PUNTUACIÓN EN IMDb
6,9/10
19 mil
TU PUNTUACIÓN
En una sociedad utópica creada al final de la Tercera Guerra Mundial, una guerrera arrancada de las tierras baldías comienza a ver grietas en esta nueva fachada. ¿Y qué ha planeado esta comu... Leer todoEn una sociedad utópica creada al final de la Tercera Guerra Mundial, una guerrera arrancada de las tierras baldías comienza a ver grietas en esta nueva fachada. ¿Y qué ha planeado esta comunidad para el resto de la humanidad?En una sociedad utópica creada al final de la Tercera Guerra Mundial, una guerrera arrancada de las tierras baldías comienza a ver grietas en esta nueva fachada. ¿Y qué ha planeado esta comunidad para el resto de la humanidad?
- Dirección
- Guión
- Reparto principal
Ai Kobayashi
- Deyunan
- (voz)
Yuki Matsuoka
- Hitomi
- (voz)
Mami Koyama
- Atena
- (voz)
Miho Yamada
- Nike
- (voz)
Emi Shinohara
- Giriamu
- (voz)
Tadahisa Saizen
- Kudô
- (voz)
Reseñas destacadas
First things first; if you're looking for a literary masterpiece or an anime masterful like the works of Hayao Miyazaki and Mamoru Oshii, then Appleseed is not for you. It's plot is cliché with the overused science fiction premise of struggle between two coexisting races and the flaws and sins of humans, and the general execution of the plot is also in no way an outstanding one of the genre.
What Appleseed truly is, is a technological achievement in 3D animation for Japanese anime. It's animation style is far from Hollywood animation features like Finding Nemo and Shrek, instead it uses cel-shading technology which we've already seen in video games, and takes it up to a very high and polished level. The result is a beautiful movie with jaw-dropping animation, such that one cannot doubt that this style will pave the way for the future of anime movies. The range of emotions expressed through the CG is impressive; and motion capture has worked beautifully into the film, making it a seamless viewing experience. As a whole product, it's graphical presentation rivals that of great 2D animation features.
Other aspects are fairly well done; the music is done fairly well, with the opening song giving it a distinct flavour but later that fades away to the average run-of-the-mill songs that aren't particularly effective in rousing the emotions and senses. The artistic direction is great, with wonderful colors and tones chosen to accentuate the mood from the bleak dark ruins to the pastel colors of the Utopia. Scene execution is also stellar, and the structural development of the movie is natural although inter character relationships are somewhat lacking in development.
As a whole, it's an extremely graphically polished product based on an overused premise.
What Appleseed truly is, is a technological achievement in 3D animation for Japanese anime. It's animation style is far from Hollywood animation features like Finding Nemo and Shrek, instead it uses cel-shading technology which we've already seen in video games, and takes it up to a very high and polished level. The result is a beautiful movie with jaw-dropping animation, such that one cannot doubt that this style will pave the way for the future of anime movies. The range of emotions expressed through the CG is impressive; and motion capture has worked beautifully into the film, making it a seamless viewing experience. As a whole product, it's graphical presentation rivals that of great 2D animation features.
Other aspects are fairly well done; the music is done fairly well, with the opening song giving it a distinct flavour but later that fades away to the average run-of-the-mill songs that aren't particularly effective in rousing the emotions and senses. The artistic direction is great, with wonderful colors and tones chosen to accentuate the mood from the bleak dark ruins to the pastel colors of the Utopia. Scene execution is also stellar, and the structural development of the movie is natural although inter character relationships are somewhat lacking in development.
As a whole, it's an extremely graphically polished product based on an overused premise.
I should note first that I'm not the biggest anime fan. I've seen a number of anime films and serials, but the genre has never quite clicked with me. If you're a huge anime fan, you might like Appleseed far more than I did.
Not that I hated it. It has some elements that were very successful. The animation is very impressive. One of my past complaints with anime has been that the artistry often looks like cut-rate Saturday morning cartoon fare. None of those low-budget shortcuts are visible here, even if another bothersome, bizarre staple of anime is present--namely that most of the characters look like Caucasians who just stepped out of a Walter Keane painting.
But the animation is all technically sophisticated, highly stylized 3D modeling. It's a bit like a complex video game world, except that the artistry is cranked up to 11. If you're at all a fan of that look, or you like immersing yourself in filmic fantasy worlds, Appleseed is worth a view for the visuals alone. There are all kinds of hip "camera movements". There is a fascinating, regular incorporation of photographic textures and photographic phenomena like explosions, smoke and water. At times, Appleseed looks as much like a computerized version of claymation as it looks like standard animation--the objects and the "people" in the film have that much weight, texture and depth.
