PUNTUACIÓN EN IMDb
6,2/10
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TU PUNTUACIÓN
Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.Una mirada a las vidas de cuatro familias que exploran la India y sus ricas y diversas culturas en un momento crucial de su historia.
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- 2 premios y 6 nominaciones en total
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Resumen
Reviewers say 'A Suitable Boy' delves into love, family, and social issues in post-independence India, lauded for its cinematography, costumes, and standout performances by Tabu and Ishaan Khatter. However, it faces criticism for not fully capturing Vikram Seth's novel, inconsistent acting, and an artificial portrayal of Indian society. Some found the series slow and confusing, while others appreciated its detailed era depiction and complex characters. The show's handling of Hindu-Muslim relations and political context also received mixed reactions.
Reseñas destacadas
I am incredulous at some of the reviews thus far. Just a reminder to some: this is not a 2020, Americo-European, slick, CGI-laden action film. It is sublimely Indian story, set in 1947, in an ancient almost timeless nation, populated by people who are from a totally different culture. To my mind, having watched three episodes, this series captures all of these. The slowness of the pace, even the slowness of the camera work, reinforces all this. The acting? I found it to be so refreshing, and those reviewers who talk about amateur acting obviously haven't met the originals of the people portrayed in this series (I have: I was born in the 40's and my mother was born in Bangalore three decades earlier: in my life I have know and dealt with just about all of the wonderful 'types' portrayed here). I revelled in the characters with all their quirkiness and idiosyncrasies, and I found them an antidote to the often-crass over-acting that is churned out today. By the way, to those who think that some of the delivery is wooden, here's an insight: people in the 40s did speak much more precisely and grammatically than most do today, and to my somewhat agèd ears the voices in this series are totally authentic for the period. The camera work is divine, as is the music, and combined together they take you out of your drab day-to-day life to a very different world. Not always a nice world, and I am sure that there are some who will be offended by the portrayal of bigotry and intolerance the are woven into the story, but they are undeniable historical truths which are central to the plot. Overall, to those of you locked down in these troubled times, draw the curtains, sit back and lose yourself in this luxurious and beautifully-rendered drama.
People giving it a lower rating might be the ones who are used to gripping tales these days from the very first episode as gone are the days of good slow burn soap operas.
To really appreciate this, one needs to be familiar with Vikram Seth's writing, which itself takes time to dwell in you with its fine details to all the characters and the period they are set in and secondly, not many people are familiar with Mira Nair's work. She has a beautiful eye for details in her direction and the way she narrates her story is always with a kind of tenderness and her characters take their own time to amalgamate.
I understand, at first, it's a bit unusual to see many familiar faces having lengthy conversations in english, especially the actors whom we have only seen in 'Hindi' speaking cinema/series till now. But I do believe the ensemble is doing justice to their roles and with time we will become more attached to them. I for one will be rooting for the show.
Sad to say that this was so, so disappointing - everything that was great in the novel is missing. Hard to know who or what to blame the most - the choice of screenwriter, the poor direction, the wooden dialogue, the random changes between English and HIndi/Urdu, the miscasting of Mrs Mehra and especially Lata - Tanya Maniktala was definitely not a 'suitable girl' for the part! The only saving graces were the presence of Tabu and the music of Shujaat Khan. I don't think that anyone will be inspired to read Vikram Seth's novel after watching this BBC dramatisation, so would advise not wasting your time watching this but instead invest your time reading the novel.
When I started to read Vikram Seth's monster novel, 'A Suitable Boy', I found it hard going: had Seth really written 1400 pages about the attempts of a young woman to find a husband? But the story inside this framing ultimately expanded into an astonishingly broad, subtle, superbly written and cunningly plotted epic. This television adaptation can't quite bring the Seth's full vision to life, and feels much more like I first feared the book would be: an essentially simple story about finding the right partner. We do still see a lot of India; but at times it feels that it's merely providing background colour, while the characters are simplified and presented straight up as the people you gradually come to know over the book's many chapters. It's always hard judging a new version of something you already love fairly, but I couldn't engage with this series. Read the original instead: it's a literary masterpiece.
There is a lot riding on A Suitable Boy. Really enjoyed episode 1 aired last night. Colourful, dialogue simple, beautiful on the eye, against a political background of India-Pakistan partition. I love Art and Slow pace series. Thanks to Vikram Seth and Mira Nair can't wait to watch more episodes
¿Sabías que...?
- CuriosidadesTabu "blindly" agreed to do A Suitable Boy, since it was directed by Mira Nair.
- ConexionesFeatured in Jeremy Vine: Episodio #3.152 (2020)
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