The Nines

I recently rewatched The Nines (2007) on Tubi. The storyline follows an actor on house arrest after a dramatic episode. His publicist helps him settle into a house and find some hobbies to keep his mind busy until his troubles blow over. Unfortunately, he becomes obsessed with the number 9, its meaning, and a neighbor next door. Will he start to lose his mind again, or can his publicist help him keep his sanity?

This film, written and directed by John August in his directorial debut, and stars Ryan Reynolds (Deadpool), Melissa McCarthy (The Heat), Hope Davis (American Splendor), Elle Fanning (Super 8), and Octavia Spencer (Hidden Figures).

The Nines features a great cast, an interesting premise, and just enough content to keep you intrigued about where the story goes. The science fiction elements are smart, the child storyline subplot is interesting, and there is also a unique love story. The acting is solid, although Melissa McCarthy's character is intentionally a bit annoying. The film concludes with a nice twist ending.

In conclusion, The Nines is an average movie overall, but its unique elements make this thriller worth a viewing. I would score it a 5.5/10 and recommend seeing it once with the appropriate expectations.

The Nines tells three short stories, the first of about an actor who is under house arrest after flipping over his car, the second is about a writer who's pilot TV show is in jeopardy and the last deals with a video game designer lost in the woods after his car breaks down. All three stories are told with the same actors.

When I first heard about The Nines, everyone was raving about how original it was and how it was like nothing they have ever seen before. So obviously it peeked my interest. After finally watching the film, I can see where it gets it's praise, but don't fully understand why it's getting so much of it. Yes, The Nines is original and keeps you guessing until the very end, but the pay off isn't as good as the rest of the film.

This is John August's directorial debut, if you don't know who August is, he's the writer of such films like Big Fish, Corpse Bride and Go. The Nines is another impressive entry to his already good resume. It seems that August was confident enough to tackle this big project. I applaud him ambitions. He didn't fail by any means, but he didn't blow me away either. It is always a love hate relationship when the writer is the director. When it works, you get Pulp Fiction, when it doesn't you get Blade Trinity. When the writer is the director, he knows exactly what he wants, he knows the characters inside out and how to bring everything together. The Nines doesn't seem to fall into either category, it seems to sit on the fence.

Ryan Reynolds proves again that he has more range then people give him credit for. He might have painted himself into a corner with Van Wilder and Waiting, but he seems to be slowly breaking free of it. He showed range at the very end of Smoking Aces and in the recent rom com Definitely Maybe. With The Nines he again proves why he is underestimated and will bring greater things in the future. Reynolds plays the lead in all three shorts. We see him as a crack addicted actor, gay writer and family man video game designer. While he doesn't blow you away with his performance, he does manage to capture you and bring you along for the ride from start to finish.

Hope Davis appears here in a supporting role, again playing three different characters in all three shorts. She manages to get so much across the screen by doing so little. A look here or move there and you know exactly what she is thinking. Melissa McCarthy plays herself in one segment, I think she had the hardest job. She has to be bubbly, scared, mean and informative.

The three segments are all shot differently. The first segment, titled The Prisoner, showcases bright reds and yellows and was shot on 16mm. The second segment, titles reality television is shot on video. The entire segment plays out like a reality TV show as we follow Gavin (reynolds) and his troubles in trying to get his pilot on air. The third and final segment, titled Knowing, is darker and shot on 35mm. The third segment has the same title as the pilot that Gavin in the second segment is writing. Even the same events take place. Without giving too much away, all three segment interconnect with each other. But not exactly in a way you want or think.

If you are confused after watching the film, join the club. I knew what happened and sort of got some things, but had to read up on it to see what others thought to finally connect the dots. The films does a very good job of teasing the viewer with bits of information and bringing them along asking questions left right and centre. As the film concludes you sit there wondering if you are satisfied or not. I still do not know really. I like the idea behind the film and the presentation was nice, but the way they dragged us along seemed like it would amount to something bigger, something deeper, something more then what we are ultimately given.

The film doesn't answer everything and it doesn't need to. It's a film that leaves it's answers up to the viewer, to make whatever assumptions they want. But even this isn't satisfying enough. I guess because all the hype I head prior, I expected more. If you go into it not knowing anything about it, you will be pleasantly surprised.

I will not spoil the movie for anyone. I watched this film last night. This is a film that is worth renting and watching. It has a Donnie Darko flavor to it and is very interesting. The script is solid and very intelligent, as well as the acting. There are three different movies all linking up into one movie about creation in my opinion. All three films contain the same characters, it is just that the roles interchange and do not make sense until the end of the movie. The film begins as almost a comedy and turns into a thriller so just be aware of this and do not get turned off too early. I give this a 7 (as opposed to 9) for a truly unique film with a solid cast. This one is worth renting.

The Nines has some fantastic ideas and some really rather good performances (Melissa McCarthy is a constant joy throughout and Ryan Reynolds shows an impressive diversity for his acting league) however, after a promising start, loses its way as the story progresses.

A film of three distinct parts in a Charlie Kaufman (Being John Malkovich, Eternal Sunshine of the Spotless Mind) style, The Nines deals with some seriously deep themes including philosophy, theology and betrayal. However, unlike Eternal Sunshine, the direction of John August (writer of Go and Big Fish) seems too straight and, dare I say it, Teen-like for such a film where a better choice of helm would have seem to be someone like David Lynch (Blue Velvet, Twin Peaks) or maybe Darren Aronofski (Pi, The Fountain). As it is the film progressively gets weirder and weirder and with it surrealism jars with the previous tone to the point it feels preposterous.

Worth a watch and nice to see someone try something new but ultimately disappointing.

I saw it yesterday and, too much different of what I've read here, I simply saw a housewife completely slaved by the crack. Her pain and dreams are so intense that she creates another world, where she is important, famous and mother at the same time. But all of this has a high cost, each price showed in each chapter. Ryan is the crack itself: he is her best friend, her lover and her husband. When he goes away her imaginary world comes to an end: she is cured. The movie just shows us what her mind creates while she tries to get rid of the power of the drug, the crack. What does Ryan think of all this? He is God, such is the power of the drug. He created Melissa's world and He has the power to destroy it when she is cured.