Una rata que sabe cocinar establece una inusual alianza con un joven trabajador de la cocina de un famoso restaurante de París.Una rata que sabe cocinar establece una inusual alianza con un joven trabajador de la cocina de un famoso restaurante de París.Una rata que sabe cocinar establece una inusual alianza con un joven trabajador de la cocina de un famoso restaurante de París.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 68 premios y 42 nominaciones en total
Brad Garrett
- Gusteau
- (voz)
Lou Romano
- Linguini
- (voz)
Patton Oswalt
- Remy
- (voz)
Brian Dennehy
- Django
- (voz)
Peter Sohn
- Emile
- (voz)
Will Arnett
- Horst
- (voz)
Julius Callahan
- Lalo
- (voz)
- …
James Remar
- Larousse
- (voz)
Tony Fucile
- Pompidou
- (voz)
- …
Resumen
Reviewers say 'Ratatouille' received widespread acclaim for its animation, storytelling, and voice acting, especially Peter O'Toole's performance as Anton Ego. Critics praised its unique premise, emotional depth, and technical achievements, considering it one of Pixar's finest works. However, some found the story predictable and the humor less effective compared to other Pixar films.
Reseñas destacadas
The combination of Disney and Pixar never ceases to amaze, but with Ratatouille, their newest effort, animated features are brought to new heights with the best one to date. Ratatouille is stunning, surreal while at the same time realistic, and a joy to watch. The writing is, in one word, just amazing, and the voice acting is sensational. The characters are poetic and real, and the rats are some of Disney/Pixar's cutest creations. Ratatouille is written and directed by Brad Bird (The Incredibles), and features stellar voice acting from Peter O'Toole, Patton Oswalt, Ian Holm, Brian Dennehy, Lou Romano, Brad Garrett, and Janeane Garofalo.
Remy (voiced by Patton Oswalt) is a little rat who dreams of becoming a chef just like his idol, the human Gusteau (voiced by Brad Garrett). After a mishap, Remy loses his family in the sewers and comes upon a fading restaurant that had previously been owned by Gusteau before his untimely death. He comes upon a lowly garbage boy, Linguini (voiced by Lou Romano), and together they set out to revive the once-legendary restaurant.
Ratatouille is filled with loads of surprises and lots of twists and turns. The animation is even more stunning here than in some of the other Disney/Pixar productions, and the breathtaking landscape of Paris, France, really adds a layer of realism to the film. The food looks so real and delicious, and the humans and rats look incredibly realistic. Remy and Linguini are both lovable characters, and the audience is rooting for them the entire way. Surprisingly enough, this movie is the funniest of the Disney/Pixar films, with very subtle and unique humor.
As previously stated, the voice acting really makes the film different, and each actor is perfectly suited to his or her role. The best among the bunch happens to be Lou Romano, as he deals with his character extremely well and is incredibly believable. There are times when the acting and animation is so excellent that you forget you are watching an animated film altogether. Brad Garrett is actually tolerable for once, and is excellent in his role as Gusteau, who acts as Remy's conscience for the majority of the film. Some of the funniest scenes in the movie are rooted from Gusteau's chats with Remy and many others come from the relationship between Linguini and Remy. On another note, Patton Oswalt does a magnificent job voicing Remy, and Peter O' Toole is very memorable as Anton Ego, the food critic for 'The Grim Eater'.
Overall, you can't ask for a better film than Ratatouille, a new classic from Disney/Pixar that is filled with humor, amazing animation, and, most importantly, lots of heart. Some of the scenes are so poetic and perfect that they just bring tears to your eyes. It may be hard to believe, but Ratatouille is far better than any other animated films you will see this year, or perhaps that you will ever see. It manages to be better than Toy Story, better than Finding Nemo, even better than the fantastic Meet the Robinsons. I saw a pre-screening of the film on Saturday, June 16, but I cannot wait to see it again once it hits theaters everywhere on June 29. See Ratatouilleit is highly original, heartwarming, uplifting, and a very thrilling movie that has to be the best animated feature of the last few decades.
Remy (voiced by Patton Oswalt) is a little rat who dreams of becoming a chef just like his idol, the human Gusteau (voiced by Brad Garrett). After a mishap, Remy loses his family in the sewers and comes upon a fading restaurant that had previously been owned by Gusteau before his untimely death. He comes upon a lowly garbage boy, Linguini (voiced by Lou Romano), and together they set out to revive the once-legendary restaurant.
