PUNTUACIÓN EN IMDb
5,6/10
6,3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA late night airport shuttle ride home descends into darkness.A late night airport shuttle ride home descends into darkness.A late night airport shuttle ride home descends into darkness.
James Ryen
- Young Doctor
- (as James Ryan)
Jackie Cowls
- Cashier
- (as Jackie Davis)
Michael DeMello
- Plane Passenger
- (sin acreditar)
Ylian Alfaro Snyder
- Passenger
- (sin acreditar)
Reseñas destacadas
Interesting from the start, though far from riveting, the plot of Shuttle very slowly builds to an incredibly unsatisfactory ending. The premise is all right; people embark on an airport shuttle towards downtown only to discover that they are at the mercy of a psychopath who kidnaps them. What ensues, however, is a pretty by-the-number thriller where there is not one development, plot point or reversal that is unpredictable or surprising in the least. Even a supposedly midpoint twist is totally foreseeable only by the way the main characters are introduced at the beginning. From then on it's merely a long cat and mouse game that loses interest quickly.
Audiences of this type of genre fare are trained to expect a major twist at the end; no such luck here. There is a conclusion but it is neither truly shocking nor original. And to claim that the filmmakers wanted to make any kind of statement about the world and a sad phenomenon with this ending would be easily negated by referring to the sheer exploitative nature of everything that precedes it.
The length is way too indulgent for this material; at least twenty minutes could easily be cut without compromising this story. Shuttle is not without merits though. Acting is surprisingly accomplished throughout, particularly by the two girls, especially in light of the weakness of the material they have to work with. Their backstory, undoubtedly aimed at deepening their characters, is incredibly clichéd and poorly conceived. Directing is top notch, low-budget film-making at its best; again, too bad there is no properly developed screenplay to provide a solid foundation.
Audiences of this type of genre fare are trained to expect a major twist at the end; no such luck here. There is a conclusion but it is neither truly shocking nor original. And to claim that the filmmakers wanted to make any kind of statement about the world and a sad phenomenon with this ending would be easily negated by referring to the sheer exploitative nature of everything that precedes it.
The length is way too indulgent for this material; at least twenty minutes could easily be cut without compromising this story. Shuttle is not without merits though. Acting is surprisingly accomplished throughout, particularly by the two girls, especially in light of the weakness of the material they have to work with. Their backstory, undoubtedly aimed at deepening their characters, is incredibly clichéd and poorly conceived. Directing is top notch, low-budget film-making at its best; again, too bad there is no properly developed screenplay to provide a solid foundation.
This is a pretty unknown thriller that was actually good. The writer/director managed some tense sequences and the actors are above the usual C-grade for a small movie and they managed sympathetic performances that led me to care about their welfare. The story isn't above flaws but the characters, who've been kidnapped and are being transported to an unknown location via shuttle bus, are proactive and not daft, and so I contentedly went along with it. In fact, there was a surprising twist that I quite enjoyed too.
Oh hello, I guess this movie wasn't that small if Roger Ebert reviewed it. Now that I've checked out his one-star review, I remember glancing at it sometime back and deciding not to watch this movie. Good thing I'd forgotten about that; this is one of the rarer instances where we disagree.
Oh hello, I guess this movie wasn't that small if Roger Ebert reviewed it. Now that I've checked out his one-star review, I remember glancing at it sometime back and deciding not to watch this movie. Good thing I'd forgotten about that; this is one of the rarer instances where we disagree.
Solid Hollywood good night thriller. Reminds me on Judgment Night, just this time there is a wrong bus instead of wrong turn. Consequences more severe in style of modern thriller of this decade. Good camera, predictable scenes, pretty solid plot composition, but no development of characters at all, regarding that part the movie is pretty shallow. Although good, plot composition leads you to pretty predictable climax as well. All in all, a solid chiller, kind a refreshment in dark thriller/horror style regarding Hollywood movies which are coming worst every year in most of the cases. Would recommend you if you are a fan of this movie genre. 5 out of 10.
What can you say about the film where the general idea behind it is good... but the construction is so appalling? Watching the last few minutes offered some semblance of satisfaction... but recalling almost everything that led up to this point... such as: twists you can see from a mile off, cretinous behaviour from all concerned and a ludicrously indestructible villain meant whatever good feelings I may I had towards the movie came crashing down like a lead balloon.
These two girls have just come back from Mexico, and are trying to get a ride home from the airport. Rather than take an official bus, they rather unwisely choose to hop on a dodgy looking blue van driven by a seedy looking geezer... with the offer of a 50% discount. A couple of lads desperate to get off with the two ladies join them, along with a nervous-looking businessman. His role will quickly become clear for anyone with a half functioning brain. Surprise, surprise... the truck doesn't stop where they want it to. Then, when the vehicle halts abruptly when it gets a 'flat'... that's where the ordeal begins.
And not just for the protagonists. Constantly, we see people having countless opportunities to run for it, kill the bad guy, escape with the van... and do they take any of them? Nope. Admittedly, this would have ended the film much sooner (not a bad thing). But to endlessly harangue us with these venues of retreat, only for the foolish characters to choose THE WORST POSSIBLE OPTION and muck them up is just an insult to the audience. This is a common problem to be found in a lot of recent films... if our heroes are going to fail, at least let them do it in a believable way, not by having them act dumber than roadkill. It also majorly diminishes what sympathy we may have had for the hapless fools... when they're the architects of their own downfall.
