Calle principal

Review: Personally, I couldn't see the point of this movie. All the way through the film I thought that there was going to be a major twist, especially with Firth's character, but nothing really happens. Its about a small community which used to be the main producers for cigarettes and Firth company decides to rent some space in the town to store hazardous waste. The lady that he is renting the space from, has severe money problems and she is scared about losing her house so she is relying on the rental money to keep her house. Once her niece realises that the company is storing waste, she decides to take action but after a bad accident with one of the trucks that was transporting the waste, Firth decides to leave the business. I honestly found the movie cheap and really boring. The cast sounded promising, with Colin Firth and Orlando Bloom taking the lead, but the movie was a waste of time and money. The acting isn't that bad from the cast but I didn't like Bloom and Firth's terrible deep South accents and I didn't find any of the characters that interesting. I'm glad that the director didn't make it into a 2 hour epic movie because the storyline really does dry up after a while, which is a shame because it would have been half decent if there was actually a point to the characters individual stories. Disappointing!

Round-Up: After the successful Lord Of The Rings and Pirates Of The Caribbean movies, I thought that Orlando Bloom was going to be a major star but I haven't really seen him shine in any other movies. At the age of 38 he still has a chance to prove that he can really act, away from the big budget movies, but I'm yet to see him do anything that great. As for the award winning Colin Firth, this just has to go down as another bad day at the office but he really does need to make some better choices in the movies that he takes on. In this film, Bloom and Firth only really cross paths once so the director really didn't take advantage of the cast. He also could have made some use of Andrew McCarthy, who has been missing from the big screen for ages but he only had a little part which wasn't that memorable. At the end of the day, I really didn't enjoy this film but I will give it a couple of stars, just for Ellen Burstyn's performance.

Budget: N/A Worldwide Gross: $2,560 (Really Terrible!)

I recommend this movie to people who are into their dramas about a small town which is promised a prosperous future after a company rents an available warehouse to store hazardous chemicals. 2/10

When I saw the movie had actors Colin Firth, Orlando Bloom, Amber Tamblyn, Patricia Clarkson participating I thought this would be a movie worth watching, unfortunately I was mistaken.

While the actors do a good job with what they were provided with, the movie does nothing for them, it is a go nowhere movie that to me was a complete waste of time, thankfully not a huge amount of time to waste considering the length of the movie.

I have long been a big fan of Colin Firth and generally seek out movies that he is in. Unfortunately, while I felt he did a good job I think he made a bad choice with this one.

4 out of 10 for me.

I gather that Horton Foote chose Durham, N.C., as the setting for his MAIN STREET screenplay because of its symbolic value as a city that has undergone substantial changes in its economy in the past half-century, and he wanted to write about people trying to deal with change being imposed on them. I am not going to comment on the overall quality of the film here, except to say that, given the anemic screenplay, the reputable cast seems flat and largely listless, as if they realized once the shooting started just how bad the script was.

No, what I want to address is the portrayal of my hometown, to which I chose to move and in which I have lived for the past twenty-five years. At the risk of sounding like Joe the Civic Booster, the city of Durham portrayed in MAIN STREET bears only faint, surface resemblance to the actual place. Anyone who manages to sit through this movie should NOT think they've learned much about the actual Durham. For one thing, Durham is not a small town but a city of more than 200,000 residents, part of a larger metropolitan area (Wake, Durham, and Orange counties) exceeding 2 million.

Yes, downtown Durham is struggling. It was struggling before the Great Recession and it continues to struggle with reinvigorating itself as a vital city center. It needs more retail businesses, more reasons for the suburban middle-class to come downtown and enjoy the urban ambiance. In that respect, it's hardly alone among U.S. cities, small and large. Other parts of Durham – notably, the older working class neighborhoods within a mile or so of downtown – also are hurting.

The downtown area is only part of the city. Moreover, downtown Durham has snapped back in the past few years. At least as far back as the early 1980s, old tobacco industry structures in the inner city were being rehabbed. Durham held its last tobacco market (where farmers would auction off their crop) in 1986, and the huge American Tobacco complex closed the following year. By 2001, the last cigarette plant in the city (Liggett Group) had gone. In the past decade, despite a slow start and the general downturn of the U.S. economy, many downtown buildings have been renovated and repurposed as residential, office, and retail spaces, or are in the process. The old tobacco warehouse district has become the Durham Central Park, and there is a growing bar and restaurant scene downtown.

Downtown Durham also is the site of much new construction over the past two decades, including the Durham Bulls Athletic Park, the Durham Performing Arts Center, the new urban transit center and a new Durham County legal complex. There's a big, modern Marriott hotel and convention center there, too, rather than the seedy little hotel in which Gus LeRoy stayed in the film. New, privately funded construction has complemented the new public structures, as well as refurbished buildings that originated in the early 20th century and before (such as the Carolina Theater, where MAIN STREET was shown here).

