PUNTUACIÓN EN IMDb
5,2/10
3,8 mil
TU PUNTUACIÓN
Se produce un alboroto cuando se descubren unos cadáveres mutilados, dando paso a la leyenda del Hombre lobo de Allariz.Se produce un alboroto cuando se descubren unos cadáveres mutilados, dando paso a la leyenda del Hombre lobo de Allariz.Se produce un alboroto cuando se descubren unos cadáveres mutilados, dando paso a la leyenda del Hombre lobo de Allariz.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 8 nominaciones en total
Carlos Reig-Plaza
- Gómez
- (as Carlos Reig)
Reseñas destacadas
I must say that this was better than expected. It helps if you do some research on the Tallow Man himself, Manuel Blanco Romasanta, before watching. That way you know not to expect a traditional werewolf film. ROMASANTA is more of a drama/biography/thriller. It tells the tale of a traveling salesman/serial killer/self-professed wolf from Spain in the mid 1800s. There are a bit of facts either left out or just completely wrong in the film, but it is still worth the watch. Like I said, I do recommend reading about the actual case first though. And if you don't like reading, all I can say is don't expect a straight-up werewolf horror story and you should enjoy it.
An interesting story, with good acting, well told. Good direction, visually appealing, atmospheric.
However, scientifically, and/or historically literate viewers will find one nagging, glaring blunder; at one point in this story, which is supposed to be set in the mid 19th century, there is a reference to a person being controlled "by his genes". Come on! The term "gene" wasn't even proposed until half a century later, and additionally, around mid 19th century the mechanism of inheritance was entirely unknown; Mendel's work lay undiscovered until early 20th century, and even Mendel didn't use the word "gene" (so it couldn't have been a case of some exceptionally insightful scientist having discovered the term in some ).
That sort of a slip may not seem much, but for someone aware of this history, it does brake the illusion of an authentic world in which the events are set, making it harder to enjoy the movie. I'm surprised that anybody reviewing the script didn't pick up on it... but then again, the state of scientific literacy among filmmakers is often abysmal. In a movie set in a historical period, accuracy should be more of a priority though, I think.
The story proceeds almost languidly, punctuated by moments of violence and terror; perhaps too slow for most horror fans to appreciate, and those who do appreciate the subtlety are likely to be bothered by the "gene" mishap. The score is beautiful, and lighting is used to good effect; the combination makes for a visually and auditorily pleasing experience.
Perhaps because of how the movie is portrayed as a werewolf movie, the people who might best enjoy it, aren't likely to see it, and the people expecting a traditional supernatural horror movie might feel a bit let down.
In conclusion, Romasanta is a movie not as good as it could have been, and somewhat misleadingly advertised on the cover, but well worth seeing nonetheless. I was torn between 7 or 8 stars, and decided to be generous. :)
However, scientifically, and/or historically literate viewers will find one nagging, glaring blunder; at one point in this story, which is supposed to be set in the mid 19th century, there is a reference to a person being controlled "by his genes". Come on! The term "gene" wasn't even proposed until half a century later, and additionally, around mid 19th century the mechanism of inheritance was entirely unknown; Mendel's work lay undiscovered until early 20th century, and even Mendel didn't use the word "gene" (so it couldn't have been a case of some exceptionally insightful scientist having discovered the term in some ).
That sort of a slip may not seem much, but for someone aware of this history, it does brake the illusion of an authentic world in which the events are set, making it harder to enjoy the movie. I'm surprised that anybody reviewing the script didn't pick up on it... but then again, the state of scientific literacy among filmmakers is often abysmal. In a movie set in a historical period, accuracy should be more of a priority though, I think.
The story proceeds almost languidly, punctuated by moments of violence and terror; perhaps too slow for most horror fans to appreciate, and those who do appreciate the subtlety are likely to be bothered by the "gene" mishap. The score is beautiful, and lighting is used to good effect; the combination makes for a visually and auditorily pleasing experience.
Perhaps because of how the movie is portrayed as a werewolf movie, the people who might best enjoy it, aren't likely to see it, and the people expecting a traditional supernatural horror movie might feel a bit let down.
