Sugar

Screened this film at its premiere during Sundance 2008. The main appeal for most coming to see this movie was to see what the team behind Half Nelsen could do on the second go around. And for the most part those who enjoy quality film-making will find many positives here, though this is a completely different film then Half. Much like Half Nelsen the cast feels authentic and the characters are very understated and come across with very true to life performances. The main issue with audience appreciation will hinge mostly on their interest in baseball. Serious baseball fans will most likely look differently at the Latin America ball players and the MLB system once they witness what is a very accurate portrait of the trials and tribulations of the foreign players. Sure most folks know about the great Latin players like Pedro, and David Ortiz, etc,, but do they know about players like Migual "Suger" Santos? The answer is probably not and I believe the filmmakers succeeded in creating a film that makes us think about what life is like for all those players we don't get to see under the bright lights and on the baseball cards. Its all very fascinating stuff for baseball fans to ponder and think about, those none baseball fans may find it slightly dull but with an open mind its still a beautiful portrait of a young mans journey to America.

First off, the lead actor Algenis Perez Soto is fantastic, it is unbelievable how great his performance here is when you consider that he has absolutely no acting experience at all. They literally pulled this kid off a ball field in the Dominican and stuck him in front of a camera. The rest of the cast is great as well and similarly most are not trained actors since the makers or the film wanted authentic ballplayers. From whats been said this is most likely going to be a HBO release on TV and I think thats a great spot for this film as its definitely too small and too specific a subject for a wide release. I highly encourage baseball fans to check this out when they get the chance.

The success of Latin ball players like Roberto Clemente, Juan Marichal, and Orlando Cepeda are legend but we never hear about the hundreds that fail, those who get lost in the system or are simply unable to handle the pressure of exorbitant signing bonuses or less than welcoming small town environments. In Sugar, writer-directors Anna Boden and Ryan Fleck, whose film Half Nelson from 2006 won numerous awards, have created a film about the problems faced by young Latinos in attempting to make the jump from the comforts of their home town environment to the major leagues. It is not just a movie about baseball but about what is important in life.

20-year-old Miguel Santos (Algenis Perez Soto) is nicknamed Sugar - he says because he is sweet on the ladies but others have different opinions. Sugar is a pitcher at an American baseball training academy in the Dominican Republic whose recently developed knuckle curve ball puts him ahead of the pack. He is the idol of his family and the children in his home town but must compete with hundreds of others like himself for an invitation to a minor league Spring Training camp. Though the baseball academy attempts to teach the fundamentals of the English language, all the players seem to remember is "home run", "foul ball", "I got it", and the words to "Take Me Out to the Ball Game".

Given his gifts, Sugar is invited to spring training with the fictional Kansas City Knights in Phoenix, Arizona. Eventually assigned to a Single-A farm team in Bridgetown, Iowa, he is light years away from his comfort zone. When he first sees his posted assignment to Bridgetown, Ia. he asks "where the heck is Ia (ee-ay)"? Sugar boards with a Midwestern farm family that has taken in Latino players in the past, but the adjustment is difficult. Sugar does what is expected - attends church, eats foods he is unfamiliar with, and says little but his only companion is Jorge (Rayniel Rufino), a fellow Dominican on the team who has remained stuck in Single-A ball because of an injury that refuses to heal.

Soon his problem with language and customs begin to take their toll. He encounters racial slurs at a local nightclub and is confused when he receives mixed signals from the family's ultra religious teenage daughter Anne (Ellary Porterfield). When he is slow to recover from a leg injury sustained in covering first on a ground ball, his pitching skills begin to suffer as well. One scene highlights his sense of dislocation as he tries to make his way through a massive entertainment complex filled with flashing lights, video game machines, and bowling alleys. To try to regain his pitching form, he takes steroids but it only makes his sense of disorientation worse.

His manager (Johnny Marx) is patient but he is paid to produce results and his sensitivity to Sugar's situation only goes so far. When Sugar asks teammate Brad (Andre Holland) what he would do if he could no longer play baseball and learns that Brad studied history in college, he begins to rethink exactly what he wants to do with his life. After Jorge heads for New York after being let go, the film moves in an unexpected direction, but never loses its intelligence and sensitivity. Soto is a captivating presence in his first acting role and the fact that he is also a skilled amateur baseball player gives the baseball scenes an electric authenticity. While Boden and Fleck show their love of the game, they do not hide their disdain for its exploitative aspects. No clichéd sports success story, Sugar is sweet and goes down easy but leaves a pungent aftertaste.

