PUNTUACIÓN EN IMDb
6,6/10
7 mil
TU PUNTUACIÓN
Un marchante de arte hace una apuesta: si en el plazo de 10 días no encuentra al amigo perfecto, tendrá que entregar un valioso jarrón. Se pone manos a la obra y acaba eligiendo a un taxista... Leer todoUn marchante de arte hace una apuesta: si en el plazo de 10 días no encuentra al amigo perfecto, tendrá que entregar un valioso jarrón. Se pone manos a la obra y acaba eligiendo a un taxista, una persona entrañable pero algo débil.Un marchante de arte hace una apuesta: si en el plazo de 10 días no encuentra al amigo perfecto, tendrá que entregar un valioso jarrón. Se pone manos a la obra y acaba eligiendo a un taxista, una persona entrañable pero algo débil.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 1 nominación en total
Reseñas destacadas
"If you tame me, we will need each other. You will be for me unique in the world. I will be for you unique in the world". So says the fox to the Little Prince, in Antoine De Saint-Exupéry's "Le Petit Prince," when they meet up in the Little Prince's journey. The lonely Prince has asked the fox to play with him but the fox says no, I have no wish to play with you. I am not a tame fox. A discussion then follows as to the meaning of "to tame." The fox answers as above.
This passage, which appears in a journal kept by the taxi-driver Bruno (Dany Boon), is at the heart of this charming and beautifully executed film of discovery, loss, and redemption. True friends are special to each other because they have discovered a need that the other can fulfill. Because of this acknowledged need, they are special (unique) to each other forever.
This is a hard lesson for Monsieur Françoise Coste (Daniel Auteuil), an antiques dealer, to learn, since he believes that he is on top of the world, successful, an engagement calendar full of lunch dates and meetings with business associates, a daughter in college, and a girl friend who seems to adore him. He doesn't think he needs anyone. He's in charge. When he is hit with the hard truth that none of these people (with the exception, perhaps, of his girlfriend), would come to his funeral, he is forced to admit that not only does he have no friends but also that no one likes him.
Being the arrogant, ego-driven man that he is, he denies that he has no friends, and in a basically silly bet, accepts a challenge from his antiques gallery partner, Catherine (Julie Gayet) to prove this hard truth false. The prize is an expensive Egyptian vase that Coste has just purchased, against the wishes of Catherine, because he took a fancy to the vase. In the process of coming up with a "best friend" within 10 days, to win the bet, Coste learns what friendship means, and just how far off the mark he really was.
I am a great fan of Daniel Auteuil, and love him in this role as much as in any of his previous roles. Of course, he is greatly helped along by Dany Boon, who plays the talkative, easy-going, friendly taxi driver, Bruno. Equally friendless, but not equally unlikeable, Bruno good-naturedly, almost affectionately, agrees to Coste's request to become his teacher in friend-making.
First, Coste has to admit that he has a need, or problem. "A friend is someone you can call at 3:00 in the morning to help you with a problem," says Bruno.
"I don't have any problems," replies Coste.
"Yes, you do," retorts Bruno, smiling, "you don't have anyone you can call at 3:00 in the morning." One of the best lines in the film! There are more.
When I left this film, I felt a sense of sheer happiness unlike anything I've felt in a long time. Because I had been late to the film (traffic), I stayed for the next showing to catch those missed 15 minutes, and ended up staying for 45 minutes. I am not sure just yet why it gave me such a sense of joy and hope, but perhaps because it deals so honestly and with such good nature this painful issue of finding, making, and keeping friends in our modern, fast paced, success-driven world. A business contact is not a friend, and no matter how full our business calendars are, its whom we meet in the café for a heart-to-heart chat over an espresso or go for a Sunday morning walk with that is the real measure of our success in the world. If that sounds too tame a definition of friendship, well, Director Patrice Leconte sees it differently.
This passage, which appears in a journal kept by the taxi-driver Bruno (Dany Boon), is at the heart of this charming and beautifully executed film of discovery, loss, and redemption. True friends are special to each other because they have discovered a need that the other can fulfill. Because of this acknowledged need, they are special (unique) to each other forever.