Ratatouille is filled with loads of surprises and lots of twists and turns. The animation is even more stunning here than in some of the other Disney/Pixar productions, and the breathtaking landscape of Paris, France, really adds a layer of realism to the film. The food looks so real and delicious, and the humans and rats look incredibly realistic. Remy and Linguini are both lovable characters, and the audience is rooting for them the entire way. Surprisingly enough, this movie is the funniest of the Disney/Pixar films, with very subtle and unique humor.
As previously stated, the voice acting really makes the film different, and each actor is perfectly suited to his or her role. The best among the bunch happens to be Lou Romano, as he deals with his character extremely well and is incredibly believable. There are times when the acting and animation is so excellent that you forget you are watching an animated film altogether. Brad Garrett is actually tolerable for once, and is excellent in his role as Gusteau, who acts as Remy's conscience for the majority of the film. Some of the funniest scenes in the movie are rooted from Gusteau's chats with Remy and many others come from the relationship between Linguini and Remy. On another note, Patton Oswalt does a magnificent job voicing Remy, and Peter O' Toole is very memorable as Anton Ego, the food critic for 'The Grim Eater'.
Overall, you can't ask for a better film than Ratatouille, a new classic from Disney/Pixar that is filled with humor, amazing animation, and, most importantly, lots of heart. Some of the scenes are so poetic and perfect that they just bring tears to your eyes. It may be hard to believe, but Ratatouille is far better than any other animated films you will see this year, or perhaps that you will ever see. It manages to be better than Toy Story, better than Finding Nemo, even better than the fantastic Meet the Robinsons. I saw a pre-screening of the film on Saturday, June 16, but I cannot wait to see it again once it hits theaters everywhere on June 29. See Ratatouilleit is highly original, heartwarming, uplifting, and a very thrilling movie that has to be the best animated feature of the last few decades.
I just saw "Ratatouille" tonight.
It's a first class movie. Several thoughts come to mind...
-The character performances are so good, I think there's no sort of movie they couldn't make. I've heard Pixar's John Carter of Mars is going to be live action? No! I want them to do it all animated.
-"Cars" definitely _was_ a lower-value softball they threw to finish out that original Disney-gets-half-of-everything-plus-sequel-rights contract they were in at the time. I remember all the clucking last summer about how Pixar had lost its way.
-There were a few moments when they seemed to lose that stylized reality they had established and things looked merely "real".
-There was one scene in the latter part of the film where I thought "I can't believe they are doing this tired movie cliché" but they pulled out of it at the last second and made it something new.
-The 2D-ish end credits were great. Stick it out to the very end to see the mo-cap disclaimer!
-With this, Brad Bird is certainly one of the animation gods now.
It's a first class movie. Several thoughts come to mind...
-The character performances are so good, I think there's no sort of movie they couldn't make. I've heard Pixar's John Carter of Mars is going to be live action? No! I want them to do it all animated.
-"Cars" definitely _was_ a lower-value softball they threw to finish out that original Disney-gets-half-of-everything-plus-sequel-rights contract they were in at the time. I remember all the clucking last summer about how Pixar had lost its way.
-There were a few moments when they seemed to lose that stylized reality they had established and things looked merely "real".
-There was one scene in the latter part of the film where I thought "I can't believe they are doing this tired movie cliché" but they pulled out of it at the last second and made it something new.
-The 2D-ish end credits were great. Stick it out to the very end to see the mo-cap disclaimer!
-With this, Brad Bird is certainly one of the animation gods now.
10stalcup
Remember how everyone was talking about Toy Story when it first came out? The incredible visuals, unique style, vividly imagined world? The next time people were talking that way with such enthusiasm about a computer animated movie was Finding Nemo. I'm excited to say that Ratatouille will be the next one to redefine the visual creativity and technical detail of computer animated movies. Honest to goodness, I was awestruck by the animation, and that never happens to me. It is a visual masterpiece of a movie if ever the term applies.
The next thing to talk about is the "genre" of the movie. As Pixar enthusiasts will tell you, Brad Bird, the director of Ratatouille, also directed The Incredibles, which has the most inspired and creative action sequences from any of the Pixar movies. Ratatouille, while not so straightforward with its action, has almost as much as The Incredibles did, in unique ways. Most memorable is the shotgun scene near the beginning. (You'll know what I'm talking about when you see it). Other than that, this is the expected comedy-with-heart movie from Pixar that so many have grown to love.
The voice acting? Spot on. Every voice is distinctive, and it never feels like a celebrity's voice tacked on to a character (Shrek, I'm looking at you), it feels like the characters themselves speaking. You can't ask for more from voice acting.