"Sugar" is simply one of the best sports movies ever and it does so avoiding every sports movies cliché ever made. The story of the main character is simply a composite of the story of the majority of people who go to play the game professionally. Not only that, but also reflects the story of the immigrant who comes to America pursuing a dream.

Spoken mostly in Spanish, the movie almost qualifies as a foreign language film. The filmmakers do an excellent job capturing the contrast in atmosphere of the Dominican Republic -a poor country, rich in happiness- to the heartland of America, and back to the Bronx -a Dominican stronghold outside of the island, also stricken by poverty.

As in "Friday Night Lights" you can feel the constant stress these young players endure to make it big. It's every bit as tense and if you like baseball, and are interested a little bit about these foreign superstars now playing the game, this movie is going to be a treat.

One of the best films of 2009.

Baseball movies are often deemed cliché in today's world of cinema. You have a team or a player the film focuses around, they're usually underdogs or feel good stories, they have an improbable season and the end result is usually a championship for the team, or a life altering moment for a player. The movie, Sugar goes completely against this modern day norm.

As a baseball movie, Sugar won't stand-alone. What does set it aside is the cultural quantum leap the main character endures. The films main character, Miguel Santos, whose nickname is the movies namesake, is the hero of his small, Dominican Republican village, as a pitcher with lively arm, an ideal build, and terrific upside. He receives mounting pressure from his family and the community to become the next Dominican baseball star, and eventually gets his shot. It's a reminder for every Sammy Sosa and Pedro Martinez who makes it from the Dominican Republic; hundreds of others burn out and are never heard from again.

It's the off the diamond aspects of the opportunity he gets that makes the movie an interesting character piece. Short, and seemingly innocuous scenes help build the movie, and show the struggle that Santos endures in his assimilation to Americanized life, which ultimately correlates to his performance on the field. As mentioned, as a baseball movie it goes away from the norm, Hollywood cookie cutter of a sports movie, but as an allegory of the struggle that millions of Latino baseball players go through, it couldn't be more spot on.

For a person with virtually zero prior acting experience, Algenis Perez Soto gives a noble performance as the films protagonist. He's never really asked to go outside his main personality, which is stoic and monotonous, but he has a few moments where he breaks off, and his ability to act at emotional pinnacles are shown. Surely this won't be the end of his acting career, as he virtually won the acting lottery by randomly being selected for a lead in a semi-major motion picture. Most of the actors don't have enough of a part in the movie to shine, as no other character was given enough screen time to even be considered a strong supporting actor.

The writing and story is thorough in its sports detail, which a baseballs junkie would enjoy, but the average moviegoer might not understand. The subplots in the movie like the love story and the conflicts surrounding the supporting characters lack substance. Those subplots, along with the characters involved in it seem to just disappear abruptly. The story is somewhat episodic, divided into a few large parts, with none of those parts supporting characters carrying on through the movie. As a whole, the movie takes on a slow pace, and sometimes struggles to keep the interest of the viewer.

If you plan on seeing Sugar, don't go in expecting a team to pull in a superstar to save the day in the last second, or for the main character to pitch a World Series no-hitter, or you'll be disappointed. Mainly, don't go into the movie expecting a baseball movie, or you won't be satisfied. In the end, the movie lacks a punch that would make it stand out, but gets my praise for tackling a plot that usually will end with a cold dose of reality.

Rating: 7/10

Greetings again from the darkness. Filmed in quasi-documentary style, the film appears on the surface to be about the Latino dream of making it to the major leagues. Upon closer review, the family and friends of Sugar only ask "Are you going to the states?". The crux of the film lies not so much in the long odds of making it to the show, but moreso, simply escaping the homeland ... it's just that baseball is viewed as the quickest ticket out.

The "Half Nelson" writer/director team of Anna Boden and Ryan Fleck score again with "Sugar". What really hit home with me was how many people miss out on their real chance because they just have a simple shortage of passion for their talent. When Sugar bashes the water cooler, it's not because he pitched poorly, but rather because he fears he will be shipped back home.

There are many fine moments in this and the final act twist is not just terrific story telling, but fitting as well. It does what a final act should do ... connect the dots. Think back to the domino scene when one guy spouts that he once hit 98 in spring training. The recognition that he is back home playing dominoes is the real story. Good stuff.

First time actor Algenis Perez Soto perfectly captures the charm and innocence of Sugar and finally the harsh reality of the situation. This is one to see.