But then there's the story. I don't usually believe that derivativeness is a flaw, but here, derivativeness is about all we're given. In terms of tone, and even a lot of very literal references, you'd achieve something like this if you put, say, Blade Runner (1982), Aliens (1986), Terminator I (1984) and II (1991), Star Wars Episodes I (1999) and II (2002), I Robot (2004), and the three Matrix films (1999 and 2003) into a blender and hit "Chop". And the references to other films do not end there. Appleseed director Shinji Aramaki even gives us one character, Briareos (voiced by James Lyon in the English language version), who inexplicably looks like Frank the bunny from Donnie Darko (2001). Of course, as in just about any anime film, there is the constant "Transformers" (1984) aesthetic--that's part of what amounts to a technological fetishism--and there have to be some nods to kaiju (Japanese monster) films.
The actual plot, which was based on manga (Japanese comic books) by Shirow Masamune, concerns a post-apocalyptic society (of course) that has attempted to create a utopia, Olympus (there are a lot of very shallow Greek mythology references). At the beginning, we see Deunan Knute (voiced by Amanada Winn Lee, or "Jennifer Proud", in the English language version) fighting off a bunch of Terminator/Transformer-like robots, Matrix-style. She's captured by a militaristic organization known as "E-SWAT", who take her to Olympus, which she didn't know existed. She learns at Olympus that there is another race of humans, "bioroids", who are genetically engineered clones, designed to "keep the peace". The bioroids cannot reproduce on their own--that was a "safety" feature built into them by humans worried that they'd otherwise take over. There is a Star Wars-styled council of elders (and occasionally congressional meetings right out of Episode II). And of course, there is a rebel faction of humans who are determined to wipe out the bioroids. Deunan ends up in the middle of all of this, partially because she is related to persons who were important in the history of Olympus, but more importantly, because she's an unstoppable, butt-kicking soldier, ala Ripley in Aliens, but given Neo-like powers, after he's had all of the kung-fu and weapons programs downloaded. The plot turns out to be something like a war between the rebel faction and the official government, in a race against time to see who'll survive and how.
As you might expect given a plot like that, Appleseed is a bit heavy on exposition--screenwriters Haruka Handa and Tsutomu Kamishiro have to explain a whole other world, including the intricacies of its politics, social problems, and a lot of technological gobbledy-gook. But you might not expect the exposition to be as heavy as it is. Voice actors frequently have to rattle off very long stretches of explanatory dialogue--this continues throughout the length of the film. They often sound like they're reading, and not much of an effort was made to make the exposition flow naturally in the story. Probably because there's absolutely no way to make such heavy handed stuff flow and not seem like a chore to listen to instead.
But even that wouldn't have to be so bad. I was reluctantly becoming acclimated to convoluted explanations, even if they remained a bit clichéd and hokey. What killed it for me, however, is that the further you go into the film, the more melodramatic it becomes. By the end, every bit of dialogue is delivered as if the fate of the world is resting on characters' feigned, overly serious concern, and annoyingly, they keep saying each other's names at least once every other sentence. I don't think a single one of these characters ever met a sense of humor. That disposition is a hard sell, and it needs far more artistry than a mishmash of genre film conventions in a predictable post-apocalyptic scenario.
Still, even though the story was growing more problematic by the minute, I found myself being slightly wrapped up in the climax. Aramaki is able to build suspense and put viewers on the edge of their seats even if they're annoyed. Imagine what he could do with a good script! I should also briefly comment on the music. Even though the score also tends to be a bit melodramatic and manipulative at times, there are a lot of good songs in the film ranging over various techno/electronica styles. If you're at all into that stuff, don't miss the soundtrack.
Not that I hated it. It has some elements that were very successful. The animation is very impressive. One of my past complaints with anime has been that the artistry often looks like cut-rate Saturday morning cartoon fare. None of those low-budget shortcuts are visible here, even if another bothersome, bizarre staple of anime is present--namely that most of the characters look like Caucasians who just stepped out of a Walter Keane painting.
But the animation is all technically sophisticated, highly stylized 3D modeling. It's a bit like a complex video game world, except that the artistry is cranked up to 11. If you're at all a fan of that look, or you like immersing yourself in filmic fantasy worlds, Appleseed is worth a view for the visuals alone. There are all kinds of hip "camera movements". There is a fascinating, regular incorporation of photographic textures and photographic phenomena like explosions, smoke and water. At times, Appleseed looks as much like a computerized version of claymation as it looks like standard animation--the objects and the "people" in the film have that much weight, texture and depth.
But then there's the story. I don't usually believe that derivativeness is a flaw, but here, derivativeness is about all we're given. In terms of tone, and even a lot of very literal references, you'd achieve something like this if you put, say, Blade Runner (1982), Aliens (1986), Terminator I (1984) and II (1991), Star Wars Episodes I (1999) and II (2002), I Robot (2004), and the three Matrix films (1999 and 2003) into a blender and hit "Chop". And the references to other films do not end there. Appleseed director Shinji Aramaki even gives us one character, Briareos (voiced by James Lyon in the English language version), who inexplicably looks like Frank the bunny from Donnie Darko (2001). Of course, as in just about any anime film, there is the constant "Transformers" (1984) aesthetic--that's part of what amounts to a technological fetishism--and there have to be some nods to kaiju (Japanese monster) films.
