Pobres criaturas

I went into the theatre now knowing what to expect as the fiancé had booked the tickets. She said she'd heard it was "artsy" and "special". Those words were a gross understatement.

The setting is basically a fantasy and everything is off - but that's the point. It is gory but not in a disgusting way. There's a lot of nakedness.

But god damn - the acting is the best I've seen for some time. Mark ruffalo and Emma stone are amazing in their roles and they're being pathetic and hysterically funny all the way at the same time but their progressions in terms of being pathetic run diagonally forward towards each other.

I'm not going to recommend this movie to but a specific crowd of people though. It's not an attempt at pleasing a wide crowd. It's a vision by the director that's been clearly set forth and executed brilliantly and you as a viewer feel amazed that you get the chance to have a glimpse into this very weird mind that's written this. It's not a must see in terms of the story but in terms of creating art it definitely is.

I loved it and felt disgusted at the same time. I was amazed and very troubled at the same time. It's a challenge to anyone who views it to open up all pre-conceived notions and completely throw them overboard. Be prepared to accept the dichotomies of the world for what they are and experience all the ugliness you can imagine and you will be fine.

But just to lay out how disgusting this movie can be at times - a middle aged couple walked out of the theatre approximately 15 minutes into the movie. But we all know how some middle aged couples can be.

Truly a masterpiece for the senses, but it could be socking for the untrained in psychoanalysis brain. Bella is FREE of societal rules, shame, or gender roles. Free to explore the world, societal norms and create her own self identity as she pleases. A journey that forces her to confront misogynism, sexual fixations and complexes. What moved me was her raw empathy for human suffering, while she could dissasociate from it when facing a threat. Fearless and daring she conquered her world under her loving and accepting god's eye.. One could focus on the feminist aspect of the film, but Bella is much much more than that. She is a human free of social constructs. She does not need feminism because she has no recolection of patriarchy in her existense and feminism can only be needed only to oppose patriarchy. Bella disregards any social norm and IS, which results in the deconstruction of all social and gender theory. Pure enstict roaming the world.. I rated 9/10 because i thought the goat general was a petty joke. You cant call monsters the creators and then become and create one yourself.. Besides the meaningless ending this is a true masterpiece.

I loved this movie from start to finish. Went into it having zero clue what it was about, and only knew Emma Stone was in it. 2 mins in I leaned over to my partner and said "this movie is absolutely bonkers, and I love it!"

What kind of genius is that! All of the acting was on point, the cinematography was A++ the costumes and sets/scenes/CGI, I actually just can't fault it. I laughed so loud, so many times, and I shed a few tears too.

Very poignant, and poetic, with fantastic "morals of the story" I took away a lot, it had beautiful messages of self growth and discovery. Had the good, the bad and the ugly, all mixed into a weird lil soup.

Best movie I have seen in a very long time. Big fan.

This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.

I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.

I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.

While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.

So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.

I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.

During the first half hour of the movie, I was ready to give up on it and find something else to watch. But gradually I got into it -- or it got into me.

Poor Things is an alternate universe, and the ordinary rules of the world we live in don't apply. For instance, you can't just take a brain out of a baby's skull and insert it into an adult's, but you can in this movie.

The characters in this movie couldn't exist in the real world, but that's not the point. The world of the characters is like that in Alice in Wonderland, and like Lewis Caroll's tale, the movie ridicules human pretensions.

In the end, I enjoyed the movie very much, and I think watching it is worthwhile use of time.