This is a hard lesson for Monsieur Françoise Coste (Daniel Auteuil), an antiques dealer, to learn, since he believes that he is on top of the world, successful, an engagement calendar full of lunch dates and meetings with business associates, a daughter in college, and a girl friend who seems to adore him. He doesn't think he needs anyone. He's in charge. When he is hit with the hard truth that none of these people (with the exception, perhaps, of his girlfriend), would come to his funeral, he is forced to admit that not only does he have no friends but also that no one likes him.
Being the arrogant, ego-driven man that he is, he denies that he has no friends, and in a basically silly bet, accepts a challenge from his antiques gallery partner, Catherine (Julie Gayet) to prove this hard truth false. The prize is an expensive Egyptian vase that Coste has just purchased, against the wishes of Catherine, because he took a fancy to the vase. In the process of coming up with a "best friend" within 10 days, to win the bet, Coste learns what friendship means, and just how far off the mark he really was.
I am a great fan of Daniel Auteuil, and love him in this role as much as in any of his previous roles. Of course, he is greatly helped along by Dany Boon, who plays the talkative, easy-going, friendly taxi driver, Bruno. Equally friendless, but not equally unlikeable, Bruno good-naturedly, almost affectionately, agrees to Coste's request to become his teacher in friend-making.
First, Coste has to admit that he has a need, or problem. "A friend is someone you can call at 3:00 in the morning to help you with a problem," says Bruno.
"I don't have any problems," replies Coste.
"Yes, you do," retorts Bruno, smiling, "you don't have anyone you can call at 3:00 in the morning." One of the best lines in the film! There are more.
When I left this film, I felt a sense of sheer happiness unlike anything I've felt in a long time. Because I had been late to the film (traffic), I stayed for the next showing to catch those missed 15 minutes, and ended up staying for 45 minutes. I am not sure just yet why it gave me such a sense of joy and hope, but perhaps because it deals so honestly and with such good nature this painful issue of finding, making, and keeping friends in our modern, fast paced, success-driven world. A business contact is not a friend, and no matter how full our business calendars are, its whom we meet in the café for a heart-to-heart chat over an espresso or go for a Sunday morning walk with that is the real measure of our success in the world. If that sounds too tame a definition of friendship, well, Director Patrice Leconte sees it differently.
Some are lucky to have so many friends that identifying a best friend is not easy; others have none. Francois (Daniel Auteuil) makes a bet with his business partner, Catherine (Julie Gayet), and friends at his birthday dinner that within ten days he can show them his best friend. They are confident he cannot.
A simple premise, a simple bet most of us could win given the same amount of time. Patrice Laconte in My Best Friend has once again created a sometime two-hander in which Francoise engages an outgoing cabbie, Bruno (Dany Boon), to help him identify the traits of a best friend and subsequently dredge said friend out of Francoise's past or present. The film is spent largely on the search, smoothly humorous and poignant in tracing the growing friendship between the two hunters and revealing the vagaries of any friendship, best or regular.
The notion of the challenge inherent in the bet is carefully parsed with a series of characters and incidents that do more to define who Francoise is as a human being than who that uber friend might be. The leitmotif best exemplifying the fragile and elusive nature of best friendship is an expensive antique vase dealer Francoise buys on impulse and becomes the prize for the bet. There's a parallel between the vase and the friendship that could easily be drawn by a discerning, often European audience. Another avenue of exploring the meaning of friendship is the competition on the French version of Who Wants to be a Millionaire? Americans should take notice of the film's excellence at this point.
Another sub theme comes in the relationship between Francoise and his business partner, an attractive woman with multiple challenging friendships herself. And then the other friends at the party. Everyone, it seems, must deal with friendship, whether in a bet or reality.
For some Americans, the whole idea of deconstructing friendship in a movie might be uncomfortable and boring. In the hands of a master director, it is amusing and shocking.
A simple premise, a simple bet most of us could win given the same amount of time. Patrice Laconte in My Best Friend has once again created a sometime two-hander in which Francoise engages an outgoing cabbie, Bruno (Dany Boon), to help him identify the traits of a best friend and subsequently dredge said friend out of Francoise's past or present. The film is spent largely on the search, smoothly humorous and poignant in tracing the growing friendship between the two hunters and revealing the vagaries of any friendship, best or regular.
