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IMDbPro

Easter Sunday

  • 2022
  • PG-13
  • 1h 36min
PUNTUACIÓN EN IMDb
5,3/10
3 mil
TU PUNTUACIÓN
Tia Carrere, Rodney To, Lydia Gaston, Melody Butiu, Jo Koy, Joey Guila, Eugene Cordero, Elena Juatco, and Eva Noblezada in Easter Sunday (2022)
Set around a family gathering to celebrate Easter Sunday, the comedy will be based on Jo Koy's life experiences and stand-up comedy.
Reproducir trailer2:42
7 vídeos
18 imágenes
Comedy

Ambientada en torno a una reunión familiar para celebrar el Domingo de Pascua, la comedia se basa en las experiencias de vida y la comedia de stand-up de Jo Koy.Ambientada en torno a una reunión familiar para celebrar el Domingo de Pascua, la comedia se basa en las experiencias de vida y la comedia de stand-up de Jo Koy.Ambientada en torno a una reunión familiar para celebrar el Domingo de Pascua, la comedia se basa en las experiencias de vida y la comedia de stand-up de Jo Koy.

  • Dirección
    • Jay Chandrasekhar
  • Guión
    • Kate Angelo
    • Ken Cheng
  • Reparto principal
    • Jo Koy
    • Lydia Gaston
    • Brandon Wardell
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,3/10
    3 mil
    TU PUNTUACIÓN
    • Dirección
      • Jay Chandrasekhar
    • Guión
      • Kate Angelo
      • Ken Cheng
    • Reparto principal
      • Jo Koy
      • Lydia Gaston
      • Brandon Wardell
    • 68Reseñas de usuarios
    • 41Reseñas de críticos
    • 41Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Vídeos7

    Official Trailer
    Trailer 2:42
    Official Trailer
    Easter Sunday
    Trailer 2:46
    Easter Sunday
    Easter Sunday
    Trailer 2:46
    Easter Sunday
    Comedian Jo Koy Answers Burning Questions
    Clip 2:52
    Comedian Jo Koy Answers Burning Questions
    Easter Sunday: A Look Inside (Featurette)
    Featurette 1:39
    Easter Sunday: A Look Inside (Featurette)
    Easter Sunday: Jo Koy On Tiffany Haddish (Featurette)
    Featurette 1:01
    Easter Sunday: Jo Koy On Tiffany Haddish (Featurette)
    Easter Sunday: Jo Koy On Food (Featurette)
    Featurette 1:01
    Easter Sunday: Jo Koy On Food (Featurette)

    Imágenes18

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    Reparto principal38

    Editar
    Jo Koy
    Jo Koy
    • Joe Valencia
    Lydia Gaston
    Lydia Gaston
    • Susan
    Brandon Wardell
    Brandon Wardell
    • Junior
    Eva Noblezada
    Eva Noblezada
    • Ruth
    Carly Pope
    Carly Pope
    • Catherine
    Jay Chandrasekhar
    Jay Chandrasekhar
    • Nick
    Tia Carrere
    Tia Carrere
    • Tita Teresa
    Melody Butiu
    Melody Butiu
    • Tita Yvonne
    Joey Guila
    Joey Guila
    • Tito Manny
    Rodney To
    Rodney To
    • Tito Arthur
    Elena Juatco
    Elena Juatco
    • Regina
    Eugene Cordero
    Eugene Cordero
    • Eugene
    Lou Diamond Phillips
    Lou Diamond Phillips
    • Lou Diamond Phillips
    Asif Ali
    Asif Ali
    • Dev Deluxe
    Dustin Ybarra
    Dustin Ybarra
    • Alfonso
    Jimmy O. Yang
    Jimmy O. Yang
    • Marvin
    Michael Weaver
    Michael Weaver
    • Kyle
    Rodney Perry
    Rodney Perry
    • Father Hildo
    • Dirección
      • Jay Chandrasekhar
    • Guión
      • Kate Angelo
      • Ken Cheng
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios68

    5,33K
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    Reseñas destacadas

    6rgkarim

    Not A Sunday Best, But Cute In it's own right

    LIKES:

    Pace is Entertaining: A comedy is all about moving parts and cramming jokes, at least that is what Hollywood thinks. Well, for those that like the style of lots of jokes in hopes they will hit, you've got your wish in this film. It's an adorable comedy with lots of quirks to latch onto, finding either the plot or subplots to provide lanes of comedy that they exchange throughout the movie. And all of this moves at speed that captivates the time period of one day for a visit. If that is the desire, then this will be one of the strongest aspects.

