PUNTUACIÓN EN IMDb
7,3/10
7 mil
TU PUNTUACIÓN
La historia de una viuda palestina que debe defender su campo de limoneros cuando un nuevo ministro de defensa israelí se muda cerca de ella y amenaza con destruir su limonar.La historia de una viuda palestina que debe defender su campo de limoneros cuando un nuevo ministro de defensa israelí se muda cerca de ella y amenaza con destruir su limonar.La historia de una viuda palestina que debe defender su campo de limoneros cuando un nuevo ministro de defensa israelí se muda cerca de ella y amenaza con destruir su limonar.
- Dirección
- Guión
- Reparto principal
- Premios
- 8 premios y 13 nominaciones en total
Tarik Kopty
- Abu Hussam
- (as Tarik Copti)
Amos Lavi
- Commander Jacob
- (as Amos Lavie)
Smadar Jaaron
- Tamar Gera
- (as Smadar Yaaron)
Loai Nofi
- Nasser Zidane
- (as Loai Noufi)
Makram Khoury
- Abu Kamal
- (as Makram J. Khoury)
Jameel Khoury
- Mussa - Salma's Son-in-Law
- (as Jamil Khoury)
Reseñas destacadas
Heart-rending. A nuanced film about the Palestinian-Israeli conflict.
I don't pretend to know a lot about this conflict, but I felt this film had much to say. The characters and the inner conflicts they feel are very well brought out.
There is a lot of strength and feeling in this movie. Neither side is presented as being perfect and having all the 'right' solutions.
The film is slow moving and very thoughtful and I appreciate that when I compare it to the histrionics in most films today. There is also a complexity in the characters and story. The scenes shown of Israel and the Palestinian camps, the check-points, the wall.. are most informative.
I don't pretend to know a lot about this conflict, but I felt this film had much to say. The characters and the inner conflicts they feel are very well brought out.
There is a lot of strength and feeling in this movie. Neither side is presented as being perfect and having all the 'right' solutions.
The film is slow moving and very thoughtful and I appreciate that when I compare it to the histrionics in most films today. There is also a complexity in the characters and story. The scenes shown of Israel and the Palestinian camps, the check-points, the wall.. are most informative.
LEMON TREE (ETZ LIMON) is a film of quiet power, the kind of film that does not find it necessary to expose the audience to violence and conflagrations to make its point, but instead relies on the power of human reactions to carry the very heartfelt punch. Written by Suha Arraf and Eran Riklis (who also directs) the story is a deceptively simple one. The setting is the West Bank. On the Palestinian side of the border lives the widow Salma Zidane (the enormously gifted actress Hiam Abbass remembered best by American audiences for her luminous portrayal of the mother in THE VISITOR) who continues to tend her family's lemon grove alone, barely making enough money to support herself. Abruptly, on the Israeli side of the border, the government builds a house for the Israeli Defense Minister Israel Navon (Doron Tavory) and his beautiful and wisely sensitive wife Mira Navon (Rona Lipaz-Michael). Strange neighbors, these, more under the influence of the Israeli Secret Police who are assigned to guard the Minister than sensitive to the basic kindness of human decency. The Secret Service decides the lemon grove must be cut down to guard against possible terrorist access to the Minister, a declaration that sets off Salma's fear of losing her land and income. Salma seeks the help of young lawyer Zaid Daud (Ali Suliman) who bonds with her emotionally and legally and together they fight all the way to the Supreme Court to save the lemon trees. Fences are built, soldiers abuse the privacy of Salma, and the increased publicity in the media divides not only the peoples on both sides of the border but also the Navons: Mira empathizes with Salma, champions her rights, and though the two women never meet, the bond between them transcends the ages long hostilities between the Arabs and the Israelis. The result of the interpersonal conflict between the Navons and Salma is buried by the expected governmental insensitivity and the film ends with some sad surprises.
The cast of this film, including the minor roles that draw focus for only moments but in a memorable manner, is uniformly exceptional. Hiam Abbass is rapidly becoming one of the most impressive actresses on the screen today: she says more with her eyes and her body language than pages of dialogue could attempt. The surprises come from the other members of the quartet of actors that lead this story, so impressive are their portrayals that the entire question of the West Bank conflict seems understandable...and remedial! Based on a true story, this is an excellent film on many levels. In Hebrew, Arabic, English and French with subtitles.
Grady Harp
The cast of this film, including the minor roles that draw focus for only moments but in a memorable manner, is uniformly exceptional. Hiam Abbass is rapidly becoming one of the most impressive actresses on the screen today: she says more with her eyes and her body language than pages of dialogue could attempt. The surprises come from the other members of the quartet of actors that lead this story, so impressive are their portrayals that the entire question of the West Bank conflict seems understandable...and remedial! Based on a true story, this is an excellent film on many levels. In Hebrew, Arabic, English and French with subtitles.
Grady Harp
10Red-125
Etz Limon (2008) directed by Eran Riklis, was shown in the United States with the title "Lemon Tree." (Don't confuse the film with a popular novel that has the same title.) The plot of the story is simple enough. The Israeli defense minister moves into a home located right next to a lemon grove owned by a Palestinian woman. Israeli security agents decide that the grove presents a hazard to the minister and his wife, and declare that the lemon trees must be destroyed. The Palestinian woman fights the destruction of her livelihood and her legacy.