The notion of the challenge inherent in the bet is carefully parsed with a series of characters and incidents that do more to define who Francoise is as a human being than who that uber friend might be. The leitmotif best exemplifying the fragile and elusive nature of best friendship is an expensive antique vase dealer Francoise buys on impulse and becomes the prize for the bet. There's a parallel between the vase and the friendship that could easily be drawn by a discerning, often European audience. Another avenue of exploring the meaning of friendship is the competition on the French version of Who Wants to be a Millionaire? Americans should take notice of the film's excellence at this point.
Another sub theme comes in the relationship between Francoise and his business partner, an attractive woman with multiple challenging friendships herself. And then the other friends at the party. Everyone, it seems, must deal with friendship, whether in a bet or reality.
For some Americans, the whole idea of deconstructing friendship in a movie might be uncomfortable and boring. In the hands of a master director, it is amusing and shocking.
The premise of this film is delightful but the film lacks the fairy tale quality that would have you smiling and loving the characters at the end of the film. It's almost too realistic and, as others have noted, has a cruel streak that makes the film a bit of a downer. Also, the situation the main character finds himself in is depicted as singularly unique, but is it really? We all throw the word "friend" around, but most are really just co-workers or acquaintenances. A friend is someone who has a key to your house and can walk in anytime and you wouldn't be surprised to see him/her there. In truth, Francois's life isn't all that different from many others.
I gave him 10/10, even if the screenplay isn't so strong, because this is a movie perfect in his genre:
I'm not a moralist, and I don't become upset if I see a comic film that uses vulgarities with the aim to make me laugh; if the movie is funny, I think it reached his goal, and it has my applause.
But this one, that hasn't vulgarities at all, made me laugh even much. In years in which seems that vulgarity is the better way to make laugh, this is a masterpiece.
A masterpiece to show everyone to spend 2 enjoyable hours together.
Talking about his weaknesses, I thought that last scenes could be directed in a better way, but the excellent Auteil's performance and the funnies gags, according to my tastes, fulfill everything.
I'm not a moralist, and I don't become upset if I see a comic film that uses vulgarities with the aim to make me laugh; if the movie is funny, I think it reached his goal, and it has my applause.
But this one, that hasn't vulgarities at all, made me laugh even much. In years in which seems that vulgarity is the better way to make laugh, this is a masterpiece.
A masterpiece to show everyone to spend 2 enjoyable hours together.
Talking about his weaknesses, I thought that last scenes could be directed in a better way, but the excellent Auteil's performance and the funnies gags, according to my tastes, fulfill everything.
This frenchman(Daniel Auteuil) is just amazing in his way to convince in almost any kind of emotionally role. Here he plays the distant and at the same time so kind person with a natural attitude as if it was reality. A year ago i watched the film "La fille sur le pont" (aka. The girl on the bridge), today that is my favorite film of all times. That is the only reason for me for only giving a 9 to this one. I've now seen all his films that i could get with subtitles, as I don't speak french. I am very sorry because of the ratings so far. Due to my opinion this film is a little pearl. It is not a big masterpiece, but so well made and perfectly acted that it, due to my opinion, has deserved more. I think the whole theme friendship is more important then ever in this busy world, so it leaves a little bit to think about after watching it. For those who haven't seen the film, I would like to say: just lean back and enjoy it!
¿Sabías que...?
- PifiasWhen François and Louise sit in Bruno's taxi, cars in the left hand side rear view mirror move as if the taxi was moving in reverse, but it is moving forward.
- Banda sonoraLa Paimpolaise
Music by Eugène Feutrier
Lyrics by Théodore Botrel
Published by Editions Fortin, Paris 1896
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- How long is My Best Friend?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- El meu millor amic
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.426.784 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 45.246 US$
- 15 jul 2007
- Recaudación en todo el mundo
- 14.687.738 US$
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Mi mejor amigo (2006) officially released in Canada in English?
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