El ilusionista

Imaginative and intriguing flick set in turn-of-the-century Vienna, where takes place a crash of wits between a famous magician , a price and and a Police Inspector . This enjoyable and fresh story about intense rivalry among an ambitious , easy-going magician named Eisenheim (Edward Norton who did many of his own magic tricks, with the coaching of James Freedman) who becomes a prestigious illusionist and get mutual envy , a Police chief (Paul Giamatti) and the heir prince (Rufus Sewel) ; being set in turn-of-the last century , Vienna (although the film is set in Austria, it was filmed mostly in the Czech Republic) . Their escalating cat and mouse feud is played out in palaces , theaters and Vienna streets . Eisenheim (his character is closely based on the magician and supposed clairvoyant Erik Jan Hanussen, who was famous in Vienna in the early part of the 20th century and was murdered by Nazi soldiers in 1933) delivers the most spectacular version of a teleportation trick that calls for something like real magic . The stage illusionist falls in love with a woman well above his social standing . He will use his abilities to secure the love of a gorgeous girl (Jessica Biel replaced Liv Tyler, who dropped out of the film just as filming was about to begin) far above his social standing as the magician use his powers to combat his enemies . The Duchess Von Teschen is soon to be wed to the Crown Prince Leopold in what would be for him a marriage solely in pursuit of power : overthrowing his father, the Emperor Leopold , as well as overtaking the Hungarian side of the empire .

This splendid movie is stunning in many aspects and blends appropriately various genres : the lush romantic period piece during nineteenth century Victorian Era , mystery thriller and fantasy . The picture gets it all : suspense , mystery drama , star crossed lovers , plot twists , murders ,tragedy , exquisite costumes and supernatural illusions . It inhabits a world between reality and illusion as when Inspector's investigation develops , it's amazingly unclear whether the illusionist is the performer of unbelievably excellent tricks or genuine supernatural acts . Explicitly modelled on the pattern of a magic trick , it's also bound by the rules of the mystery thriller genre . And in devoting so much room to romantic subplot , the picture ends up breaking the magician's cardinal rules . Featuring an excellent casting, as main actors, Edward Norton , Jessica Biel and Paul Giamatti as well as eclectic secondaries , Rufus Sewel , Jake Wood and Eddie Marsan .Although the story is fictional, some of the details are based on the life of Austrian Crown Prince Rudolf, only son of Emperor Franz Josef. The painting of the emperor which Eisenheim creates is an actual portrait of Franz Josef ; the bodies of Rudolf and his mistress, the Baroness Mary Vetsera, were found at his hunting lodge Mayerling on January 30, 1889 in what is now known as the "Mayerling Incident". This was initially covered up by the Imperial Family, creating controversy and mystery. Luxurious attention to period detail in brilliant costumes and spectacular production design . Beautifully and mesmerizing cinematography by Dick Pope ; too marvelously photographed in a red sepia palette flashed with colorful images . Intriguing as well as evocative musical score by Philip Glass . The motion picture was perfectly directed by innovator director Neal Burger , a filmmaker who has filmed notorious movies such as ¨The lucky ones¨ , ¨Interview with the assassin¨ and his most successful , ¨Limitless¨ . At the same time was made another film (2006) with similar theme about magicians titled ¨The prestige¨ (2006) by Christopher Nolan with Hugh Jackman , Christian Bale and Michael Caine . 'The illusionist' results to be a magnificent picture which achieved much success . Rating : Above average, it was throughly amusing and exciting , and no as predictable as you would think . The film turns out to be a complete pleasure to watch these actors at this work , it's highly recommended and keep you guessing until final

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First of all, let me say this was a beautifully-filmed movie, just gorgeous from first to last frame. That gets big points with me. Just as impressive was the story, a fantasy-mystery- romance-drama combination set in Vienna, Austria, around the turn of the 20th century.

It is a story that should keep most viewers intrigued all the way and perhaps surprised quite a bit at the end. Edward Norton does his normal job of making you fascinated with whatever character he's playing, this time a magician with almost supernatural powers: "Herr Eisenheim." The character he plays, and the tone of the movie in general, is pretty low-key with next to nothing in (on screen) violence or profanity.

It's simply a classy film and a modern-day one that older folks would very much enjoy as well as younger adults. Paul Giamatti also is very interesting as the police inspector, torn between his allegiance to the villain crown prince and to the truth and what is the right thing to do. The movie, however, belongs to Norton.

In a nutshell: good stuff, classy film. I haven't talked to anybody yet who watched this and didn't like it.