In conclusion, Romasanta is a movie not as good as it could have been, and somewhat misleadingly advertised on the cover, but well worth seeing nonetheless. I was torn between 7 or 8 stars, and decided to be generous. :)
I've seen the movie at the Malaga Festival, Spain. It's one of the BEST GOTHIC STORIES OF ALL TIMES. It's a peculiar mixture between The Silent of the Lambs and Sleepy Hollow or From Hell. It's more than a normal horror werewolf movie. Much more. It's a story where gothic meets romance, where horror meets love, where documentary meets fairytale. Yes. 'cause this is a TRUE STORY!!! Manuel Blanco Romasanta is one of the most intriguing serial killers of all times. He was judged in Spain in 1852. having confessed the killing of at least 13 people, he dared proclaim his innocence: he was not guilty because he was a werewolf! The thing I liked most is the way the authors introduce us in a REAL FAIRYTALE. I don't find other words to describe this story. it's fantasy and reality at the same time. It's like to be at the same time in a chapter of CSI and in the tale of Red Riding Hood. We experience this adventure from the point of view of Barbara, the woman who falls in love with Manuel Romasanta and who progressively changes her love into rage.. The arc of the character is so well developed, that the identification with her is complete. We do feel the same love and the same hatred that Barbara felt towards Manuel. Another strong point of the movie is the cast. and moreover the female roles. The actresses who play Barbara and her sister Maria are superb. I really enjoyed the way they expressed their arena. Finally, last but not least, I do suggest to keep an eye on this young director: Paco Plaza. Believe me, he's a TRUE GENIUS.
Romasanta: The Werewolf Hunt is based on the true story of Manuel Blanco Romasanta, Spain's first documented serial killer, who claimed at his trial that he was not responsible for the numerous murders he committed since he was suffering from a curse that turned him into a wolf (always worth a go, I suppose).
The film takes place in 1851, in a rural Spanish community where there has been a spate of deadly attacks, presumably by wolves. Travelling salesman Manuel Romasanta (played by the very English Julian Sands, who makes zero attempt at an accent) arrives in the area to visit his girlfriend Maru Valdivielso, who shares her home with her rather lovely sister Bárbara (Elsa Pataky) and their young deaf niece Teresa (Luna McGill).
Seemingly concerned for their safety, Manuel offers to escort Maria and Teresa to Santander, but the girls never make it to their destination, their charming travelling companion attacking them in the forest, believing himself to be a lycanthrope—a man who can transform into a wolf. When Manuel returns to Bárbara, he seduces the unsuspecting woman, but is unable to hide the truth for very long
With its mid-19th century European setting, ambiguous werewolf plot, and stunning visuals, Romasanta reminded me a lot of Christophe Gans' The Brotherhood of the Wolf; but like that film, Romasanta suffers from a plodding and slightly confusing narrative, one that makes matters hard going, even despite a few genuinely twisted moments involving sticks in eyes and the removal of body fat, a fairly decent transformation scene, and the sight of Pataky in a tin bath having her breasts soaped up by Sands.
The film takes place in 1851, in a rural Spanish community where there has been a spate of deadly attacks, presumably by wolves. Travelling salesman Manuel Romasanta (played by the very English Julian Sands, who makes zero attempt at an accent) arrives in the area to visit his girlfriend Maru Valdivielso, who shares her home with her rather lovely sister Bárbara (Elsa Pataky) and their young deaf niece Teresa (Luna McGill).
Seemingly concerned for their safety, Manuel offers to escort Maria and Teresa to Santander, but the girls never make it to their destination, their charming travelling companion attacking them in the forest, believing himself to be a lycanthrope—a man who can transform into a wolf. When Manuel returns to Bárbara, he seduces the unsuspecting woman, but is unable to hide the truth for very long
With its mid-19th century European setting, ambiguous werewolf plot, and stunning visuals, Romasanta reminded me a lot of Christophe Gans' The Brotherhood of the Wolf; but like that film, Romasanta suffers from a plodding and slightly confusing narrative, one that makes matters hard going, even despite a few genuinely twisted moments involving sticks in eyes and the removal of body fat, a fairly decent transformation scene, and the sight of Pataky in a tin bath having her breasts soaped up by Sands.
The creature is not a large one. At first glance, it doesn't even seem to be anything more than an ordinary dog.
But then you look closer. The wolf's mouth is larger than that of an ordinary dog, the teeth packed more densely together within. The wolf's eyes gleam a sickly yellow colour, and a vicious snarl augments the drool flowing from its mouth.
The creature leaps at you with supernatural speed and strength. Its front paws knock you flat on your back, and you feel the freezing earth soaking through your shirt, the full moon gleaming down like a cruel eye, watching you.
The wolf doesn't bother with a killing wound; it just begins to tear chunks of flesh from your stomach, ignoring your agonized screams. It will be a long, long time before your body loses all feeling, and everything goes dark.
Manuel Romasanta was a traveling merchant and salesman in the mid eighteen hundreds, who, at some point, went completely and utterly insane. He believed himself to be a werewolf, a man who would assume the form of an unnaturally large and brutal wolf whenever the moon was full. Manifesting from this belief was the need to kill, and so kill he did, some sixteen or more people, chosen completely at random, no discrimination. He would slaughter them, devour them and then leave the bodies for others to find.
There have been so many movies made that have been based on the lives of serial killers- Jack the Ripper, Jeffrey Dahmer, Ted Bundy, etc. It seemed a mere matter of time until they dredged up this psychopath from the history books and immortalized him through film.
But, of course, being set in the time that it is, and under the circumstances through which the events surrounding the case unfolded, they couldn't have been content merely to make a slasher/thriller sort of thing documenting the life of a serial killer. No, they had to turn it into a werewolf movie.
