Añade un argumento en tu idiomaMany years ago in a small house in South Central Los Angeles, a childlike little man with a wobbling gait and a high pitched voice abandoned his law books to dedicate his life to giving Sci-... Leer todoMany years ago in a small house in South Central Los Angeles, a childlike little man with a wobbling gait and a high pitched voice abandoned his law books to dedicate his life to giving Sci-Fi and Horror films, "a little bit of dignity." In 1962, Dr. Donald A. Reed created The Co... Leer todoMany years ago in a small house in South Central Los Angeles, a childlike little man with a wobbling gait and a high pitched voice abandoned his law books to dedicate his life to giving Sci-Fi and Horror films, "a little bit of dignity." In 1962, Dr. Donald A. Reed created The Count Dracula Society, and soon thereafter was named the world's authority on Count Dracula.... Leer todo
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On many levels he was an amazing man and yet, that which made him successful, would serve to crumble his world about him. There was his childish charm, enthusiasm and clear love of the genre, yet there was also nasty vindictiveness, inability to cope with the world around him and his own mortality coupled with an immense, all consuming ego.
On a kitchen table in his cluttered home he and I drew plans for what would become The Academy of Science Fiction, Fantasy and Horror Films. It was a masterstroke that could eventually lead to great and wonderful things, yet as the Academy became more famous, more lustrous, televised, reported on and about, his ego and sense of self importance exploded and when that final moment came where he had the choice of moving the Academy to the next level, he said simply "no" to the powers that be and thus began the downfall from which the Academy never recovered.
Dustin Lance Black has done an incredible unflinching job capturing this eccentric little man and the world in which he lived, serving as proof that "Absolute power" does in fact, "corrupt absolutely". This film is a must-see on so many levels.
My sole gripe is the Universal "Dracula" footage used (I suppose) to parallel aspects of Don's life. It only serves to slow down the film and I'll wager, using this footage is why the film isn't widely available.
Seeing myself in this film shows how much water has flowed under the bridge and that for a brief moment there were wonderful things afoot that turned alas, into time lost that can never be recovered.
Circa 1976-77, I was the teenage president of The Junior Count Dracula Society, a completely forgotten organization put together by a young Pacific Palisades teacher who has since dropped off the grid, possibly on purpose. We published one issue of a fanzine, "Young Blood," which I recently was reminded had a cover penciled by Jim Starlin and inked by one of our gang, along with an interview with a then still somewhat dangerous Harlan Ellison. I co-edited this but my partner went on to become Falling James Moreland. (James is a whole other story. Look them up.)
Dr. Reed, as we called him, was a fascinating side character in my journey through this geeky demimonde and, while he did treat us in a slightly high-handed way -- and I'm pretty sure he'd decide who won awards based on who he thought he could get to show up -- I realize now that we weren't entirely fair to him. His achievements were real.
It looks like board this won't allow me to post links but if anyone wants some more detail, look up the Film Threat article about "My Life with Count Dracula" written by a guy named Bob. The main event is an interview with filmmaker Dustin Lance Black, who was then, I think, just starting to work on his Oscar-winning screenplay for "Milk." He's had quite a career since. It also includes more of my own reminiscences about Dr. Reed.
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