      Rachel: No shit! Now I remember you. You sang with Mick Jagger once.

      Cheyenne: I know him. He's a good singer, I like the way he dances.

      Rachel: Listen your cheeseburger is a bit too well done. You don't mind do ya? Unfortunately, that's life!

      Cheyenne: You know what the problem is... Rachel?

      Rachel: What?

      Cheyenne: Without realizing it, we go from an age where we say: "My life will be that" to an age where we say: "That's life."

    • Versiones alternativas
      The international version is approximately 7-minute shorter than the version screened at the Cannes Film Festival and released in Italy.
    • Conexiones
      Featured in WatchMojo: Top 10 Sean Penn Performances (2013)
    • Banda sonora
      This Must Be The Place (Naive Melody)
      Written by David Byrne (as D. Byrne), Tina Weymouth (as T. Weymouth), Jerry Harrison (as J. Harrison), Chris Frantz (as C. Franz)

      Performed by David Byrne

      (c) Warner Bros. Music Inc. / Index Music Inc.

      Licensed by Warner Bros. Music Italy S.r.l.

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    Preguntas frecuentes19

    • How long is This Must Be the Place?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de mayo de 2012 (España)
    • Países de origen
      • Italia
      • Francia
      • Irlanda
    • Sitio oficial
      • Wikipedia
    • Idiomas
      • Inglés
      • Hebreo
    • Títulos en diferentes países
      • Un lloc per quedar-s'hi
    • Localizaciones del rodaje
      • Dublin, County Dublin, Irlanda
    • Empresas productoras
      • Indigo Film
      • Lucky Red
      • Medusa Film
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 25.000.000 € (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 143.979 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 7754 US$
      • 4 nov 2012
    • Recaudación en todo el mundo
      • 11.928.909 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 58 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • Datasat
    • Relación de aspecto
      • 2.35 : 1

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