El solista

Steve Lopez is a Los Angeles Times columnist in need of a decent story.One day he encounters,by chance, Nathaniel Ayers, a homeless schizophrenic street musician with an abundance of talent.Lopez writes a series of articles about Nathaniel and tries to help him, to improve his conditions of living and gives him a chance to showcase his talent however Nathaniel's disease has created demons that he can't ignore and Lopez sees most of his efforts frustrated...To be honest I was expecting a way better movie, I saw the trailer months ago and it got me excited, the movie seemed to have all the ingredients to be a success,plus two amazing actors, Robert Downey Jr as Lopez and Jammie Foxx as Nathaniel.However, I felt disappointed.Lopez struggle to reach to Nathaniel and his constant efforts to help him were interesting to watch but that is pretty much everything that happens in the movie.In the end almost everything looks the same as in the beginning and not much has happened.Sure, Lopez had a small yet positive impact on Nathaniel's life and he,himself, might have gained a little something from that relationship too but I was expecting a wider range of events so to speak...I'm not saying that he should have been cured by the end of the film, as much as Hollywood loves happy endings that would be unrealistic but I did expect something to happen...some kind of development that would make this story worth telling.It never came. Maybe this story(based on real events) just doesn't translate very well to the big screen.I think the film aspired to be great but felt short.On a more positive note, Jamie Foxx's performance was great and felt very authentic.

6/10

The SOLOIST is anything but typical. It tells an extremely interesting and unusual story which refuses to conform to the formulaic conventions to which we have, unfortunately, become so complacently accustomed.

There are three factors which contribute to creating false expectations for SOLOIST. First, the title itself is somewhat misleading. Watch the movie, and you'll see for yourself!

Second, the trailer or previews is edited so as to create expectations geared to coincide more with the genre's formulaic audience comfort zone. The very thing the movie so painstakingly avoids! 😊😊

And third, the very same set of entrenched genre conventions we have already mentioned, that many people bring with them when viewing!

Putting all of this aside, SOLOIST derives its tremendous energy and appeal from the undeniable on-screen chemistry of Robert Downey, Jr. And Jamie Foxx. Their interaction is a joy to watch. The story does provide the standard genre buzz-words... Uplifting, inspirational and motivational...but for reasons that would be virtually impossible to predict before experiencing the film itself!

Oh, and the music is absolutely sublime! Lover's of classical music are in for a veritable treat! There are elements of SOLOIST that will make some viewers squirm. Third world neighborhoods, right here, in downtown Los Angeles, for example!

Scenes from SOLOIST have been ricocheting around my brain since viewing it yesterday!

9.5*** STARS ENJOY! / DISFRUTELA!

Since Ingmar Bergman's 1962 film, "Through a Glass, Darkly", the 2009 film "The Soloist" is one of the two most accurate portrayals of schizophrenia, from the point of view of the mentally ill person and of people who want to interact with the ill person. I speak from experience. David Cronenberg's film, "Spider", is the other.

I was disappointed in my two favourite critics, James Berardinelli and Roger Ebert, each of who gave "The Soloist" only 62½%.

Berardinelli says, "The Soloist is afflicted with a lack of passion. The story lacks a strong trajectory; it meanders, seemingly unsure of precisely what it wants to do and say and where it wants to go." Actually, that is the reality of schizophrenia. One never knows what is going to happen next. There are many setbacks. He also says, "The soundtrack supplies multiple, overlapping voices. The objective is to invite the viewer to participate in the unhinging of Nathaniel's mind, a first-person perspective of schizophrenia. Unfortunately, it feels artificial and contrived." I have taught seven NAMI* courses on mental illness. One episode in one of the classes involves requiring class members to perform certain simple tasks while being bombarded by random voices from behind. Many class members find that to be the most unnerving, and illuminating, of all the activities in the course.

Ebert misses the point when he says, "Yes, mental illness can be like that, but can successful drama? There comes a point when Lopez has had enough, and so, in sympathy, have we." Dealing with a mentally ill person can be devastatingly frustrating. Must we always be entertained? There is a place for grim reality in drama. Otherwise, how can we learn?

"The Soloist" is as accurate a representation of schizophrenia as you could experience without becoming mentally ill yourself. If you keep that in mind then the film will be rewarding; if, however, you are looking for a film that makes sense easily and progresses from point to point in a logical manner, then look for a different film.

If you choose to watch the film and absorb the reality of mental illness, then you will learn much. You never know when that knowledge will be of great value to you. Then again, you may be spared, and never need it.

The film introduces a very important idea: mentally ill people do better if there is someone, whom they trust, who takes an abiding interest in them.