    The Acting Is decent: This feels like several of Adam Sandler or Martin Lawrence comedies, where a lot of people form an on stage community. While no Oscar winning roles or mind blowing performances, the acting does establish the basic chemistry you expect and adds a little bit of the forced humor into it. It works like a standup comedy or SNL sketch, everyone adding that theatrical touch to the mix to help overemphasize the humor. Yet, you really do feel a bit of a connection between them that in the end really comes out. For the top billed actors Wardell is fine. A bit out of place compared to the others, but he plays the awkward teenager phase okay that really tightened up when he meets someone his own age to interact with. Lydia Gaston was very authentic as an overbearing mother, but the comedy aspect, while funny, did not mix as well as I think they thought it would when they did the writing. Still in the matriarch movie role, she did manage to get many qualities down that I enjoyed pulling things down together. As for Jo Koy, he's fun, funny, and a bit of the jack of All Trades in this movie, being funny and sentimental at times. It's not the most dynamic, but he does mix well with just about everyone in this comedy scene and we can see how they sort of made a fun skit pulling everyone together. Overall, it's okay, and works for the theme of the movie.

    Fun Cameos: A nice surprise when people pop into the movie, Easter Sunday has a few players added to the mix to make the venue fun. I won't reveal them, but the three who broke into the movie and added a little spice, really did it well. Their use in the movie was very balanced, and though a bit short lived, held enough sustenance to make their stent in the show worth the investment in their characters. And to add a little diversity to the linear level of ridiculousness, it works very well.

    Clever Comedy At Times: Like mentioned above, the comedy can be really spot on in terms of their jabs at various things. The cameos were my favorites, but there were a few other times that I got the relevance of the joke and really enjoyed it's place in the minutia of comedy. As for the comedic delivery, sometimes it's timed so well, with that finesse taking advantage of the timing, I could not help by laugh at everything coming together.

    Music is Decent: A good soundtrack can really help make a good movie and this film again has some decent tunes to liven things up. Some festive music helps with the cultural aspects and some of them get your toes a tapping. However, there are other tunes that ring in that again feel very in tune with the fee of the movie, including a karaoke cover that is entertaining, funny, and of course may get you to listen to the classic song like I did. Thus, while not the best soundtrack, again it is very fun for me.

    Relevant Family Drama: Now the meat of the movie, is the relevance and focus on family and how it works in the grand scheme of things. Easter Sunday's small section of members was very relevant to me and reminded me so much of the antics I faced growing up in a family as close as this. This film really showed off the intensity that comes with a tight knight group, traditions clashing with modern trends and strong personalities vying for dominance. Sometimes it drifts apart, while other times it drives them closer, it's the soap opera style of drama that you may or may not see in your home. If that's something intriguing to you, then this movie is going to be so well-received, as you sort of relive the slice of familial life. What they accomplish is poking fun and slipping in those moments that help you laugh off the tension, almost like that wacky uncle who comes to the dinner. This is the core foundation of this film and at times it is very endearing to help with the moral testing quality of the movie. And other times, it's being used as the cultural representation card that will bridge the gap and make the comedy better.

    Quick Run Time: And above all else, everything I have mentioned is summed up that this is a quick run time and you don't have to spend too long watching. I was out of their very quickly when the movie completed I can't say much more to this, but all this wraps up to a time commitment that is less intensive and is a good way to kill time if you need it.

    DISLIKES: Predictable To A Fault: A movie that has too much prediction and foreshadowing can take the punch out of a lot of things they were planning. For me, they led the comedy and story by the nose, lines selling the twists that were happening an hour down the road. After about twenty five minutes, I had the rest of the comedy devices down with the exception of a few outliers shoved in. All this made the movie a bit boring for me, but for those who can turn their minds off and just enjoy this may not be an issue.

    Too Many Story Lines, Not Enough attention: We've seen plenty of family dramas that tackle certain problems. In many of these, stories are balanced well so that they all have a place, but maybe don't get all the attention to allow for a natural flowing tale. Not the case for me with Easter Sunday. Several big plot points act as the focal points of the film, and each new point gets passed over like a baton that is then picked up with another baton. They try to stay in tandem, but for me, many were dropped and kind of had to be packed back up and developed sporadically. The flow was not there like the first twenty five minutes were, and solutions to the problems were a bit too quick to get to the races. While it again fits the idea of family matters and dynamics, as a story with emotional mastery it did not do so well for me. This led to a weaker story and sadly that's not what I had hoped when I saw the trailer for this.

