En ganske snill mann

" A Somewhat Gentle Man", is quite a surprise. When I scanned the description of the movie, I expected a crime flick. My mistake for not paying proper attention to detail. Nevertheless, I enjoyed this quirky comedy very much. My experience with the Norwegian comedy is hopelessly limited, but if this movie is typical of it, I wouldn't mind seeing more.The humor swerves between deadpan and grotesque with an amazing ease.The characters are people that life didn't pat on the back. They are beaten, bitter or just plain depressed. The jokes are smart and original, and the actors are not clowning, but playing very serious. That's the reason, probably, that I found this strange little flick so fresh and funny.

Ulrik, a sort of taciturn middle aged man, is seen getting out of prison as the story begins. Having served time, he is facing an uncertain world. The former con wants to get away from his past life, but alas, his former boss, Rune, has a different idea, he wants Ulrik to take care of the man that was responsible for sending him to jail.

A newly released prisoner is not exactly what employers look forward to hire, but with a bit of influence from Rune, he is engaged as a auto mechanic in the shop run by a man that wants Ulrik to concentrate in fixing the problems brought to him, and do not get involved with Merete, the lady that takes care of the books in the office of the garage.

Rune is even able to get Ulrik a basement room with his sister, Karen Margarethe, a lady of uncertain age, who takes pity on the man. Karen starts by bringing Ulrik a second hand television set, as well as meals she prepares. The lodger finds a way to make the set to work, being able to catch a Polish broadcast of a program similar to 'Dancing With the Stars', something that hooks the landlady into coming to visit Ulrik with the meals she cooks for him. It does not take long before Karen Margarethe and Ulrik are copulating in his room.

When Ulrik's boss gets sick, he must be taken to a hospital. Merete also begin getting closer to Ulrik, who likes her as well. The ex-con is interested in renewing the relationship with his son, something that he misses. When Rune pressures Ulrik to get rid of the stool pigeon that fingered him, but Rune has a surprise for his former boss.

We were pleasantly surprised by this film when we saw it IFC recently. It takes the viewer a while to get into the picture, but Hans Peter Moland, its director, kept us involved in this tale about a man that wants to reintegrate into society, but his past life keeps getting in his way. The screenplay is Kim Fupz Aakeson. It is a dark film that works well because once one gets into the story, it is a joy ride until the ironic twist at the end.

Stellan Skarsgard, the Swedish actor, has never been better. His Ulrik is an amazing creation that deserves to be seen by serious movie fans. The supporting cast is wonderful. Bjorn Floberg, the amazing Jorunn Kjellsby as Karen Margarethe, and Jannike Krusse do a fantastic job for Mr. Moland.

A Kaurismäki-style dark comedy about a man coming out of prison after a 12 year sentence. Stellan Skarsgårds character gets lots of complications, even though most are willing to give the convicted man a lot a chances to begin a new life, with warnings to not ever looking behind at the past.

That is of course impossible, starting over in his old environment of a run down Oslo suburb. Everyone gives him a chance, even the old acquainted mafia-boss, which wants him to kill again. Women of all kinds still finds him attractive, and his old debt to the local mafia-boss makes life more complicated than it should be. Is he ready to kill again?

Hans Petter Moland got lots of praise at Berlin Filmfestival with this worn down comedy. Especially the "sex for food"-scenes with his landlady, being the jealous sister of the mafia-boss, was making a buzz.

The film functions as a nice story, and is good entertainment, but seems to lack a little in the manuscript to make it a classic. The casting is perfect, though, and this film could really have been an instant classic. Still there's scenes that is quite memorable, and there's hope even in a quite hopeless situation. Moland still gives his audience films we remember!

A Somewhat Gentle Man (2010)

Norwegians, even more than Swedes or Danes (at least in their films) seem to be glum, dour sorts. And our leading man, a big Norseman (played by Swedish great Stellan Skarsgard) just out of jail after serving 12 years for murder, is unhappy. But now, getting a job as a mechanic and living in the basement of the mechanic's wife, he is surrounded by such an odd assortment of regular people, his colorfully mundane struggle to survive and get a little along the way is hilarious and moving.

It wouldn't be helpful to say exactly what happens--that he crosses up two women, that he tries to reunite with his son who's expecting a baby, that he has to "settle accounts" with some thugs who won't leave him alone. It's how these things happen, and who plays the characters, that makes this film really great fun. And expert fun. This is a tale well told, comic, patient, clever. The plot gets interwoven and impossible in a Shakespearean way (brought to a high pitch of plausible improbability by the delivery scene, you'll see), and so everything is tightly controlled. Even the music is a parody of itself, somehow, a light and spasmodic jazz funk score that helps make clear all of this is a little bit in fun, even when it gets awful in a couple parts.

The characters here are unpretty types, either homely or ravaged or just so maladjusted we see only their peculiarities. And that's a lot of the charm. There's no artificial glitz, no idealizing characters, no beauty on the side drawing the main character from the reality around him. You grow to identify with the people for who they are, and even though there is a comic airiness throughout, these people become very real, too. It's a delightful result, and I don't use the word delightful much any more. Don't miss it.

I watched this film while flying KLM (on of the benefits of flying a European airline). From the first scene at the gate where the prison security officer (never call 'em guards) wishes the "hero" good luck, you know that his life outside prison will be difficult. The film lacks and special effects, shoot 'em ups, guys outrunning explosions, and other over-the-top Hollywood style film work. Instead, it was a steady pace, like reading a good novel. You will find yourself in sympathy with the main character, feeling his frustration as his resists violence and submits to the women who desire him (he seems to take no pleasure in most of his encounters, but performs as required. I enjoyed this film and will add it to my collection when I get a chance, I can recommend this film to movie fans and I think you will enjoy it.