El poderoso pero arrogante dios Thor es expulsado de Asgard para vivir entre los humanos en Midgard (la Tierra), donde pronto se convierte en uno de sus mejores defensores.El poderoso pero arrogante dios Thor es expulsado de Asgard para vivir entre los humanos en Midgard (la Tierra), donde pronto se convierte en uno de sus mejores defensores.El poderoso pero arrogante dios Thor es expulsado de Asgard para vivir entre los humanos en Midgard (la Tierra), donde pronto se convierte en uno de sus mejores defensores.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 30 nominaciones en total
Maximiliano Hernández
- Agent Sitwell
- (as Maximiliano Hernandez)
Resumen
Reviewers say 'Thor' is lauded for its visual effects, performances, and exploration of Norse mythology. Hemsworth and Hiddleston shine, while themes of familial conflict and heroism resonate. The balance of action and character development is noted, though some find the story predictable. Humor and character chemistry are praised, but the romance is criticized. Pacing, CGI, and 3D effects are frequent discussion points. Overall, it's a strong MCU addition.
Reseñas destacadas
Great movie! Has a comic book feel to it. The storyline is very well done! I love how they show Asgard and explain how everything fits into place. The humor is very tasteful, but can be oddly quirky in places. Lots of fun action. The only thing that could have used some improving was the way they filmed the movie. The shakey camera and weird angles are a little annoying, but the rest of the film makes up for this. Very good choice in the cast, could not have picked a better actor for Thor or Loki. Natalie Portman's part isn't the best. She has cheesy lines and her acting doesnt flow right, even though she is a talented actress. She does better with serious parts inatead of light and comical. This movie is very clean and makes a great fun movie for the entire family.
The Marvel magic continues with Thor, as they create yet another throrouly enjoyable, fun, action packed and humourous adventure, where we're introduced to a bigger universe extending far beyond Earths realm.
What this movie does perfectly is ground the characters, and link them to our reality so that even though we're dealing with the mystical Frost Giants or the humoungous Destroyer, the characters do not appear other worldly or over powered to the existing superheroes.
The visuals are captivating, whether it be the splendours of Asgard or the chilly Jotunheim, the CGI is excellent. The story is crisply told, fast paced and simple, taking us across the realms and giving us a background to some really interesting, well written and well portrayed characters.
Chris Hemsworth nails the role of Thor with this charm, comic timing and of course good looks. He brings across the carefree, impulsive Thor while also showing a compassionate, gentle side to the character who'd otherwise have been all brawn and no brain.
Antony Hopkins is brilliant as ever, playing Odin Allfather with all the gravitas that the ruler of the nine realms should possess. He shows his steely, ruthless side, as well as his soft, wise nature with elan.
With Tom Hiddleston Marvel have struck gold when it comes to antagonist. His portrayal of Loki is by far the best negative character in the Marvel universe thus far. The God of mischief oozes charisma and brings out his underlying conflicts to perfection.
Natalie Portman and Stellan Skarsgard play important roles in helping Thor in his transformational journey, and we get small bits and pieces of Idris Elba and Jeremy Renners Heimdall and Hawkeye with a hope that they'd play meatier parts in future movies.
The action sequences are frequent and fun, there's a lot of humour, especially as Thor adjusts to the ways of the Earth and it keeps you engaged from the start to the end.
All in all, this film provides a perfect introduction to other worldly elements to be incorporated later in the MCU while managing to hold its own as a spectacle.
It may not be on par with Iron Man when it comes to a deep, rich story line, but it's the closest a movie in the MCU has come so far in touching those grand heights.
What this movie does perfectly is ground the characters, and link them to our reality so that even though we're dealing with the mystical Frost Giants or the humoungous Destroyer, the characters do not appear other worldly or over powered to the existing superheroes.
The visuals are captivating, whether it be the splendours of Asgard or the chilly Jotunheim, the CGI is excellent. The story is crisply told, fast paced and simple, taking us across the realms and giving us a background to some really interesting, well written and well portrayed characters.
Chris Hemsworth nails the role of Thor with this charm, comic timing and of course good looks. He brings across the carefree, impulsive Thor while also showing a compassionate, gentle side to the character who'd otherwise have been all brawn and no brain.
Antony Hopkins is brilliant as ever, playing Odin Allfather with all the gravitas that the ruler of the nine realms should possess. He shows his steely, ruthless side, as well as his soft, wise nature with elan.