    The Pace is Also a Weakness: Much of the last dislike was due to this one. While the pace is entertaining and gets us to the end quicker, it itself also limits what they could have done. One of the subplots sort of pokes at this, and symbolizes how TV shows are the perfect medium for the familial culture to be shown. That felt very true to me when I was watching this film, that there needed to be a twenty something episode season to handle all the drama and plots they wanted, with two other seasons as well. It gives you a taste, and who knows, it might just be turned into a series knowing entertainment today. However, for a 90-minute rough runtime, the movie was sort of cursed with very crammed plots and gimmicks.

    Jokes Are a Little Too Stand Up/In Your Face: And like many things on streaming, this movie felt even more forced with jokes. Quantity over quality in many cases, it was like Koy and the writers were throwing darts with different styles attached to them at a board and hoping it would stick with you. Koy randomly has a stand-up routine in the opening part of the movie, which works, but then the rest of the time it feels out of place. Other times, the other serious actors have to break their roles or try to shuffle out into comedy, and it just doesn't feel natural to the character leading to it being a bit meh. The point is the amount of jokes got a bit stale and need more planning and time to space out and maximize the talent in this movie.

    Cheesy To a Fault: We all know cheesy jokes have their place and cheesy delivery does things well too. However, Easter Sunday again goes too far down this road to the point where it either is annoying or ruins what could have been a good line delivered had it been delivered differently. Again, SNL knows how to balance this well, but Easter Sunday may have treaded too far down this path to really maximize this comedy style for me.

    The VERDICT:

    Overall, Easter Sunday is okay in my book. It's mundane and a little bit of a mixture of chaos that the movie actually quotes and in some cases that chaos works well. It's relevant for those who know the culture or have a family like this, finding ways to mix drama and comedy that will be great if you turn your mind off. The movie stays at a fast pace through all of it, so this should appeal to those with little time or just needing a time killer to momentarily shut off their brain. However, in doing so, they rob a lot of the quality that the movie could have had. Mixing all the storylines, the comedy styles, and in such a tight package did not work, again needing a sitcom series to really get this kind of humor out. Still, a home watch with friends or family might be a fun in house date night, which is where this movie will be maximized at.

    My scores are:

    Comedy: 6.5 Movie Overall: 5.5.
    4angiesmail

    Not what I was expecting!

    Wanted so bad for this movie to be great. I typically love Comedies about Family. This was so bad! I was surprised, I expected more. There were a couple of small chuckles..no real belly laughs. The movie is more about Jo Koy's character than the Family. I also thought they would have more Lou Diamond Phillips in it. However,he had a small part. Tiffany Hadish has a small part in it and she was pretty funny..but could have been in it longer. It was great to see Tia Carrere, she did well with the few lines that she had. All in all a total miss. Which is ashamed because I have always like Jo Koy and thought he would bring it. Maybe next time, because he is talented.
    2rchosen-193-5535

    Boring, unfunny, shallow...

    So I am not filipino, but my wife is from the Philippines. So when she seen the trailer for this movie we decided we would rent it when it came out to stream/rent. What a mistake. The only partially funny stuff is in the trailer. The rest of the movie is beyond boring and all over the place.

    Most of the jokes feel forced and make you cringe. The humor is pretty shallow and really seems to make fun of filipino culture and paint it in a bad light rather then show how great filipino culture can be.

    Everyone in the movie (even non-filipinos) seem to act like nasty idiots to everyone. It felt like the lead actor (who I read is a comedian) basically took his jokes and tried to make them into a movie. It just doesn't work. This feels more like something you may see on TV instead. I can see why ticket sales were low.

    While they movie had one amazing cameo, even this persons cameo felt forced and boring. I regret renting the movie for free. Couldn't pay me to watch it again. To note it was so slow we stopped watching after 45 minutes. Again, if my filipino wife finds it boring... you know its bad.

