Otoko-tachi no Yamato

Huge scale tale of the battleship Yamato and its crew. from 1942 to its sinking. Told in flashback as memories are provoked in a survivor by a woman, the daughter of another survivor, wanting to visit the final resting place on the 60th anniversary of its sinking. This is a story of youthful idealism tinged and changed by the course of war and a culture that celebrates death in battle as something glorious. It examines why men fight and what can we hope to get out of war.

This is a very good and moving film. For all of the clichés (is there a well worn plot device it doesn't have?) it does manage to touch the heart and the head. We really do care about the characters we see up on the screen, and what happens to them, death in a foolish adventure, moves us. At the same time we get to see the waste that is war and was the Japanese war effort in the final days of World War Two. Its made clear that the fight to the end mentality leaves no room for tomorrow. Its best expressed in a simple scene on the bridge of the ship. One of the officers is asked to explain the difference between chivalry, the Western code of war, and Bushido, the Japanese code. Bushido, he says is preparing for a death with no reward, Chivalry is trying to live a noble life. Its a difference that all of the men can see but which very few ever get the chance to live by. Even the survivors, the old man essentially telling the story, is haunted by the fact that he lived and everyone else died.As the film asks plainly, if we all die, who's going to be around to take advantage of our sacrifices? Its a question that needs to be asked in this age of suicide bombers. There is a great many other thematic threads running through this film that lift it out of the typical war movie pile.

The cast is top notch. They manage to take what is often a clichéd script and to infuse it with the power of reality. Modern sequences aside, you care for these people and you are moved by what happens to them. The tears that well up in the final modern scenes come from the fact that the cast of the war sections is so good that you carry over the emotion. I wish that the modern sequences had given the actors something to do other than simply push the story into action.

Technically the film is very impressive. The Yamato, is monster of a ship and its plain to see that great care was taken in recreating it. Its a beautiful movie to look at with the entire film having a wonderful sense of place and time. The two battle scenes are graphic in a way that I've never seen in a naval war film (if you don't like blood you may want to look elsewhere.) This is going to be something to rattle the windows with on DVD.

If the film has any real flaw thats its length. The film is about two and a half hours long and to be honest it probably could have been shorter. I was getting fidgety during some of it. Its not that its bad, its just that the films pace allows you too much time to dwell on some of the by the numbers construction of the plot so you just want the film to get to the next bit (what another tearful goodbye?). It doesn't kill the film, it just makes it hard to truly get lost in the story.

If you like war films, or good movies this is one to keep an eye out for. Just be ready to do a little digging since I'm not sure if this is going to get a regular release outside of Asia.

I am almost through a great book on the history of Japan in WWII. The naval battles are fascinating to read about, and so when I saw this movie in the local Asian mall I picked it up.

Yamato (the old name for Japan) has good and bad points. Starting with the good - I find the story fascinating, how the remainder of the Second fleet made a run for Okinawa on a mission that everyone knew was suicide due to lack of air support (Japan's air force had been finally crushed at Saipan). Some of the acting was great; I thought Uchida really stood out. As far as I can tell the film was very historically accurate. Some of the insights into "bushido" were interesting, especially the admiral's explanation of bushido vs. English chivalry. And some of the effects were pretty good too.

On the bad side... the film had kind of a made-for-TV movie feel. As I said, some of the effects were good, others were far from great. The director shied away from showing the large sections of the ship, or the whole ship, maybe because of lack of budget - but I found myself really wanting to see those shots of this 65,000 ton superbattleship. It was obvious the whole film was made in a studio. They really should have invested in substantial steel tubes for the anti-aircraft guns, the fact that they jittered around like toys bothered me. Also in the silent dialog scenes, there should have been an omnipresent rumble of the ship's engines to add to the illusion that we are on the largest battleship in the world.

It wasn't great, but I enjoyed it anyway, and anyone else who is interested in Japanese naval history I think will also enjoy it despite its shortcomings.

