Aayitha Ezhuthu

Before beginning,i like to say something to Mr Roby Kurian (USA) ,who reviewed earlier, Mr. you like to be proud finding similarities between movies,but i don't think you will never be satisfied watching movies,as you always look for similarities,not let yourself to enjoy the movie. Its not a remake of that Mexican film.

Now come to the movie.Here are few messages to the people,specially the youth. You will find it when watching the movie.Some of them may match with you also.The bullshit politics is dragged down here,and the new era in politics is also shown.It is the Student who have to make changes. They must.They are the mass who could save their nation.This movie reflects the present politics of south Asia region . Madhban,Surya,Sidarth...and..rest of them acted very well.

Aayutha ezhuthu is an underrated film of Maniratnam. Despite being the first tamil film to introduce hyperlink narrative style with a exciting screenplay I dont know why it was not celebrated like other Mani sir's movies like Nayagan, Thalapathy, Iruvar , Alaipayuthey etc. To this day Aayutha ezhuthu is my most fav movie done by Maniratnam.

Back in 2004 when Ayitha Ezhuthu was first released, it was widely panned by critics and didn't do well at the box office. Why? It's simple: The film was much ahead of its time that the audience didn't understand this brilliant story line and the metaphors it carried throughout the film.

Ayitha Ezhuthu is a political drama directed by the genius Mani Ratnam who had previously directed movies such as Kannaththil Muttamital, Thalapathy, Bombay, Alaipayuthey, Iruvar and Dil Se. If you're asking me, I'd say Ayitha Ezhuthu is the greatest movie of all time in Kollywood's history and here's why:

The film carries metaphors that are used as color symbols for the three lead characters; Inba, Michael and Arjun. The writer chose the color RED for Inba which symbolizes fire and stands for anger, power and love. Michael is given GREEN which symbolizes soil/ground/earth and stands for growth and energy, while the Arjun is given the color BLUE which symbolizes water and stands for his chilled personality. The clues for their colors are their clothes and their homes (the walls). If you've noticed in every frame Inba wears red, Michael wears green and Arjun wears blue (in Arjun's case he wears blue for the most part).

If you haven't noticed there's also another hidden fact in the story. Remember the prison scene where Michael and the other students are locked up in one cell? Do you remember what Michael wrote on the cell-walls with that chalk? It was the Grand Unified Theory (GUT). This theory is also used as a metaphor for the film. The theory is based one three gauge interactions; strong force, weak force and electromagnetic force, which all helped to create earth. The strong force is Inba because of his anger and his lust for power and position. The weak force is Arjun because he always choose to avoid problems (for example when he admits Michael at the hospital he is told to give a complaint, but doesn't want to because he fears that his passport might be taken in). The electromagnetic force is Michael because of his mannerism, bravery and his guts over fear. As you all know by now, Ayitha Ezhuthu is an experimental film based on the Grand Unified Theory.

The film features an ensemble cast that includes Suriya Sivakumar, Madhavan Ranganathan, Siddharth Suryanarayanan, Meera Jasmine, Trisha Krishnan, Esha Deol in the lead roles, while Bharathiraja, Sriman, Janagaraj, Praveen, Krishna, Suchithra Karthik Kumar and Kamala Krishnaswamy in other pivotal roles. All the actors have played their characters well. For your information; The character Michael Vasanth (played by Suriya Sivakumar) is actually inspired by a research student named George Reddy who was known for his controversial involvement in youth politics. He was later murdered on April 14th, 1972 (aged 25) at Osmania University in Hyderabad, India (you can google him).

The cinematography and editing which were handled by Ravi K. Chandran and A. Sreekar Prasad deserve to be praised for the phenomenal job they have done. At last but not least, I have to talk about the Academy Award winner A.R. Rahman for the soundtrack and the mind-blowing score. All the songs in the soundtrack were amazing, especially the song ''Jana Gana Mana'' which is my all-time favorite song by Rahman. The BGM in the title card, the String Solo and the bit song titled ''En Jeevane'' are admirable and scores everyone should remember. Finally I have to give a BIG-TIME applause to the late Sujatha for the amazing on-point dialogues (especially in Inba and Michael's first meeting, the flirting scenes with Arjun and Meera, played by Siddharth and Trisha Krishnan, and the conversations between Michael and Minister Selvanayagam, played by Suriya Sivakumar and Bharathiraja).

For those of you who were disappointed with the movie when you were watching it for the first time back in 2004, give it another try now. I bet you'll change your mind and see the clear picture!

Brilliant Story and executed in good manner. As usual Mani Proves himself. Surya acting is gone extreme and his manerisms are showed mature. sidarth looks new choclate boy, Atlast maddy has gotten new role in his carrier (arrogant man with only one loving wife). ARR given very good music and BGM . Nice movie (what we want now is started on the screen).

I didn't really know what to think of "Ayutha Ezuthu" after the first time that I saw it - I suppose I was expecting a much different movie - but after revisiting it, I really have come to appreciate and enjoy it. Mani Ratnam is really a director who understands characters and shapes them with such heart and soul. The real stand-out actor here for me is Madhavan, who portrays Inba, the street thug who aspires to overcome his low-life existence but does it in all the wrong ways. The nuances of his character really show, and the 180-degree reversal from what we are used to seeing him as makes his performance all the more appealing. And Bharathi Raja ... wow! He comes off as a cunning and very humorous villain, and the exchanges between Surya and him are certainly something to see. I would least expect Mani Ratnam to put out something with a political message, but he does it with grace and style. A big thumbs up!