It also poses one very important question: should mentally ill persons be forced to take medication to stabilize themselves? Different states, provinces and countries have different laws concerning this. Some feel that mentally ill persons should be forced to take medication if and only if they are likely to harm themselves or others. Mentally ill persons are often unaware that they are mentally ill, and cannot be convinced otherwise. Would they have more freedom to decide correctly for themselves if they were first medicated until they become sane? The film addresses this question but does not attempt to give a definitive answer. You will have to think out that question yourself, keeping in mind that different people have different reactions to the same medication. There is no universal answer, but for each individual, there is probably a best answer but not necessarily a good one.

The film captivated me from the beginning to the end. I did not miss the common devices that some movies use to make them exciting. There was excitement enough for me in the growth of the principal characters and in the learning that I did, and in the thinking that I was forced to do.

*NAMI is The National Alliance on Mental Illness.

P.S. Schizophrenia has absolutely nothing to do with having multiple personalities, or of dichotomies (apparent contradictions). The split in the expression "split personality" is the split between the personality and reality. Unfortunately, the word is misused far more often that it is used correctly.

What makes this film watchable is that it is based on a true story. A caring Los Angeles reporter named Steve Lopez (Robert Downey, Jr.) tries to help a homeless man named Nathaniel Anthony Ayers (Jamie Foxx).

Ayers suffers from paranoid schizophrenia. But he once attended Julliard, and he still lives and breathes the music of Beethoven. Ayers, with his shopping cart of possessions, walks the streets, playing his violin amid the noise of the freeway. He's content, in his own world.

That unusual behavior grabs the attention of Lopez, no doubt as a human interest story for his own column. But as Lopez gradually becomes more genuinely concerned about Ayers, their relationship encounters frustration, anger, and emotional pain.

It's a poignant, gritty story, full of realism. The film manages to be compassionate without being patronizing. The film does a terrific job in portraying the harsh, depressing reality of the boarders who live at a large shelter where Ayers goes, at the insistence of Lopez.

Technical elements of the film are good. The visuals are thematically impressive. Production design and costumes are detailed and realistic. Acting is credible. Robert Downey, Jr. gives a fine performance.

The main problem is the plot. Too much time is spent on Lopez and his trivialities. Somehow, the compelling Ayers story morphs into a weighty examination of Lopez and his distress in dealing with Ayers. The script is to blame here. I think if the main character had been Ayers, instead of Lopez, the film could have been quite inspiring.

Even so, the film clearly calls attention to the plight of the urban homeless. As such, the film deserves viewer support.

With an interesting subject matter, two talented actors starring, Beethoven (one of my favourite composers) featuring heavily in the soundtrack and an impressive trailer, 'The Soloist' had enough to make me want to see it.

Joe Wright is somewhat hit and miss for me. 'Atonement' and 'Hanna' especially of his films are great, also liked 'Pride and Prejudice' and 'Darkest Hour'. 'Anna Karenina' didn't do it for me though and 'Pan' was a big misfire. 'The Soloist's' mixed reception admittedly created some uncertainty on my part, but the interest points mentioned in the first paragraph were enough to check it out anyway. Seeing it, 'The Soloist' is somewhere in the middle of Wright's films in ranking.

Not one of his best, not one of his worst either. Better than reputed, but considering the potential a better film was in there somewhere that didn't quite materialise.

'The Soloist's' biggest strength is the two leads. Robert Downey Jnr. especially is riveting in a performance full of vigour and heart. Jamie Foxx had the more challenging role, and while not as subtle as Downey his acting is incredibly emotionally committed and touching. Catherine Keener also fares well.

It's a good looking film too, polished, gritty and elegant. The music is magnificent as one would hope. 'The Soloist' does have its fair share of powerful, poignant and uplifting moments, the chemistry between the two leads strikes all the right notes and the scenes and portrayal of the homeless have a lot of power. The portrayal of schizophrenia, a very complex condition that has been prone to a lot of misconceptions and misinterpretations, is not too inaccurate.

However, Wright's direction is fairly unimaginative and sometimes chaotic. While there is nothing amateurish about his images (apart from some over-eager/clever editing) not all of them serve much of a purpose. The script does tend to ramble, even in Foxx's dialogue which is at times slightly annoying, and be too ham-fisted.

Similarly, the story is somewhat too thin and tries to cover too many themes and ideas without exploring some of them enough. Consequently, some of the film gets unfocused and over-crowded with a tendency to get melodramatic and be erratically paced. The rest of the acting barely registers, which is a shame because the two leads are so good.

Overall, not a bad film but could have been more. 6/10 Bethany Cox