    I did check out the actors comedy online and I'd say his comedy is at least funny, where as this movie is not. Not to mention the movie has endless swearing in it. This whole movie is just an insult to filipino culture and makes everyone look shallow and nuts.
    5ferguson-6

    big screen sitcom

    Greetings again from the darkness. Director Jay Chandrasekhar and co-writers Kate Angelo and Ken Cheng have crafted a tribute to the Filipino community, paying homage to family bonds and the culture. The obvious comparisons here are CRAZY RICH ASIANS (2018) and any number of Bollywood movies offering insight and a peek behind the curtain of Indian families. As global societies continue to disburse and intertwine with various races and cultures, it only makes sense for us to gain more understanding of each other ... and what better way than through comedy?

    In the film, real life comedian Jo Koy plays fictional comedian and aspiring actor Joe Valencia. Joe moved to Los Angeles, away from his Bay area family, to pursue a career in entertainment. It's been a struggle, and he's best known for a beer commercial where he looks into the camera and says, "Let's get this party started, bayBee!" One of the recurring gags is how so many either recite the line to him, or plea with him to do so. Up for a big role in a TV pilot, Joe once again lets down his high school aged son, by attending an audition rather than a parent meeting at school. Junior (Brandon Wardell) is struggling a bit with his grades at the prestigious prep school he attends. See, Joe's career as an actor might not be rolling, but his ex-wife is a powerful attorney married to a professional athlete.

    The real fun begins as we see the tension between father and son on the road trip they make to join the rest of the family for Easter Sunday ... an important day for Filipinos. Along the way, we experience two more of the film's running gags: Joe's mom (Lydia Gaston) pressuring him not just to show up, but to not be late, and Joe's agent (played by director Chandrasekhar), whose use of 'entering a tunnel, so I'll be losing the connection' is his standard way of ending a conversation when he's done. Once they arrive, we get yet another running gag - the ongoing sister rivalry between Joe's mom and his Tita Theresa (Tia Carrere). It's a quick trip for Joe and Junior, but it's filled with family drama, Joe's impromptu stand-up in church, a love interest for Junior (Eva Noblezada), a run-in with a former lover (Tiffany Haddish) for Joe, a questionable business investment between Joe and his cousin Eugene (Eugene Cordero), a confrontation with a local gangster named Dev Deluxe (Asif Ali), and an all-in family karaoke song. There is even a Lou Diamond Phillips tie-in that adds a touch of class.

    The writers and director have worked mostly in TV to this point, and that is just too obvious. A TV sitcom style rarely succeeds on the big screen, and though we do get some laughs, there is an amateurish feel to the proceedings. On the upside, some insight into Filipino culture is welcome, I now know Manny Pacquaio's birthday, and it was my first exposure to "Hype Truck!" Opens in theaters on August 5, 2022.
    6bostonct

    Interesting Insights to a different Asian family

    Someone mentioned it's an hour and a half sitcom, and it probably is but it provided a steady stream of chuckles, laughs, cringes, "hmmm???", "whaaattt???" and a window into a different culture as well as the west coast point of view (I'm East Coast). Plus it finishes off nicely. It's a good night out that will leave you with a smile on your face after you've left. Enjoy.

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      "Kuya" means elder brother in Filipino. Although it is most often used by siblings, it may also be used by close relatives and friends. It is an honorific that shows respect.
    • Créditos adicionales
      One bonus scene midway through the credits. Blooper of Jay getting out of the car when the car was pulled over.
    • Conexiones
      Referenced in Half in the Bag: Spin Me Round and Nope (2022)
    • Banda sonora
      The Answer
      Written by Brayden Deskins, Luke Dimond, Cheapshot (as Colton Fisher), Jordyn Kane, Isaac Lucas, Cameron Marygold, Jason Rabinowitz, Brandon Stewart

      Performed by Beatnet

      Courtesy of The Math Club

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    Preguntas frecuentes17

    • How long is Easter Sunday?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de agosto de 2022 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official Instagram
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • 이스터 선데이
    • Localizaciones del rodaje
      • Vancouver, Columbia Británica, Canadá
    • Empresas productoras
      • Amblin Partners
      • Dreamworks Pictures
      • Rideback
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 17.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 13.013.690 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 5.447.130 US$
      • 7 ago 2022
    • Recaudación en todo el mundo
      • 13.074.255 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 36 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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    Tia Carrere, Rodney To, Lydia Gaston, Melody Butiu, Jo Koy, Joey Guila, Eugene Cordero, Elena Juatco, and Eva Noblezada in Easter Sunday (2022)
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