As for the evil dude, he can be involved in a major automobile accident, bludgeoned over the head repeatedly, stabbed in the thigh and shot through the skull... and STILL muster up enough strength to not only survive, but force a young woman into a box. Is he a cartoon? It just adds to the lunacy, anyway. And the few curveballs the script throws our way could be anticipated by the most inattentive of viewers. Shuttle could have been a noteworthy horror with originality, but thanks to poor treatment just ends up being a forgettable also-ran... 4/10
These two girls have just come back from Mexico, and are trying to get a ride home from the airport. Rather than take an official bus, they rather unwisely choose to hop on a dodgy looking blue van driven by a seedy looking geezer... with the offer of a 50% discount. A couple of lads desperate to get off with the two ladies join them, along with a nervous-looking businessman. His role will quickly become clear for anyone with a half functioning brain. Surprise, surprise... the truck doesn't stop where they want it to. Then, when the vehicle halts abruptly when it gets a 'flat'... that's where the ordeal begins.
And not just for the protagonists. Constantly, we see people having countless opportunities to run for it, kill the bad guy, escape with the van... and do they take any of them? Nope. Admittedly, this would have ended the film much sooner (not a bad thing). But to endlessly harangue us with these venues of retreat, only for the foolish characters to choose THE WORST POSSIBLE OPTION and muck them up is just an insult to the audience. This is a common problem to be found in a lot of recent films... if our heroes are going to fail, at least let them do it in a believable way, not by having them act dumber than roadkill. It also majorly diminishes what sympathy we may have had for the hapless fools... when they're the architects of their own downfall.
As for the evil dude, he can be involved in a major automobile accident, bludgeoned over the head repeatedly, stabbed in the thigh and shot through the skull... and STILL muster up enough strength to not only survive, but force a young woman into a box. Is he a cartoon? It just adds to the lunacy, anyway. And the few curveballs the script throws our way could be anticipated by the most inattentive of viewers. Shuttle could have been a noteworthy horror with originality, but thanks to poor treatment just ends up being a forgettable also-ran... 4/10
If you have seen Taken, then you will notice the similarity of the idea of trafficking. I know that both movies were released in 2008 but I don't know which one came first. However, the similarity in here is only in that point and other than that both movies are different and not to be compared in anyway. I loved both though Taken is much much more better but this doesn't make shuttle a bad movie.
Shuttle has good things about it in terms of getting you wondering what the bus driver will end up doing with the girls. It's not that you don't guess why he kidnapped them but you will wonder what will happen.
Overall, the movie does have bunch of entertaining elements in the plot and though the reviewers probably didn't like the characters, I did like them and they were convincing in some parts. One of the reviewers mentioned the fact that the characters were so stupid and at some points could have easily escaped but this is not true. The other day I was sitting in the hospital waiting for my turn to get into the doctor's office and my laptop was with me. And then I read a sign about what to do if a fire starts and started wondering if a big fire flamed out in the whole place and the only way to save myself is to run fast, What would I do? Would I choose to forget about my heavy bag of laptop and CDs to save my life? and I found it really hard to leave my expensive things behind right away. Things have to really get worse for me to start considering throwing my things away. So this is what usually happens with movies when you find some actions stupid and you can't understand them or find the rationale behind them from the comfort of your seat at home. I find these things true and serve the plot and increase the tension.
Shuttle has good things about it in terms of getting you wondering what the bus driver will end up doing with the girls. It's not that you don't guess why he kidnapped them but you will wonder what will happen.
Overall, the movie does have bunch of entertaining elements in the plot and though the reviewers probably didn't like the characters, I did like them and they were convincing in some parts. One of the reviewers mentioned the fact that the characters were so stupid and at some points could have easily escaped but this is not true. The other day I was sitting in the hospital waiting for my turn to get into the doctor's office and my laptop was with me. And then I read a sign about what to do if a fire starts and started wondering if a big fire flamed out in the whole place and the only way to save myself is to run fast, What would I do? Would I choose to forget about my heavy bag of laptop and CDs to save my life? and I found it really hard to leave my expensive things behind right away. Things have to really get worse for me to start considering throwing my things away. So this is what usually happens with movies when you find some actions stupid and you can't understand them or find the rationale behind them from the comfort of your seat at home. I find these things true and serve the plot and increase the tension.
¿Sabías que...?
- CuriosidadesDuring filming, Peyton List was on the phone with her boyfriend when the crew drove away, leaving her in a very sketchy neighborhood in Boston, not realizing she wasn't on the bus. After a few minutes, they realized she wasn't and went back for her.
- PifiasJules' gag changes drastically after the shuttle crash. Before, it was very thick and wrinkled. But when she wakes up after the crash, it's barely wrapped around twice and perfectly smooth.
- ConexionesFeatured in The Rotten Tomatoes Show: Watchmen/Shuttle/12 (2009)
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Detalles
Taquilla
- Presupuesto
- 2.400.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1925 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 1925 US$
- 8 mar 2009
- Recaudación en todo el mundo
- 1925 US$
- Duración1 hora 47 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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