"The Illusionist" is a unique film that combines two often stale genres into something fresh: the lush romantic period piece and the "AHA!" mystery thriller (a genre M. Night Shamalyan has single-handedly run into the ground recently). Helmed by a first time director (Neil Burger), based on a short story, and featuring an eclectic cast, "The Illusionist" had the perfect set-up to be a monumental disaster. With a graceful slight-of-hand, it ends up being something very good.

As with any run-of-the-mill period piece, there's a lavish attention to the set designs and costumes, here representing late nineteenth century Vienna. Director Burger puts a nice spin on the same-old, same-old with an acute attention to lighting (especially in the dreamily over-exposed flashbacks) and old fashioned camera techniques (witness the circular camera's eye closing to transition from scenes) to give the film the feel of being a fond memory of a classic movie from a bygone era.

The central romance where Edward Norton's title character and Jessica Biel's Dutchess are star-crossed lovers kept apart because of class and society, had all the makings of a snore-inducing cheese-athon. Executed in an understated manner that services the greater plot, it ends up being anything but. Norton's performance, especially in the second half of the film when he turns into a man of very few words, had the potential to be one-note. As an actor, he speaks volumes with his eyes. Biel, a former teen idol and TV star, seemed a horrific choice for this role. She pulls of the nifty trick of being quite good. Even better are Rufus Sewell as the tyrannical crown-prince and Paul Giamatti as the chief inspector. Using a short story as the source material, characterizations had the potential to be paper-thin, but these seasoned veterans make the most of their lines and scenes adding terror, humor, and gravitas through their vocal and physical deliveries where lesser actors would've been wooden and cold. The entire cast also worked together very well utilizing their odd, vaguely European and aristorcatic accent. Everyone used it so consistently and earnestly, it didn't seem to matter after awhile that the accent was unnecessary.

A more over-eager or pretentious director may have completely sabotaged the fantastic ending to "The Illusionist" and cheated the audience. Handled deftly by Burger, the grande finale where "all is revealed" is a wholly organic and satisfying conclusion that rewards the patient viewer and fulfills the lofty promises of the themes presented throughout the work.

"The Illusionist" boasts an excellent music score from minimalist composer Phillip Glass that easily rivals his great work done in "Candyman" and "The Hours." Norton and Giamatti treat us to some of the best "staring" since the days of silent films. The look on Giamatti's face and the positioning of his raised eyebrows as he watches Norton perform his illusions coupled with Norton's eyes as he pulls off his tricks are priceless.

I just saw this wonderful film at the San Francisco Film Festival as a surprise entry. Beautifully shot and realized, it keeps you guessing until the end as to the true outcome. It was throughly entertaining and innovative. This movie has it all: romance, suspense, star crossed lovers and supernatural illusions. Edward Norton is perfectly cast as Eisenheim The Illusionist. His accent flowed seamlessly and he simply disappeared into the role. The real revelation to me was none other than Paul Giamatti. Paul's richly accented role was not altogether unlike Tommy Lee Jones' role in The Fugitive. I found his scenes with Norton full of respect and begrudging admiration. It was an absolute joy to see these two pros at work. I will definitely be paying to see this one again when it's released theatrically.

Kind of a strange movie but very original and entertaining! It was a Gothic-romance period-piece drama-mystery, and quirky characters and a bizarre--or at least unusual--plot held my interest.

Edward Norton's character plays an inscrutable but romantic master illusionist. But is he just a master illusionist or has he developed powers to effect the creepy conjuring of those who have passed on? (Regardless, the guy is so easy on the eyes.)

Jessica Biel is beautiful and good in her role but I couldn't help thinking, "Hey, Jessica, Scarlett Johanssen called. She wants her lips back."

Paul Giamatti bothered me just a tad at first because he spoke in a near-whisper and had a scruffy beard so you couldn't read his lips. He got louder and his character developed pretty darned well, thank goodness. Actually, he was fantastic (so what else is new?).

The makers of this movie did the same thing the makers of Little Miss Sunshine did--made me want to see the film twice, but for different reasons: LMS because the first time I saw it, I laughed so hard I cried, and I really needed a laugh again (and got it); The Illusionist because I was like the audience for the title character's shows the first time I saw it--just kind of naive and awed and staring up at the action with my mouth hanging open. So I'll have to see it again and pay attention. Kind of like when my daughter told me to go see The Sixth Sense again and pay attention to what Bruce Willis's character was wearing. (Plot-wise, this is unrelated, folks--just a movie watcher's analogy.)

At first, the old-fashioned circle wipes seemed a little distracting, but in retrospect, they were part of the excellent movie-making decisions that created the illusion of time and place in this film. A really good story with really good art direction and really good actors, costumes and settings. Definitely worth a go-see--or two!