And what a fantastic werewolf movie it turned out to be. I was expecting the sorts of cheesy werewolf effects that we saw in such movies as "Dog Soldiers" and "Underworld" (although to tell you the truth, I enjoyed both of those movies, solely for the action content in them). But groundless were all my fears, for as the movie progresses it becomes increasingly clear that this is not your usual, run-of-the-mill type of werewolf crap, with Romasanta assuming the form of a proper wolf when he transforms. Rather than "Dog Soldiers", it portrays itself more as being along the lines of "Ginger Snaps", with much the same sort of tragic tale at the heart of it.
As with seemingly all new-age horror movies, even those done in an older sort of style (such as this one), there is a love story at the heart of the movie. However, true to the bizarre nature of this movie, it is not a happy tale of love that unfolds, rather a twisted tragedy in which neither side comes off any better than the other. For those of you who possess something like a twisted romanticism, I tell you now not to miss this one, you'll regret it if you do.
I've already told you basically all you need to know about the story of this movie, and I'm not going to ruin all the twists and turns of the movie so as to spoil your viewing enjoyment. Just be sure not to miss this one, especially if you liked "Ginger Snaps".
But then you look closer. The wolf's mouth is larger than that of an ordinary dog, the teeth packed more densely together within. The wolf's eyes gleam a sickly yellow colour, and a vicious snarl augments the drool flowing from its mouth.
The creature leaps at you with supernatural speed and strength. Its front paws knock you flat on your back, and you feel the freezing earth soaking through your shirt, the full moon gleaming down like a cruel eye, watching you.
The wolf doesn't bother with a killing wound; it just begins to tear chunks of flesh from your stomach, ignoring your agonized screams. It will be a long, long time before your body loses all feeling, and everything goes dark.
Manuel Romasanta was a traveling merchant and salesman in the mid eighteen hundreds, who, at some point, went completely and utterly insane. He believed himself to be a werewolf, a man who would assume the form of an unnaturally large and brutal wolf whenever the moon was full. Manifesting from this belief was the need to kill, and so kill he did, some sixteen or more people, chosen completely at random, no discrimination. He would slaughter them, devour them and then leave the bodies for others to find.
There have been so many movies made that have been based on the lives of serial killers- Jack the Ripper, Jeffrey Dahmer, Ted Bundy, etc. It seemed a mere matter of time until they dredged up this psychopath from the history books and immortalized him through film.
But, of course, being set in the time that it is, and under the circumstances through which the events surrounding the case unfolded, they couldn't have been content merely to make a slasher/thriller sort of thing documenting the life of a serial killer. No, they had to turn it into a werewolf movie.
And what a fantastic werewolf movie it turned out to be. I was expecting the sorts of cheesy werewolf effects that we saw in such movies as "Dog Soldiers" and "Underworld" (although to tell you the truth, I enjoyed both of those movies, solely for the action content in them). But groundless were all my fears, for as the movie progresses it becomes increasingly clear that this is not your usual, run-of-the-mill type of werewolf crap, with Romasanta assuming the form of a proper wolf when he transforms. Rather than "Dog Soldiers", it portrays itself more as being along the lines of "Ginger Snaps", with much the same sort of tragic tale at the heart of it.
As with seemingly all new-age horror movies, even those done in an older sort of style (such as this one), there is a love story at the heart of the movie. However, true to the bizarre nature of this movie, it is not a happy tale of love that unfolds, rather a twisted tragedy in which neither side comes off any better than the other. For those of you who possess something like a twisted romanticism, I tell you now not to miss this one, you'll regret it if you do.
I've already told you basically all you need to know about the story of this movie, and I'm not going to ruin all the twists and turns of the movie so as to spoil your viewing enjoyment. Just be sure not to miss this one, especially if you liked "Ginger Snaps".
¿Sabías que...?
- CuriosidadesBased on the case of serial killer Manuel Blanco Romasanta who murdered at least 13 people in 1850s Spain. He claimed a curse turned him into a wolf causing him to kill. Because of these claims, Queen Isabella II acquitted him, but he died in jail before being released. The Romasanta case previously inspired Carlos Martínez-Barbeito's novel "El bosque de ancines", filmed as El bosque del lobo (1970).
- PifiasWhen Barbara first holds the sickle to Romasanta's neck, a black safety cap is visible on the tip.
- Créditos adicionalesThe opening Filmax logo, usually a white sphere with three stripes (yellow, red and blue), turns into a full moon.
- ConexionesEdited into Así se hizo 'Romasanta, la caza de la bestia' (2004)
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- How long is Romasanta: The Werewolf Hunt?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Romasanta, a caza da besta
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.500.000 € (estimación)
- Recaudación en todo el mundo
- 813.586 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the English language plot outline for Romasanta: La caza de la bestia (2004)?
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