La línea

The Line, or La Linea as it was released under, is a downbeat little film about American assassin Mark Shields (Ray Liotta), following him as he navigates the treacherous political and criminal terrain in Mexico, right around the time of a suspected overthrow and shift in cartel power. The leader of the tijuana cartel (a listless Andy Garcia) is terminally ill, and a sadistic young upstart (Esai Morales) wants to take over the business. This creates a lot of commotion and violence, much of which is dealt out by Liotta, with the help of a great big sniper rifle. Now the plot is pretty muddled, and I saw it a lot time ago. I was never really clear who Liotta is actually working for, the Mexican faction or a couple shady agency dudes (Joe Morton and Bruce Davison). In any case, he's wounded in a gunfight and takes shelter with a Mexican woman (Valerie Cruz) and her son in a small village nearby. It's a meandering little film that doesn't quite know if it wants to be an action flick, a drug war docudrama or a noirish character study, but dabbles in all three before arriving at a conclusion that I had to rewind at least three times to understand, and then still didn't get it. Armand Assante wanders around as a mysterious preacher, Danny Trejo shows his mug as a deadly cartel assassin, as well as Gary Daniels and Kevin Gage in smaller roles. Not really a great flick, but peppered with enough familiar faces and genre tradition to garner some interest.

An assassin and his partner (Ray Liotta and Kevin Gage) are commissioned to take down the new head of a drug cartel (Esai Morales) that has taken over for the dying drug lord (Andy Garcia). Jordi Vilasuso plays a cartel rival, Armand Assante a padre, Valerie Cruz a woman that befriends the assassin and Bruce Davison a US agent.

"The Line" (2009), aka "La Linea," is a gritty crime thriller taking place in Tijuana that's more moody psychological drama than action flick. It's similar in style, locations and content to "Borderland" (2007), albeit less of a horror flick (yet still containing loads of horror). Like that movie, there are glimmerings of greatness amidst the grey mayhem in the mold of "Apocalypse Now."

Unfortunately, the story's sometimes confusing which would be helped if you use the subtitles since some of the dialogue is difficult to discern (I viewed it on DVD and didn't have that option). But there's a lot to appreciate here, including the quality cast, the style, the melancholy vibe, the music, the poignant drama, the gritty action and several beautiful Mexican women. The movie's obscure, but it shouldn't be.

The film runs 1 hour, 32 minutes, and was shot in Tijuana, the border area, and Los Angeles.

GRADE: B-

"The Line" is an overly complicated drugs cartel movie with a very good cast and some first-rate cinematography as well as ambitions above its modest station. Ray Liotta is an assassin, Esai Morales his target, Andy Garcia a dying drugs lord and Armand Assante a very dubious priest. It's almost impossible to follow with too many characters involved in too many double-crosses and with too many needless flashbacks though there is a neat 'explanatory' twist at the end. Fleshed out a bit this might have made a good six part series; as it is it's over before it really gets started. Dedicated to the city of Tijuana it's also unlikely to encourage anyone, not involved in the drugs trade, to go there for a visit.

Although you'd be forgiven for mistaking THE LINE for an action flick, it turns out to be anything but: this is in actual fact a character study of various interacting and rival personalities in a violent Mexican city. Ray Liotta bags the central and most interesting role as a hit-man traumatised by an event in his past and given the opportunity to make amends in the present.

Against him is gang leader Pelon, played to the hilt by the chilling Esai Morales. This is a guy who thinks nothing of torturing rivals to death and who fully deserves his comeuppance – should it ever come about. The supporting cast is made up of an excellent ensemble of actors, including those better known for B-movies (Danny Trejo and Gary Daniels both have brief henchman roles) as well as more familiar faces. Andy Garcia, who's been off our screens for quite some time, is particularly interesting as the former gangster wasting away from a terminal illness. Also look out for Bruce Davison, an unrecognisable Armand Assante and the ever-underrated Joe Morton.

This may not be an action movie, but there is at least one splendid shoot-out to enjoy. In any case, the entire film is well shot and the script holds your attention in the snappy, heartfelt dialogue scenes as well as the thriller elements. Comparing it to other recent gangster movies, it comes in under CITY OF GOD but above GOMORRAH.

It is very difficult to give something new to the audience. Specially when talking about such a controversial topics as Drug dealing, mafia, terrorism, cartels Etc.

Being Mexican myself I looked forward to see how a new director would portray this "not to take lightly" topic. The first impression I got as I began to watch the movie was the serious influence of Steven Soderbergh's "Traffic", a fabulous movie which provides an unusual vision of the drug underworld. As the movie continued it was not difficult to identify some the similarity with some other movies, not only character wise, but also concerning plot, conflict and even cinematography.

Shields' character is a weird mix of Denzel's Creasy in Man on fire and Pierce Brosnan's hit-man in Matador. Both very well structured characters, but when combined do not have the same effect.

It is difficult to be bring something new to Drug dealing movies, particularly because everything has pretty much been said about dealing drugs; so when a director tries to give some extra dramatic flavor, it has a contradictory effect, It is appealing but not very coherent.

Check out this movie it is not completely dismissible, specially if you take into account its independent nature. But do not expect to see anything worth referring to in the future.