Tres locos andan sueltos

Just saw 'The League of Gentlemen: Apocalypse' at a special screening in Manchester, with Mark Gatiss and Reece Shearsmith of the League in attendance.

At the back was Peter Kay (who has a brief cameo in the film) affectionately heckling at the back during the Q & A session after the film.

The film was complicated (in a good way) and very very funny. It follows Geoff Tipps, Hilary Briss and Herr Lipp as they try and save fictional Rosyton Vasey from the disinterest of their creators.

The League play a wide range of their characters and themselves (or character based on themselves) and are ably supported by the cream of British character and comedy actors such as Bernard Hill, Victoria Wood and David Warner.

Warner is a particular stand out reminding me of his smooth and cutting turn in 'Time Bandits'.

The film swims in and out of various realities and allows some of the denizen's of Rosyton Vasey some space to grow beyond their usual limits of their comedy shtick.

Steve Pemberton's Herr Lipp has a great Bretchian moment near the end of the movie and has to make a decision about his purpose and meaning in life which brings a lump to the throat at an unexpected moment and surprises you with its tender affection for the characters.

This echoes something Mark and Reece said in the Q & A afterwards, that the plot of the league being tired of their famous characters is spurious and that the whole film is really a love letter to them.

For a format that started as a radio character-based sketch show, these guys have really evolved the idea so far as to sustain a movie which takes you on a journey through fiction, 'reality', comedy, tragedy and a pleasing journey for two of the less obvious characters to carry a long form story from their 70 odd existing creations.

The fans of the show will love it. It pays off dedication and attention to detail in spades, the uninitiated may be a little lost, but the joy of the LoG was always the ability to almost instantly tune into their acutely observed characters and take the stylistic leap into farce and expressionistic movie homage.

There are homages a plenty in this one including 'The Shining' and 'La Belle et la Bete', to name but two I spotted and they ably demonstrate their love for cinema and history with a segment in 1690's England that makes perfect sense when you're engaged with the movie.

What can I say, I marvelled, boggled, emoted and snickered throughout and they have definitely pulled off what many have failed at. A successful British TV comedy to cinema translation.

If you've watched and enjoyed 'The League of Gentlemen' in the past, go see it; you will enjoy.

If you haven't, rent/buy a DVD and then go see it.

Well done guys and thanks for the charming and humorous Q & A.

After three outstanding BBC television series' and a Christmas special, the bizarre and grotesque (yet perversely lovable) characters of bleak fictional town Royston Vasey make the jump to celluloid, along with their creators - The League of Gentlemen.

Mark Gatiss, Steve Pemberton and Reece Shearsmith are the more familiar three-quarters of the foursome, with the central roles shared between the trio. In an added twist, the final member of the team - Jeremy Dyson - is portrayed by actor Michael Sheen.

Where to start? Dyson (Sheen) is in conversation with his writing cohorts, when - horror of horrors - he is paid a visit by two of his grisliest characters. Both Tubbs (Pemberton) and Edward Tattsyrup (Shearsmith) are unhappy at The League's decision to kill off the Vasey inhabitants. "You're not real!" screams Dyson in vain, as the local shopkeepers from hell exact their revenge. Mayhem ensues, as reality and Vasey converge with the vast array of characters entering our world to save theirs.

Confused? You will be, as the camp, innuendo-ridden Teutonic, Herr Lipp (Pemberton) is forced to take on the daily guise of Pemberton (Pemberton), while Pemberton (Pemberton) is kidnapped by cannibalistic butcher Hillary Briss (Gatiss) and Geoff Tipps (Shearsmith).

With shades of an even more demented Misery, Briss attempts to force Pemberton to rewrite the film - thus continuing his life - but leaving Geoff in charge is never a good idea. The erstwhile comedian becomes embroiled in The League's latest, post-Vasey adventure - The King's Evil - entering a typically twisted 17th century England, complete with cameos from Victoria Wood, Peter Kay and David Warner. Known as George of Asda (due to his select line of clothing), Geoff saves the day and is treated as a hero, but for the denouement of the film, he joins characters old and new at the Church of Royston Vasey to meet with their makers.

For fans of the series, the film is a must-see. And yes, it does feature Papa Lazarou (albeit a little too fleetingly). Pen-loving Pauline, Mickey, Barbara and cursed vet Matthew Chinnery are some of the other favourites on show, and The League's portrayal of themselves (plus Sheen's as Dyson) is also a fascinating insight.

The League of Gentlemen are the Radiohead of British comedy - they are ambitious, groundbreaking (witness the excellent Series Three) and not happy to rest on their laurels. They also divide opinion accordingly.

Certainly, their macabre sense of humour is not for every palate, and while not written exclusively for 'fans', a grasp of the storyline would benefit those who have previously viewed the series. Nevertheless, Apocalypse is a film in its own right and The League will no doubt manage to attract a new breed of fan, as well as appeasing and pleasing existing ones.

This movie was the result of the fantastically darkly comic BBC TV series! It's a huge pity that this movie spin-off is let down by a poor script and by production values which are below what the TV series offered. It might have been better to take this idea and implement the best parts of it as the end of another TV series but this may not have been an option for the writers. The plot is basically two stories badly tacked together. There are some comic moments but not enough to make it necessary viewing. The audience I saw it with certainly didn't crack up laughing. As it stands it's a pretty disappointing big screen farewell to the excellent characters that have provided so many laughs on the small screen! Such a pity, I really wanted to be able to say something more positive!

There are two ways to turn a TV series into a film.

The first, most common, and least successful, is to basically make a feature-length TV episode- see the disasters of the Steptoe & Son movie. The second is to do something else- something quite different, à la Monty Python.

Thankfully, the creators of the cult TV series have gone for the second option, and they've come up with something unique, clever and funny- it couldn't feel less like a TV episode.

Try to get your head around this- the writers, playing themselves, are confronted by their Royston Vasey alter-egos, played, of course, by them, and told to continue writing the series, otherwise apocalypse will befall the village.

High-concept, contrived and easy to screw up? Yes, but somehow they managed to pull it off. Not for every taste, perhaps, and the ending does drag, but fans will be delighted, and it might even win over the uninitiated.

The film was apparently spawned from an idea one of the writers had when he 'saw' one of his creations in a supermarket. The inhabitants of Royston Vasey head into 'our' world to persuade the writers not to stop writing about them and thus destroy their world.

If that sounds a bit too serious, don't be put off. Within the first few minutes we get: Bernice (the vile female vicar) letting rip at an unfortunate penitent during confession; Chinnery (the vet who inadvertently destroys every animal he touches) attempting to collect semen from a giraffe; Mickey (thick beyond belief) being, ah, thick; and Tubbs (inbred sister-wife and local shopkeeper) being sweet as ever - but still disgusting.

Some of the regular characters are missing, but a new idea by the Gents introduces some 16th-Century characters - and we have the Gents themselves in the action too. If you're new to The League of Gentlemen, this is an easy introduction and a lot of fun. If you're a long-standing fan, this has everything you've come to expect - including the joys of Jeremy Dyson spotting.

All told, it's got the same faintly surreal humour that's the hallmark of the series, plus some moments of quite touching 'introspection'. Herr Lipp, for example, maintains a gentle dignity on learning that he's regarded by his creators as a 'one-joke character'. While most of the characters stay as they are, some develop in unexpected ways that are perfectly natural when they happen.

This film is a 'swan song' for Royston Vasey, but it's also a showcase for the Gents who prove that (gasp!) they can write other stuff - and it can be very funny. (But you knew that anyway.)