The actual plot, which was based on manga (Japanese comic books) by Shirow Masamune, concerns a post-apocalyptic society (of course) that has attempted to create a utopia, Olympus (there are a lot of very shallow Greek mythology references). At the beginning, we see Deunan Knute (voiced by Amanada Winn Lee, or "Jennifer Proud", in the English language version) fighting off a bunch of Terminator/Transformer-like robots, Matrix-style. She's captured by a militaristic organization known as "E-SWAT", who take her to Olympus, which she didn't know existed. She learns at Olympus that there is another race of humans, "bioroids", who are genetically engineered clones, designed to "keep the peace". The bioroids cannot reproduce on their own--that was a "safety" feature built into them by humans worried that they'd otherwise take over. There is a Star Wars-styled council of elders (and occasionally congressional meetings right out of Episode II). And of course, there is a rebel faction of humans who are determined to wipe out the bioroids. Deunan ends up in the middle of all of this, partially because she is related to persons who were important in the history of Olympus, but more importantly, because she's an unstoppable, butt-kicking soldier, ala Ripley in Aliens, but given Neo-like powers, after he's had all of the kung-fu and weapons programs downloaded. The plot turns out to be something like a war between the rebel faction and the official government, in a race against time to see who'll survive and how.
As you might expect given a plot like that, Appleseed is a bit heavy on exposition--screenwriters Haruka Handa and Tsutomu Kamishiro have to explain a whole other world, including the intricacies of its politics, social problems, and a lot of technological gobbledy-gook. But you might not expect the exposition to be as heavy as it is. Voice actors frequently have to rattle off very long stretches of explanatory dialogue--this continues throughout the length of the film. They often sound like they're reading, and not much of an effort was made to make the exposition flow naturally in the story. Probably because there's absolutely no way to make such heavy handed stuff flow and not seem like a chore to listen to instead.
But even that wouldn't have to be so bad. I was reluctantly becoming acclimated to convoluted explanations, even if they remained a bit clichéd and hokey. What killed it for me, however, is that the further you go into the film, the more melodramatic it becomes. By the end, every bit of dialogue is delivered as if the fate of the world is resting on characters' feigned, overly serious concern, and annoyingly, they keep saying each other's names at least once every other sentence. I don't think a single one of these characters ever met a sense of humor. That disposition is a hard sell, and it needs far more artistry than a mishmash of genre film conventions in a predictable post-apocalyptic scenario.
Still, even though the story was growing more problematic by the minute, I found myself being slightly wrapped up in the climax. Aramaki is able to build suspense and put viewers on the edge of their seats even if they're annoyed. Imagine what he could do with a good script! I should also briefly comment on the music. Even though the score also tends to be a bit melodramatic and manipulative at times, there are a lot of good songs in the film ranging over various techno/electronica styles. If you're at all into that stuff, don't miss the soundtrack.
This cg/cell style anime is the most incredible i've seen. Most of what I can say has already been mentioned by others that have commented. Suffice it to say, Appleseed is worth watching simply for it's eye goggling effects.
The story is decent but not spectacular and has changed just a bit more that i would've preferred from the original premise of the manga.
I rate this an 8/10 because i did enjoy it thoroughly. The -2 pts is for what someone else mentioned...the too typical clichés. Every dramatic moment is something you've seen pinched from some other overdramatized movie.
The story is decent but not spectacular and has changed just a bit more that i would've preferred from the original premise of the manga.
I rate this an 8/10 because i did enjoy it thoroughly. The -2 pts is for what someone else mentioned...the too typical clichés. Every dramatic moment is something you've seen pinched from some other overdramatized movie.
I went to this movie with very high expectations, and after about 30 mins I knew this movie had already delivered.
I won't talk about the story (do a search on google if you want it spoiled) but I can say that the plot is interesting enough to keep the viewers attention. The pace of the movie feels very right, action scenes and slower character building scenes are vow en into each other without any of them feeling forced. Although the movie is not without cliché's, especially in some sentimental parts, they do not ruin the overall experience. I have not read the manga so I cannot comment on if it stays true to the source material.
Technically it's in a league of it's own. The 3d visuals were amazing, even on the low quality cinema I watched it in. The camera swoops in and out of the action and you end up just staring in awe at the screen. Designs and the attention to detail is incredible. What takes getting used to is the cell shading of the characters. Done to mimic 2d animation, the characters are not able to deliver the same amount of personality and emotions as the handrawn ones are. I wonder if it would look better with pure 3d characters ala Squares Advent Children. Sound effects were also excellent, and I thought the industrial techno soundtrack was very fitting.