With Tom Hiddleston Marvel have struck gold when it comes to antagonist. His portrayal of Loki is by far the best negative character in the Marvel universe thus far. The God of mischief oozes charisma and brings out his underlying conflicts to perfection.
Natalie Portman and Stellan Skarsgard play important roles in helping Thor in his transformational journey, and we get small bits and pieces of Idris Elba and Jeremy Renners Heimdall and Hawkeye with a hope that they'd play meatier parts in future movies.
The action sequences are frequent and fun, there's a lot of humour, especially as Thor adjusts to the ways of the Earth and it keeps you engaged from the start to the end.
All in all, this film provides a perfect introduction to other worldly elements to be incorporated later in the MCU while managing to hold its own as a spectacle.
It may not be on par with Iron Man when it comes to a deep, rich story line, but it's the closest a movie in the MCU has come so far in touching those grand heights.
Another outstanding effort, Marvel does it again! It's hard to believe that a movie with this subject matter can make you think and challenge all your movie viewing skills but it does so and more. It's very artistic and you would expect no less from Kenneth Branagh. He presents the entire film in a way that can be savored. Many aspects are classical drama and yet other aspects are just plain old fun kick-butt action scenes. It's a perfect blend and this movie is far deeper then I would've thought. The pacing was perfect as is the link to the Marvel movie Universe... I can't wait to see what Captain America brings us. Overall, a summer movie that's superior to everything else that I've seen in years.
The director's background in Shakespearian themes comes in to play right from the beginning of the film and run throughout. Thor is a super-strong "god" and can travel through space with supernatural powers yet the story is paradoxical and contrary about those elements instead choosing to focus on the human elements. THAT elevates this film far beyond anything I was expecting but I should have known better considering the source material and the director.
The genuine and relatable qualities of these characters are what make it a great film. Sure, the action and fantasy are incredible but the story works so well. The family dynamics between fathers & sons along with sibling rivalry and the price of vanity and lack of humility all resonate. The choices made and the relationships on display are as wonderful as the brawling and action... which are as good as any summer movie that I've seen in years.
The director's background in Shakespearian themes comes in to play right from the beginning of the film and run throughout. Thor is a super-strong "god" and can travel through space with supernatural powers yet the story is paradoxical and contrary about those elements instead choosing to focus on the human elements. THAT elevates this film far beyond anything I was expecting but I should have known better considering the source material and the director.
The genuine and relatable qualities of these characters are what make it a great film. Sure, the action and fantasy are incredible but the story works so well. The family dynamics between fathers & sons along with sibling rivalry and the price of vanity and lack of humility all resonate. The choices made and the relationships on display are as wonderful as the brawling and action... which are as good as any summer movie that I've seen in years.
In the pantheon of Marvel Superheroes, from my vantage point, Thor is a second-tier player. Even amongst non-obsessive comic aficionados, such as myself, Thor doesn't quite have the readership draw or the common familiarity in the public that heroes such as Spider-Man, Batman, Superman, etc., have. However, that doesn't mean that Marvel Studios, the filmmaking wing of the company, feel inclined to give the filmic adaptation of Thor short shrift. The cinematic entry for this character, titled simply Thor, is among the better of the Marvel adaptations of recent years, mixing a good sense of fun, strong acting, and some Shakespearian level drama that makes for an especially entertaining time at the movies.
Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.
When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.
Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.
When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.
Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.
Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.
Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.
Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.
When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.
Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.
When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.
Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.
Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.
Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.
¿Sabías que...?
- CuriosidadesWhen Chris Hemsworth (Thor) and Sir Anthony Hopkins (Odin) saw each other in full armor for the first time, Hopkins said, "God, there's no acting required here, is there?"
- Pifias(at around 51 mins) On a SHIELD monitor, "perimeter" is spelled "perimiter".
- Créditos adicionalesSPOILER: There is a scene after the credits: Dr. Selvig meets with Nick Fury, who asks him to examine the Tesseract from Capitán América: El primer vengador (2011). Loki appears in a reflection on the wall influencing Selvig to agree.
- Versiones alternativasIn Nordic subtitles for this film, the name of Laufey has been changed to Leifur, since In Norse mythology (and thus, Nordic languages), the name Laufey is feminine and is the name of Loki's mother.
- ConexionesEdited from Iron Man 2 (2010)
- Banda sonoraI Can Help
Written by Billy Swan
Performed by Billy Swan
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
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Detalles
Taquilla
- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 181.030.624 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 65.723.338 US$
- 8 may 2011
- Recaudación en todo el mundo
- 449.326.618 US$
- Duración1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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