Watchmen

Some time after "The Boys" I decided to give this film a rematch... Back in 2009 it was still a time when there was not that many similar to each other superhero films Watchmen cam out a bit too early..., What makes Watchmen feeling so fresh in 2020 is that it's completely different to most of Marvel films.... The characters in Watchmen feel more like real people than idealistic figures you usually get - they age, they change opinions on things, they do wrong things... The world is also much more similar to ours in 2020 that it was in 2009... Brilliant film 9/10!

After 14 years I watched this film again. And after all the MCU shenanigans, I gotta say this film is a masterpiece, from the story to the music and the super heroes. The fact that they are vulnerable makes it more interesting.

Like I said in the tittle, the world wasn't ready for this movie, if it had came out in this time it would've blown the front door. The way it was made, special effects, graphic fight scenes, nudity, dark tone and soundtrack, Zack Snyder really knocked it out of the park with this one. This is how every super hero film should be made. Not a blockbuster comedy wanna be.

For a super hero film, a true 10/10 in my book!

A group of ex-heroes now abandoned and limited by governments lives in the shadows until someone starts to eliminate them one by one. Rorschach is one of these heroes that begins searching for clues to his old colleagues' murders. The story is one of the most powerful aspects of the movie. Plot twists are good and complicated enough to make it interesting. I have watched the ultimate cut and it had another story in the story that was visualized by animation and somehow related to the main story.

The cast is another great aspect of the film. Good actors like Jeffrey Dean-Morgan, and Patrick Wilson along with a whole crew of amazing cast is expecting you.

CG, art, costume design, music, and soundtracks are quite good, especially for a movie released 13 years ago. Zack Snyder did his best in converting one of the darkest and most complex comic books into a movie by being faithful to the books. The only setback, in my opinion, is the length of the film. 3 and a half hours even for an ultimate cut is long if you cannot balance the action and dialogs. This made watchmen a little boring in some places, as I said, it's not balanced so there is maybe an hour in the middle of the movie without much going but on the other hand, you have lots of new information in the last 15 minutes.

Overall, Watchmen is a good superhero movie without regular clichés. It can be worth your while if you are into the genre. But it could get boring sometimes in the middle of it.

The graphic novel source material is a masterpiece, bold, uncompromising, subtle, witty, imaginative with very unique characters and an immersive world. Albeit one that is near-unfilmable, with the themes, the huge amount of content and the amount of depth needed, a three hour film sounded nowhere near enough on paper. Plus Zack Snyder is nowhere near close to being a favourite of mine, but saw 'Watchmen' anyway because of my love for the source material, that it looked fantastic and because the cast are very talented.

'Watchmen' really is well worth your time. More the director's cut though than the theatrical release, though both versions have the exact same brilliant qualities. Of which there are many in 'Watchmen'. It is a prime example of how to transcribe a graphic novel to film, while not being as good and not having everything there, and still be near-great on its own terms. It is by far Snyder's best film in my view, as well as being his most mature and ambitious, being the only one to be above good and be more than style over substance. His other films left me mixed to indifferent.

Is 'Watchmen' perfect? No. It does feature one of the most uncomfortable-feeling and pointless love scenes on film, and Leonard Cohen (well certainly for the song in question, it is a great song that is not well used) has never been used more awkwardly in visual media in my view (partly because in my opinion it doesn't fit with the context of the scene).

Matthew Goode is also a bit too stiff and subdued as Ozymandias. Actually do prefer Jeremy Irons' more eccentric and all out portrayal in the recent series, despite the character being a lot less puzzling here. So it is easy to see why 'Watchmen' is a divisive film, though more for its heavy, polarising themes, the huge length (that sounds overlong on paper), that figuring out what's going on admittedly is not easy for anybody who is not familiar with the graphic novel and it seems that the ending has left people divided (the ending in the source material sparks much debate as well).