All in all the most impressive anime movie I have seen so far, that is if it could be seen as an anime? The director was actually present at the screening I attended and he raised this question as well. Seeing as Appleseed was not made and does not look like any traditional anime at all why should it be considered as one? Maybe we are looking at a new genre in animated movies. If so the Appleseed has certainly set the new standards as to how it should be done.
I won't talk about the story (do a search on google if you want it spoiled) but I can say that the plot is interesting enough to keep the viewers attention. The pace of the movie feels very right, action scenes and slower character building scenes are vow en into each other without any of them feeling forced. Although the movie is not without cliché's, especially in some sentimental parts, they do not ruin the overall experience. I have not read the manga so I cannot comment on if it stays true to the source material.
Technically it's in a league of it's own. The 3d visuals were amazing, even on the low quality cinema I watched it in. The camera swoops in and out of the action and you end up just staring in awe at the screen. Designs and the attention to detail is incredible. What takes getting used to is the cell shading of the characters. Done to mimic 2d animation, the characters are not able to deliver the same amount of personality and emotions as the handrawn ones are. I wonder if it would look better with pure 3d characters ala Squares Advent Children. Sound effects were also excellent, and I thought the industrial techno soundtrack was very fitting.
All in all the most impressive anime movie I have seen so far, that is if it could be seen as an anime? The director was actually present at the screening I attended and he raised this question as well. Seeing as Appleseed was not made and does not look like any traditional anime at all why should it be considered as one? Maybe we are looking at a new genre in animated movies. If so the Appleseed has certainly set the new standards as to how it should be done.
With nice cel-shaded graphics and fantastic CGI in a nice blend, Appleseed will not disappoint the eye. There is enormous attention to detail, reflections, shading and other small things. Many of the scenes, especially involving the giant city complex, could have worked as art if you froze the frame.
The story is pretty unoriginal though, which is a shame. I won't tell you anything, but it's likely you'll see references from a wild collection of sources. Characters have varying depth, and some felt like they needed a bit of fleshing out. Lip-sync was so-so and the same goes for most of the voices(in Japanese).
Music is cool and futuristic, with a few surprises thrown in(Basement Jaxx? What the?) and fits the scenes nicely. Sound follows the same pedantic attention-to-detail pattern as the animations. The action is very, very cool, even though it's not a pure action fest.
While the storyline doesn't feel too much like Manga, the animation really is. Manga eyes can be bugging, but it was OK. The transformer-esquire mechs where really cool even though they were very similar(then again, I've never watched Transformers).
So, in closing, is this worthwhile? Sure. It's storyline is not so complex you need to scratch your head, like other anime(Akira or Final Fantasy), and the animation is a feast to the eyes. Give it a try.
The story is pretty unoriginal though, which is a shame. I won't tell you anything, but it's likely you'll see references from a wild collection of sources. Characters have varying depth, and some felt like they needed a bit of fleshing out. Lip-sync was so-so and the same goes for most of the voices(in Japanese).
Music is cool and futuristic, with a few surprises thrown in(Basement Jaxx? What the?) and fits the scenes nicely. Sound follows the same pedantic attention-to-detail pattern as the animations. The action is very, very cool, even though it's not a pure action fest.
While the storyline doesn't feel too much like Manga, the animation really is. Manga eyes can be bugging, but it was OK. The transformer-esquire mechs where really cool even though they were very similar(then again, I've never watched Transformers).
So, in closing, is this worthwhile? Sure. It's storyline is not so complex you need to scratch your head, like other anime(Akira or Final Fantasy), and the animation is a feast to the eyes. Give it a try.
¿Sabías que...?
- CuriosidadesThe tattoo on Briareos' left upper arm says "Cogito Ergo Sum", which is Latin for "I think, therefore I am." Strangely, Greek characters are used and not Roman. Also the first character is Gamma, but C would rather be transliterated as Kappa in Greek. It also has the dates 2096-2122, which are Briareos' date of birth and date of his "death" when he became a cyborg.
- PifiasAfter Briareos' weapon is sliced into pieces, he throws the weapon to the ground in one piece.
- Versiones alternativasThe film was re-released on Blu-ray by Sentai Filmworks with an all new English dub in 2010.
- ConexionesFeatured in Troldspejlet: Episodio #33.2 (2005)
- Banda sonoraDive For You
Words & Music by Boom Boom Satellites
Performed by Boom Boom Satellites
Produced by Boom Boom Satellites
COURTESY OF SONY MUSIC RECORDS INC.
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- How long is Appleseed?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 129.135 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 66.869 US$
- 16 ene 2005
- Recaudación en todo el mundo
- 1.650.432 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Appleseed: The Beginning (2004) officially released in India in English?
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