As I said, downtown is only part of Durham. MAIN STREET makes no mention of Durham's two thriving universities. Duke, with its world-class medical center, is the city's largest employer. N.C. Central University is regarded as a leader among the nation's historically black state universities. (Harris Parker, the cop in MAIN STREET, could have been attending NCCU's School of Law, one of six university law schools in North Carolina and the only one where a student can earn a law degree at night while working his or her day job.) The film also makes no mention of Research Triangle Park, which since the 1960s has been providing jobs for thousands of residents of Durham and other nearby counties at such employers as GlaxoSmithKline, Cisco, Merck, BASF, Intel, and the National Institute for Environmental Health Sciences, as well as at IBM's largest U.S. operation. The city has numerous suburban residential developments and shopping areas as well as several well-preserved old neighborhoods and commercial districts closer to downtown.

Durham is well-integrated into the metropolitan area known as the Research Triangle. Raleigh, Chapel Hill, Cary, Carrboro, UNC-Chapel Hill, N.C. State University are indeed nice places for Durham residents to visit -- as well as places where many of them work --and relatively easy to get to. I missed MAIN STREET when it opened in Durham, but I caught it at a theater in Cary, an easy thirty-minute drive from my Durham home.

Please – I know I sound like a Chamber of Commerce flack (which I am not), but Durham is NOT some isolated urban hellhole full of desperate, blue-collar types and faded aristocrats lamenting the passing of the city's tobacco heyday and wondering where their next job is coming from. Unfortunately, there are several other small cities and towns in North Carolina that resemble the Durham of MAIN STREET, places whose former textile and furniture mills have gone overseas and left downtowns devastated, hungry for industry and development. Durham is always after new companies and more jobs as well – especially in the current economy – but, again, it only vaguely resembles the city depicted in MAIN STREET. And, believe me, if Gus LeRoy came to town proposing to truck "hazardous waste" from Louisiana to Texas via Durham (?), the public outcry would be deafening.

Horton Foote (1916 - 2009) ) was an American playwright and screenwriter, perhaps best known for his Academy Award-winning screenplays for the 1962 film To Kill a Mockingbird and the 1983 film Tender Mercies, and his notable live television dramas during the Golden Age of Television. He received the Pulitzer Prize for Drama in 1995 for his play The Young Man From Atlanta. His last original screenplay as MAIN STREET: it is fortunate that he didn't live to see it produced. MAIN STREET seems to have something to say - that the economic crisis has devastated small towns to the point of making questionable decisions out of desperation about improving their near ghost town status; that lessons from around the world (Chernobyl and Fukushima, etc) about toxic waste too often go unheeded; that flight of youth from small towns merely to seek change is not always emotionally convincing a decision: that family history and the accoutrements of same don't necessarily guarantee survival for descendants. And out of these plausible concerns could come a decent story, but here the result is flatline. In his film debut as a director John Doyle (known for fine productions of the operas Peter Grimes, The Rise and Fall of the City of Mahagonny, and the musical comedy Company) he fails to show a grasp of the use of film to tell a story and we are left with a stew of separate ingredients that seem almost immiscible.

Durham, North Carolina is the setting - a town shrinking by the year because of lack of jobs and crumbling businesses - and the major (Isiah Whitlock Jr.) is desperate, deciding whether to schedule or move or cancel the annual parade from Thanksgiving to Christmas due to the town's lack of interest and depression. Enter Gus Leroy (Colin Firth) who has rented a defunct tobacco warehouse from a town widow Georgiana Carr (Ellen Burstyn) to store canisters of Hazardous Waste awaiting transport to Vernon, Texas for burying: Leroy's apparent Ecology informed company offers the Durham city council the opportunity for economic resurrection. Georgiana has misgivings about the rental and is faced with the fact that her trust fund form her wealthy father is depleted and she must consider selling the mansion in which she has lived since her birth. She seeks advice form her niece Willa (Patricia Clarkson) who at first objects but on meeting Leroy falls for the man and the project. As a sidebar another family faces changes: young Mary Saunders (Amber Tamblyn) is under the spell of her boss (Andrew McCarthy) but still loves her high school sweetheart Harris (Orlando Bloom), a young cop who is studying law at night and living with his depressed mother (Margo Martindale), urging Harris to 'go steady' with Mary and forget law school to stay in Durham. The human factor enters: there is an accident of one truck hauling canisters (and event that changes the outlook of the wannabe entrepreneur Leroy), Mary's boss is married, and the concept of 'progress' in the decaying town of Durham changes along with the changes in the folk involved in the story.

Aside from failing to involve the audience in the story or the characters, the conundrum is why would such a stellar cast of brilliant actors (Colin Firth, Patricia Clarkson, Ellen Burstyn, Orlando Bloom) sign on for such an obvious box office disaster (it is yet to be released)? One can only assume that it was an homage to the memory of the brilliant writer Horton Foote. It is a shame this screenplay is the last note of the legacy he left us.

Grady Harp

This film is about an old lady renting a warehouse to a Texan man, enabling a hazardous waste disposal company to expand its operation into a small Southern town.

"Main Street" revolves around an old lady, played expertly by Ellen Burstyn. She is broke and has to either sell the house or to lease her warehouse. Her fragile mental state and her internal struggle about what is right to do are well portrayed. "Main Street" has an engaging plot, characters are developed well, so viewers get to care for every character. The only drawback is that the budget seems to have gone to the cast, with almost nothing left for the technical equipment. Anyway, "Main Street" is still an enjoyable and engaging drama.