For all of the flaws mentioned, so much works in 'Watchmen's' favour. It looks amazing for one thing. Very stylish and imaginative with some incredible special effects, there is nowhere near as much gratuitous slow-motion here than seen in some of Snyder's other work. The opening sequence is absolutely amazing in as jaw-dropping a way as you can get, what a way to start a film. The music is nostalgic and atmospheric, with mostly inspired use of great songs. Only the Cohen song in the scene in question is questionable. Snyder's direction is some of his most ambitious and doesn't try to do too much to the same extent as his other films.

Moreover, the script compels, flows naturally and raises interesting ideas that provokes thought, managing not to trivialise its difficult content. A good deal of talk but not too exposition-heavy, even when focused on Dr Manhattan in the middle act. There is not much subtlety here, Snyder and subtlety never belonged in the same sentence, but the ironic wit translates well to film from the graphic novel as does the maturity. The length is a long one, but the source material is massive so the film really needed to be long. If anything, in terms of adapting it would be better a mini-series. The story makes the most of getting one immersed in an authentically rendered world, and thematically it is bold and executed in an unforgivably uncompromising approach as ought. The violence shocks but didn't come over as gratuitous and the action thrills. Didn't have much of a problem with the ending, but can see why others would, the climax is thrillingly staged at least.

A good job is done with the characters, though Adrian Veidt/Ozymandias is underused and a bit underdeveloped. Night Owl and in particular Rorschach being the standouts, though The Comedian is also a difficult role to pull off. Apart from reservations with Goode, the performances are strong. Jackie Earle Haley is perfect casting as Rorschach, and have no qualms with Billy Crudup, Patrick Wilson and Jeffrey Dean Morgan either. The most difficult roles, pulled off beautifully.

Overall, very good and nearly great, with a lot done extremely well with a couple of misgivings. The polarisation is understandable but the appeal is even more so. The recent adaptation, despite getting a lot of over the top hate very prematurely into its run is also worth seeing. It is a slow starter and ends anti-climactically but there is so much brilliant about it, and if one sticks with it if put off by the first couple of episodes it to me and others got a lot better. 8/10

Before anyone sees this film, Zach Snyder should be given a pat on the back. He did what a dozen directors struggled to do for twenty years: he made a Watchmen movie. It seems unthinkable that anyone could properly put the greatest graphic novel of all time on the screen. But Snyder has done pretty much that.

While it is not Alan Moore's Watchmen, it is the closest thing that anyone else could have put on the screen. Snyder approached the material with enough reverence that fans of the comic will appreciate the film. As Snyder has openly declared, the final act does include significant changes, but the alterations that take place fit better on the big screen than the original ending would have. It works because it cuts down on a lot of the necessary back story which Snyder could not include.

Even though many pages of the book were not included, Snyder did take the time to try and preserve other information by including short "historical" sequences in the fantastic opening title sequence. By this point, viewers will also have had a chance to appreciate the stellar, and time appropriate, soundtrack. Unlike the hard rock recordings the Snyder chose for the background of 300, Watchmen's background fits the tone and mood of most of the scenes. The only questionable choice was the selection of Leonard Cohen's "Hallelujah," not because of the recording, but rather its awkward placement. Some may also question Snyder's inclusion of gore not present in the book. While the comic does include it's share of violence, Snyder did overtly change several scenes to be more violent. These changes, while flashy on film, may disturb squeamish moviegoers. However, changes aside, Snyder has captured the essence of the book and packaged it in a beautiful 2 hour and 40 minute delight. Overall, it is a satisfying film experience for someone familiar with the source material.

But this might be a different experience for anyone who does not know the book. There is a lot to digest, and the overwhelming visuals may distract some moviegoers from the bigger picture. The interaction of these unique characters remains an integral point to understanding this film, and when the book was pared down for the movie, the relationships of the masked adventures became a bit more forced. The best part of the comic was the glimpse of what is "beneath the hood," and we have less of that in Snyder's adaptation. Additionally, the ending, while simplified, is still a bit convoluted.

Fans and those previously unfamiliar with Watchmen should go in with an open mind. Snyder has performed what Doctor Manhattan might deem a miracle, so it may take more than one viewing to truly appreciate this unique adaptation.