And finally, the script and the story. The entire irony of the story -- a street rat with a passion for fine food -- is beautiful, and a tight, smart, wonderful script flows from this. The pacing of the story is odd and choppy at places, but this is a very forgivable grievance. The only other minor fault is that a few of the dramatic one-liners feel a bit forced. Other than that, this is the most layered, complex, and satisfying script from Pixar since The Incredibles.
Overall, I recommend that everyone see this movie when it hits theaters (I was lucky enough to see a pre-release screening). Though not perfect, it is an animated masterpiece in true Pixar form with breathtaking animation and visual design.
10/10
The next thing to talk about is the "genre" of the movie. As Pixar enthusiasts will tell you, Brad Bird, the director of Ratatouille, also directed The Incredibles, which has the most inspired and creative action sequences from any of the Pixar movies. Ratatouille, while not so straightforward with its action, has almost as much as The Incredibles did, in unique ways. Most memorable is the shotgun scene near the beginning. (You'll know what I'm talking about when you see it). Other than that, this is the expected comedy-with-heart movie from Pixar that so many have grown to love.
The voice acting? Spot on. Every voice is distinctive, and it never feels like a celebrity's voice tacked on to a character (Shrek, I'm looking at you), it feels like the characters themselves speaking. You can't ask for more from voice acting.
And finally, the script and the story. The entire irony of the story -- a street rat with a passion for fine food -- is beautiful, and a tight, smart, wonderful script flows from this. The pacing of the story is odd and choppy at places, but this is a very forgivable grievance. The only other minor fault is that a few of the dramatic one-liners feel a bit forced. Other than that, this is the most layered, complex, and satisfying script from Pixar since The Incredibles.
Overall, I recommend that everyone see this movie when it hits theaters (I was lucky enough to see a pre-release screening). Though not perfect, it is an animated masterpiece in true Pixar form with breathtaking animation and visual design.
10/10
Taking great ingredients including but not limited to, an endearing story with meaning and a message, superb and breathtaking animation, brilliantly voiced narration and as cute a rattus rattus you're ever likely to encounter. Combined, refined, formed and baked to perfection, the result, a jaw dropping piece of film that you can perpetually admire, enjoy and savour.
I caught a sneak peak yesterday, and must say, this film is a classic. It is not as flashy as cars, or as action packed as Incredibles, but it is a masterpiece of restraint and heart, that matches the classics from the golden age of the film industry. Pixar has always been groundbreaking for smart and fun animated features, but Ratatouille might just be what puts them over the top as one of the BEST all around film-making teams in history.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
Ratatouille is a treat for film lovers. It feels like a classic. The animationis absolutely beautiful, especially the scenery of Paris which evoked awes from the audience, as if we were seeing a grandiose fireworks show.
The story is oh so classy and universal, especially when you look at it as a parable to yourself and society. Sometimes the story seems familiar, yet it is packed with so much genuine heart and individuality, that it might even be too "indie" for most audiences. But those who are patient and willing to open their minds and hearts, even when it may challenge the viewers to rethink their own personal biases, will find within this entertaining, sweet, simple film a remarkable message about challenging societal norms and not letting anything stand in your way of your dreams. When you follow your dreams, you never know what an impact it will have upon you, or those you might encounter on the journey. Just see the film, and be open to its message, and I am sure if you allow it too, it will touch you as well.
P.S. : The short in front of the feature is the funniest animated short film pixar has ever done, so even if ratatouille might not be as flashy as many might want it to be, the short film will have everyone in stitches, as it did our entire theater. So just go and see it, and be prepared for a wonderful two hours.
¿Sabías que...?
- CuriosidadesPet rats were kept at the studio in the hallway for more than a year so that the animators could study the movement of their fur, noses, ears, paws, and tails.
- PifiasMost of the "spices" referred to in the film (rosemary, oregano, thyme, basil) are actually herbs. Spices come from the seeds, roots, stems or fruit of plants, whereas herbs come from the leaves or flowers.
- Créditos adicionalesEvery single Pixar employee--including those who did not work on the film--is listed somewhere in the credits.
- Versiones alternativasThe intro credits and the newspaper headlines are localized in different languages for release in different countries. These localizations are retained in the DVD and Blu-ray versions.
- ConexionesFeatured in Disney Through the Decades (2001)
- Banda sonoraLe Festin
Written and Produced by Michael Giacchino
Performed by Camille
Recorded by Paul Silveira, Dan Wallin
Mixed by Dan Wallin
French Translation by Boualem Lamhene
Camille appears courtesy of EMI Music France/Virgin Music Division
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Detalles
Taquilla
- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 206.445.654 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 47.027.395 US$
- 1 jul 2007
- Recaudación en todo el mundo
- 623.730.087 US$
- Duración1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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