La inspección

Kicked out of home at age 16 by his single mother, likely because she found out he was gay, a black man eventually decided to turn his life around by joining the Marines, during the time of the Afghanistan War. This is mostly a docudrama about his time in boot camp. While he answered "no" to the question of "Are you a homosexual", shouted at all recruits early on (plus others like "Have you smoked marijuana, etc.), presumably his physical reaction to being in a shared-shower situation gave away his secret. In his continuing journey, he has both detractors and allies.

Given that this film is heavily biographical, despite the usual disclaimers, I wonder how the director will fare in a narrative that does not come from his own experiences.

Finding one's family may not always occur where one most likely expects it. For many of us, that typically comes with our blood relations. But sometimes circumstances arise that prevent that from happening, as is the case for a twentysomething gay Black man (Jeremy Pope) who has been on his own since age 16 when his close-minded single mother (Gabrielle Union) forced him out onto the streets to fend for himself. And, after years of bouncing around aimlessly, he decides to try getting his act together by joining the Marines, a seemingly unlikely choice but one that unwittingly helps him find what he's been looking for all along. Writer-director Elegance Bratton's fact-based debut narrative feature tells a compelling story of acceptance among those from whom it might least be expected and its absence where one would think it should most likely be present. The film's superb Independent Spirit Award-nominated performances by Pope and Union, along with fine supporting portrayals turned in by other members of the excellent ensemble cast (most notably Bokeem Woodbine and Raúl Castillo), truly give this picture its razor-sharp edge and its touching moments of heartfelt compassion, an unusual mix of elements on the same story, to be sure. In several regards, "The Inspection" also echoes groundbreaking themes first addressed in "Moonlight" (2016), though with slightly different but nevertheless equal significance. Admittedly, the production could probably benefit from a little more back story development and slightly brisker pacing in the first half-hour, but those are truly minor shortcomings in the greater scheme of things where this film is concerned. If this ISA candidate for best first feature is any indication of what we can expect in future works from this filmmaker, I can't wait to see what else he comes up with.

I saw it as a pure American story. Not about dreams but about realities, change of life, social/ cultural obstacles, forms of segregation, manner to succed, difference and its assumation , new beginning and the turn of life moment.

And, sure, about family relation, prejudices, radical gestures and their consequences.

It is more than a film inspired by real facts.

It is more than a portrait of life in US NMarine.

It represents, first, a kick to reflection to the viewer, a sort of honest confession about tough decisions and the sketches of survive as way to remain yourself.

So, not a memorable film but one beautiful crafted.

Curious that this is written and directed by the man who this is about. It's also curious that it starts off by telling us that it is "inspired by actual events" indicating that some of this is fiction coming from the person it is about. One would think it would all be factual given its creator, but perhaps there were legalities involved. Beyond that cautious curiosity, this is a straight forward well made movie. Nothing fancy or too intricate, but a tale well told of a homeless young gay man, rejected by his homophobic mother, who is smart enough to know he has to do something with his life in his world of limited opportunities, so he joins the Marines. Most of the the rest of the entire film takes place in boot camp. Other than how he is exposed as being gay, much of the rest is believable and Jeremy Pope in the lead gives a strong performance. Raul Castillo, in a fascinatingly written role (but is it true?!) is also excellent and Bokeem Woodbine is as unpleasant as he is supposed to be. The ending is a bit abrupt, but its simplicity works. Feels more like something made for the small screen rather the big one, but it is a solid film, fact or fiction.

The understated nature of this film is, overall, an asset, though at the same time, it undermines the clarity and impact of the overall story. Still, this is a clear eyed look at the trauma that a parent's disapproval can wreak, and the courage and determination of the protagonist to find an accepting "family" is both admirable and inspirational. Very fine, believable performances from all the cast, and the script never strikes any false or sentimentally objectionable notes. The crisp, ninety or so minute length is also a wise decision, the story doesn't need any more than that to be told convincingly. Good (if not brilliant) job!