There are two things about this movie that make it more than a little absurd. Of course US movies tell the US perspective, and Japanese movies will tend to tell theirs. But Japan does not even teach what happened in World War II, no one growing up after the war has ever been taught what they did to the subjects under their rule, or that they started hostilities. This is why China and Korea to this day maintain a cold peace with Japan. They have not forgotten.

So this movie once again skips over anything -- Japanese perspective or not -- about the war, and focuses on the only thing Japan has ever focused on since -- their own suffering.

The other thing is that the fight scenes make it look like they are at least making the US pay a heavy price. This is typical Japanese face- saving. If you are going to make a movie about these dead heroes to the state, you have to at least make it look like they died being somewhat competent. In fact, the count for the day was something like 10 US planes downed, and 14 pilots wounded. Considering that 4000 Japanese sailors died, this was an incredibly lopsided fight. So in other words, the battle must have looked very, very different than this movie.

I understand that a Japanese director probably cannot make a movie in which Japanese sailors are dying by the thousands -- and ARE NOT EVEN ABLE to inflict much damage in return. But that isn't US propaganda -- that is what happened. Surely at this point, it's time for someone to tell the young people of Japan something closer to the truth? Yes, Japan paid for its mistake, but it was not an innocent victim.

In 2001 I taught for six weeks in Japan, 2 weeks before, then later 4 weeks after 9/11. My students incredulously asked me in amazement "who would think of using an airplane as a suicide weapon and killing themselves and lots of other people?" They had not even HEARD of kamikazes! I did not have the heart to enlighten them, so I restrained my natural response "Your people invented this!"

Modern pacifist Japan is rooted in ignorance, and this movie contributes nothing to understanding. This is the telling of a war that happened in another dimension, not here. This is a tale from a Japan that still cannot own up to its own history.

On April, 6th 2005, in Makurazi, Kagoshima, Makiko Uchida (Kyôka Suzuki) seeks a boat in the local fishing cooperative to take her to the latitude N30, longitude L128, where the largest, heaviest and most powerfully armed battleships ever constructed Yamato was sunk on April, 7th 1945; however, her request is denied. She meets by chance the captain Katsumi Kamio (Tatsuya Nakadai) of the fishing vessel Asukamaru and discloses that she is the stepdaughter of Officer Nagoya Uchida (Shidô Nakamura) and Kamio immediately accepts to take her in the risky journey. While traveling with Makiko and the fifteen year-old Atsuchi (Sosuke Ikematsu), Kamio recalls and discloses the story of Yamato and his close friends that served on board of the battleship until the final suicidal mission in Okinawa. When they reach the spot where Yamato was sunk, he considers that he finally reached the end of the Shōwa era.

"Otoko-tachi no Yamato" is a dramatic movie based on the true story of the Battleship Yamato in World War II. This film gives an approach of Japanese relationship in war totally different from the stereotype of American and European movies of this genre that usually treat Japanese soldiers as cold blood killers detached from any emotions. In "Yamato!", the Japanese military are human beings, with beloved ones, families and comradeship between them, giving more credibility to the story. However, director Junya Sato exaggerates in the melodramatic subplots and in many moments the viewer has the sensation of watching a soap-opera instead of a drama. The final battle of Yamato is engaging and one of the best moments of this film. The music score is repetitive and boring and I personally did not like it. Last but not the least, the Shōwa period mentioned by Katsumi Kamio in one of his last lines literally means, in accordance with the Wikipedia, "period of enlightened peace", or Shōwa era, is the period of Japanese history corresponding to the reign of Emperor Shōwa (Hirohito), from December 25th, 1926 to January 7th, 1989. My vote is seven.

Title (Brazil): "Yamato"

The movie has a very touching human side, an a sinister historic side.

The human story inside the story also is moving.

The major flaw of it, is that is too long. It gets unnecessary and frequently lost in details.