No te preocupes, querida

Jack and Alice move to the small town of Victory, a place where the men go to work on a project of national secrecy and importance, and the woman stay at home, cooking and cleaning, living a domestic life, not everything is as it seems.

I was seriously looking forward to this film, the trailers looked amazing, and the very presence of Florence Pugh and Harry Styles made it seem mouth wateringly good.

It's one of those films I'd say is ok, I was a little disappointed if I'm honest, I was hoping for a sharp thriller, and what I felt I was presented with, was a film that just didn't go far enough, they could have developed several threads, it felt like they held back.

I think pacing is one of the major issues, some of the scenes are so padded out, it could have been a lot sharper. It does at least end with some excitement, the pacing improves as it heads towards the conclusion. The car chase sequences are decent, and the revelation is pretty well done.

The best element, Florence Pugh, I would say she gives a dazzling performance, she really does deliver, Pine and Styles are good, though I'm not sure the film gets the best out of either.

The music and Cinematography cannot be questioned, it's a dazzling looking movie, so many incredible looking sequences, that moment at the club where Alice begins to catch on to what's happening is great, butt Jack's big party, is perhaps the film's best moment.

6/10.

The concept of the movie was good, but needed to be taken a bit further in my opinion with detail. A lot happens in the movie that basically requires the audience to accept without question.

Over explained movies are obviously no fun, but this one just left me annoyed because in two hours, I feel like they could have done a lot more.

Florence Pugh gives an amazing performance. If anyone has seen Midsommar, they would be aware that she knows how to give an emotional performance with or without supporting leads. She is the body and soul of this movie and it would be a complete disappointment without her.

Pugh made the movie interesting, but the writing and directing did not excel in the movie. The cinematography was wonderful and there was some great acting from some people and that's about it.

This is the movie I was looking forward to most all year. I avoided all the behind the scenes drama and press surrounding it so that I would enjoy the movie for the movie itself because I was so excited purely based on the cast alone, plus the soundtrack too after hearing Ooogum Boogum song by Brenton Wood in one of the teasers. It starts off showing us this perfect life, too perfect so you have this too good to be true feeling and know that something's amiss throughout. It gave off 60's American dream life in the suburb's vibes.

Chris Pine really catches your attention with his charisma the way he speaks every time he's on screen, but he's not saying anything of actual substance. And that's how the whole movie feels, very captivating and pretty to look at, visually stunning; Olivia Wilde did a great job, well produced and has artistic direction but it all feels empty. The writing falls flat and it's hallow. Someone said Chris Pine is used to disguise mediocre movies after 'All the Old Knives' and I'm starting to see it, he just makes movies seem better than they really are. Olivia Wilde and Florence Pugh did good, with Harry Styles doing as good as you'd expect.

Slow paced so it has a lot of suspense, arousing questions all movie long and when they finally start getting answered it's too little too late; the reveal is not big enough to justify the wait. It was an ambitious attempt and showing of Wilde's ability but ultimately underwhelming. It's just about better than mediocre with everything it does right but other aspects of the movie can't put it beyond a 6/10. Just feels like it's missing something. Not as bad as the press around it was, nor as good as those who were hopeful for it thought it was going to be.

While this film explored interesting elements, I found myself wanting more depth and detail in certain areas. Definitely a visually compelling and stylish ride, but one that ultimately felt like a drive around the block instead of an actual intellectual or emotional adventure. Using the pressure of social conformity to build suspense seems tired. The commentary on patriarchal structure and women resisting this came across as heavy-handed and cumbersome. The ending was too abrupt and left much to be desired. Characters were flat, even when the creepy secret was revealed. At the end of the movie, I had so many questions but then ultimately realized I didn't care about the answers - which means ultimately the film fell short in at least two important ways. Watch this for the visual style more than anything, because the vague sense of suspense as well as the underdeveloped characters and storyline are not enough to be a satisfying watch.

As usual, I went into this movie knowing nothing, without watching any trailers. And as usual, I had a great time as I slowly learned what the movie is about. This is such a weird and cool movie. It's creepy and haunting but not in a horror kind of way. The story is fully intriguing.

I love the way it was directed. I kept wondering who it was, thinking it would be a director I'm already familiar with. But I was surprised to find out it was Olivia Wilde. Not sure if this is her directorial debut but I think she did a great job.

Florence Pugh is ultra-talented. I already knew this, especially after Midsommar. But she again reinforces it with numerous scenes where she conveys her emotions so well that I can feel them with her. She's a rockstar.

There are a few parts where it feels slow. And there were times when I felt like I wanted more. But I really enjoyed what I was given and had an overall great time with this movie. (1 viewing, opening Friday Dolby Cinema 9/23/2022)