Although the basic plot of "Lemon Tree" is simple, the movie is complex. There are fascinating interactions between the woman--Salma Zidane, played by the incomparable Hiam Abbass--and her lawyer and her children. The defense minister has a edgy relationship with his wife. (His wife is basically a fair and caring woman, and isn't supportive of the grove's destruction, but she also likes being married to a powerful, charismatic public figure.) The defense minister is obviously very close to a beautiful young aide, and the movie suggests that they're having an affair.
Although the film is clearly sympathetic to the Palestinian cause, all of the Palestinians aren't portrayed as perfect individuals. One local Palestinian leader doesn't suggest any course of action for Salma, but warns her not to accept compensation from the Israelis. Refusal to accept compensation probably makes sense as a political strategy. However, without compensation, what options are open to a widow whose sole livelihood is taken from her?
To me, the saddest part of the movie was the failure of Salma and the minister's wife Mira (Rona Lipaz-Michael) to ever meet face to face. On several occasions in the film they almost meet, but the meeting never actually takes place. Symbolically, that failure to communicate on a personal level represents the Israeli-Palestinian dilemma. They are figuratively and literally unable to speak to each other, and therefore they can never move beyond stereotypes and hostility.
We saw this film at the excellent Rochester Jewish Film Festival. However, it would work well on the small screen. It's an extraordinary film, and definitely worth seeking out.
Although the basic plot of "Lemon Tree" is simple, the movie is complex. There are fascinating interactions between the woman--Salma Zidane, played by the incomparable Hiam Abbass--and her lawyer and her children. The defense minister has a edgy relationship with his wife. (His wife is basically a fair and caring woman, and isn't supportive of the grove's destruction, but she also likes being married to a powerful, charismatic public figure.) The defense minister is obviously very close to a beautiful young aide, and the movie suggests that they're having an affair.
Although the film is clearly sympathetic to the Palestinian cause, all of the Palestinians aren't portrayed as perfect individuals. One local Palestinian leader doesn't suggest any course of action for Salma, but warns her not to accept compensation from the Israelis. Refusal to accept compensation probably makes sense as a political strategy. However, without compensation, what options are open to a widow whose sole livelihood is taken from her?
To me, the saddest part of the movie was the failure of Salma and the minister's wife Mira (Rona Lipaz-Michael) to ever meet face to face. On several occasions in the film they almost meet, but the meeting never actually takes place. Symbolically, that failure to communicate on a personal level represents the Israeli-Palestinian dilemma. They are figuratively and literally unable to speak to each other, and therefore they can never move beyond stereotypes and hostility.
We saw this film at the excellent Rochester Jewish Film Festival. However, it would work well on the small screen. It's an extraordinary film, and definitely worth seeking out.
Hiam Abbass (The Visitor) is outstanding as Salma, a Palestinian widow with a lemon grove that ekes out a meager living. Unfortunately, the Israeli Defence Minister moves in next door and wants the lemon grove gone for security reasons.
Just like governments everywhere, there is no concern for the effect of rulings on individuals. The Defence Minister (Doron Tavory) is too busy chasing skirts to care. His wife (Rona Lipaz-Michael) cares, but has to put up with his philandering and his dismissal of her concerns. But Salma won't give up without a fight.
She certainly gets no help from the local Palestinian politicians, who don't like rocking the boat.
She goes to a local court and is dismissed, so she decides to go to the Israeli Supreme Court. Mira (Lipaz-Michael) gets more involved as the case drags on. The relationship with her lawyer (Ali Suliman) also gets more involved.
The film shows the impossibility of Palestinian - Israeli relations ever getting better.
Just like governments everywhere, there is no concern for the effect of rulings on individuals. The Defence Minister (Doron Tavory) is too busy chasing skirts to care. His wife (Rona Lipaz-Michael) cares, but has to put up with his philandering and his dismissal of her concerns. But Salma won't give up without a fight.
She certainly gets no help from the local Palestinian politicians, who don't like rocking the boat.
She goes to a local court and is dismissed, so she decides to go to the Israeli Supreme Court. Mira (Lipaz-Michael) gets more involved as the case drags on. The relationship with her lawyer (Ali Suliman) also gets more involved.
The film shows the impossibility of Palestinian - Israeli relations ever getting better.
Very Realistic or close to Reality with Emphasis on People involved. Salma played by Hiam Abbass, a widow who lives on her dead Fathers Lemon Grove. An Israeli Defence Minister comes to live opposite Grove. Based on real story with Minister Shaul Mofaz. This causes a security problem. Showing "Fence" which is mostly a Wall. The Ministers Wife identifies with Salma. This is very much like Israel 2008. Similar to "Syrian Bride" Riklis set's up the Realistic Story and how it effects on People caught in to the situation. Hiam is Marvelous and other actors in the cast too. 9 out of 10 Sam's Rating. An enjoyable DocuDrama.
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- Citas
Title Card: [last title card]
[after the end credits]
Title Card: Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat.
- Créditos adicionalesAfter the end credits are over, the theme song's chorus "Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat" is shown on screen.
- ConexionesReferences Yair Lapid (2000)
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- How long is Lemon Tree?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 569.672 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 14.602 US$
- 19 abr 2009
- Recaudación en todo el mundo
- 7.387.488 US$
- Duración1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Los limoneros (2008) officially released in Canada in English?
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