Anne Fitzgerald intenta obtener la emancipación médica de sus padres, quienes hasta ahora han confiado en su hija menor para que ayude a su hija, Kate, que padece de leucemia.Anne Fitzgerald intenta obtener la emancipación médica de sus padres, quienes hasta ahora han confiado en su hija menor para que ayude a su hija, Kate, que padece de leucemia.Anne Fitzgerald intenta obtener la emancipación médica de sus padres, quienes hasta ahora han confiado en su hija menor para que ayude a su hija, Kate, que padece de leucemia.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 4 nominaciones en total
- Gloria
- (as Nicole Lenz)
- Jesse age 3
- (as Paul Christopher Butler)
- EMT
- (as John De Rosa)
- EMT
- (as Marcos De La Cruz)
- Uncle Tommy
- (as Matt Barry)
Reseñas destacadas
Cameron Diaz plays Sara Fitgerald, who along with her husband Brian (Jason Patric), makes the decision of genetically engineering a child who will be a direct match to their leukemia-stricken 2-year-old daughter Kate. Abigail Breslin plays the engineered child at age 11. Her name is Anna, who since the age of 5, has had blood taken from her and been put thru medical procedures to help keep Kate alive. Anna loves Kate, played as a teenager by Sofia Vassileva, but when her parents want to give Kate one of Anna's kidneys, Anna finally says enough. Sure that no one is looking out for her interests, Anna hires a lawyer (Alec Baldwin) and sues for the right to her own body. Sara, a woman who has made caring for Kate her full-time job, is upset while Brian understands. Meanwhile, Kate feels guilty that her disease is tearing the family apart.
Cassavetes and co-screenwriter Nicholas Leven are dealing with a straight-up tear-jerker here but it's astonishingly free of heavyhandedness and it cuts deep with probing questions and real emotion. These are characters with feelings and concerns, torn between such complicated issues as saving a daughter by experimenting with another, sacrificing your own body even though you know it will diminish quality of life, and dealing with how a disease can burden a family. The movie uses flashbacks (such as Kate being diagnosed as a young child, her parents being given the choice of invitro, and a very young Anna disturbingly forced into operations) and forwards (Kate lying in a hospital bed, looking at a scrapbook of her family) that add dimension. As do the switching of narrators, each character getting a chance to offer their points of view and feelings about how the diagnosis, and everything after it, has effected them.
Unfortunately it's also going in a lot of different directions, and add in a dyslexic and lost-in-the-shuffle brother (Evan Ellingson), and it's sometimes hard for Cassavete's to keep track of all of them. The second act, in particular, has very little to do with the Sara-Anna conflict and the more light-hearted scenes, such as the family frolicking happily on a beach together, seem odd because you feel like there is some contentiousness between Sara and Anna that really doesn't come out til the ending courtroom scene.
However these are small problems rendered almost excusable by powerful performances. Abigail Breslin has surpassed Dakota Fanning in all-out maturity, juggling her characters fears for her own well being with the remorse of not being strong enough for her sister. And Diaz is strong-willed but obsessive, perfect as a one-track minded mother so intent on trying to keep one daughter alive that she's not even thinking about anything else. Jason Patric is the open and understanding father and Alec Baldwin is good comic relief, playing a lawyer so cocky, he sued God. And Sofia Vassileva is nothing short of powerhouse, her heartbreaking performance rising above all the cancer make-up and bloody vomitting and nosebleeds to find Kate's burdensome guilt and brave soul. And only stone-hearts won't share in her joy as she gets dressed up and goes to prom with another terminally ill boy (Thomas Dekker).
I'm not saying this movie isn't a cheap excuse to make you cry, but as far as cheap excuses go, this one is richly made. "My Sister's Keeper" is as surprising and heartfelt a piece of work as I've seen all year long, and the acting is about as good as it comes. With this and his previous, "Alpha Dog", Cassavete's signals himself as a real filmmaker as he rarely ever hits a false note. In a year filled with movies that I've seen fail at finding the humanity in their stories, this one is a keeper.
(My Comment) Everyone knows from the movie trailer that the story is about a young girl who has cancer. You would think that it would be a depressing movie, but you would be wrong. It is a story of some of the choices we make in life. Having a test-tube baby as body parts for another child was a choice made by the parents. Anna wanting to stop giving her body to her sister was a choice. As with all choices, there are consequences. Kate will die without a new kidney. There are many very hard choices in life and in death that we must make, and this is a good movie to show you the way. Diaz as the pragmatic lawyer who was fighting to the very end for her daughter lost focus on life, and the rest of her family. I believe that this is Diaz's best part and performance as an actress. Sofia Vassilieva played Kate, who was in pain for most of her life. Sofia played Kate so well that you could see the helplessness in her eyes as she fights for her life. Anna was also part of this pain, and Abigail Breslin played this part as a professional. Actually, the whole cast was outstanding throughout the film. I loved the collaged scrapbook with voice-over and flashbacks that Kate made to give to her mother. This is a good movie to see with your loved ones. (New Line Cinema, Run Time 1:49, Rated PG-13) (10/10)
"My Sister's Keeper" has a potential story with a promising beginning. However, the screenplay entwines flashback of situations of Kate's cancer sometimes in a confused way and has a melodramatic conclusion that could be shorter. The greatest problem is the shallow and unrealistic Hollywoodian approach, reducing the strength of the powerful drama, and I believe that this theme would be better explored by an independent director in a more realistic environment. The teenager Sofia Vassilieva has an awesome performance and Cameron Diaz is also great in the role of a mother that becomes obsessed to save her daughter and forgets her family. My vote is seven.
Title (Brazil): "Uma Prova de Amor" ("A Proof of Love")
¿Sabías que...?
- CuriosidadesSofia Vassilieva shaved off her hair and eyebrows to play Kate Fitzgerald. She described it as the least she could do to understand Kate's pain. She was filming this movie and Médium (2005), so she wore a wig for the show.
- PifiasAt one point in the movie, instead of being called by the fictional name Kate, she is called by her actual name, Sofia.
- Citas
[first lines]
Andromeda 'Anna' Fitzgerald: When I was a kid, my mother told me that I was a little piece of blue sky that came into this world because she and Dad loved me so much. It was only later that I realized that it wasn't exactly true. Most babies are coincidences. I mean, up in space you've got all these souls flying around looking for bodies to live in. Then, down here on Earth, two people have sex or whatever, and bam, coincidence. Sure, you hear all these stories about how everyone plans these perfect families. But the truth is that most babies are products of drunken evenings and lack of birth control. They're accidents. Only people who have trouble making babies actually plan for them.
Andromeda 'Anna' Fitzgerald: I, on the other hand, am not a coincidence. I was engineered. Born for a particular reason. A scientist hooked up my mother's eggs and my father's sperm to make a specific combination of genes. He did it to save my sister's life. Sometimes I wonder what would have happened if Kate had been healthy. I'd probably still be up in heaven or wherever, waiting to be attached to a body down here on Earth. But coincidence or not, I'm here.
- Banda sonoraTiny Bubbles
Written by Leon Pober
Performed by Don Ho
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- La decisió de l'Anne
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 49.200.230 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.442.212 US$
- 28 jun 2009
- Recaudación en todo el mundo
- 95.714.875 US$
- Duración1 hora 49 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1