Danny the Dog

Found this movie very entertaining.

I was riveted to my seat and totally absorbed into the movie.

It really tore me up to see how badly he was treated by his captors and I was overjoyed each time he escaped. Also enjoyed seeing Morgan Freeman again. He's a classic. I hadn't seen the previews of this movie beforehand and thought it was "just another action film" ---- until I saw Morgan Freeman come on the scene.

The story line was unusual and the acting was great --- for an action film. Wish that more action films were directed at this level.

Jet Li is fabulous and he can act. I wish him a lifetime of successful films and hope to see them all.

DANNY THE DOG

(USA/UK: Unleashed)

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Raised as a fighting machine by thuggish Glasgow loan sharks, a young man (Jet Li) finds happiness after falling into the care of a kindly old piano teacher (Morgan Freeman) and his musical-protégé granddaughter (Kerry Condon). But Li's past catches up with him, threatening the safety of his newfound family...

Terrific combination of heartfelt drama and bone-crunching action scenes (choreographed by Yuen Wo-ping), anchored by strong performances (including Bob Hoskins as Li's brutal 'mentor') and a finely-tuned script by French action maestro Luc Besson. Grainy filmstock and an excess of closeups (typical of the ghastly Super 35 'widescreen' process) render it less cinematic than it ought to be, and the narrative is predictable, but the movie works on a visceral level whilst simultaneously pulling the heartstrings. Li's best non-HK film since KISS OF THE DRAGON (2001).

(English dialogue)

For a martial arts picture, "Unleashed" was above average because it had some heart and soul to it.....not just people beating the crap out of one another for two straight hours.

However, be wary of those who claim this isn't an action film. That's not true: there is a lot of action, quite a bit of brutality and profanity, mostly by Bob Hoskins' character "Bart" in this movie. Hoskins plays profane, nasty slave-owner who has locked up and trained "Danny" (Jet Li) to be the ultimate fighting machine. Once Danny is "unleashed" (literally) he's a killer and helps the gangster Bart in his criminal work.

Then, in a moment of further greed, Hoskins agrees to enter his man in a death match with a lot of money at stake. That match turns out to be a farce with Danny winning in a matter of seconds. The other promoter wants a rematch, and with more entertainment. In the meantime, however, Danny escapes his captors and winds up at the house of an older blind American, "Sam," played by Morgan Freeman. He and his 18-year-old daughter "Natalie" (Kelly Condon) befriend young Danny, slowly bringing him out of his "animal" state. Everyone discovers Danny has some very human characteristics and is basically a nice, gentle guy. The family helps uncover that through music (piano playing, to be exact). These are all touching scenes.

But then - and this is almost a cliché in these kind of films - the bad guy comes back, snatches him away and his former bad life comes back....except Danny is a changed man. How he can get out of this latest predicament and what happens to this new "adopted" family, takes up the rest of the story. That last part has the same thing: ultra-violent and touching scenes.

Jet Li does an excellent job in here, not only displaying his amazing physical talents but also showing us he has warmth in his face and heart.

Overall: a brutal, yet touching film: an odd combination.

Rating: **** out of ****

If I'm always skeptical of Jet Li's English-speaking films, it's for good reason. They're usually crap. Too often, he's either been put in the hands of incompetent directors who couldn't properly film or edit his impressive martial arts abilities and/or he's teamed alongside a cast that includes one rapper too many. It also didn't help that these movies were poorly written and acted, failing to work as either a showcase for Li's moves or his charisma. So it's all the more satisfying that Unleashed goes through its entire running time without succumbing to any single one of these flaws.

Jet Li stars as Danny, a fully grown man with the mind of a child who is a literal slave/pet to Bart (Bob Hoskins), a Glasgow mob boss who keeps Danny in a cage and uses him as a form of "persusasion" to those who owe him money. Like a dog, Danny wears a collar, shy and seemingly dumb whenever it's clasped around his neck, but a ferocious killer once he's unleashed.

After a mishap with another criminal, Bart and Danny are left for dead, leaving an injured Danny to crawl to a warehouse where he's taken under the wing of kindly blind piano tuner Sam (Morgan Freeman) and his stepdaughter, Victoria (Kerry Condon). Starting over with a clean slate, Danny comes to enjoy his new life and loving family; no longer is violence or cruelty something he must face everyday. But fate hands him an unlucky turn when he's forced to confront Bart, finding no choice but to give in to his violent side one last time.

The film's premise, that of a violent man finding a better life, is nothing new but rarely have I seen the simple but effective premise delivered so well and with such genuine heart. To my immense surprise, it's Jet Li's performance that anchors the film, showing us a side of corrupted innocence and child-like enthusiasm that is sweet, moving, and occasionally even quite humorous. The transformation and natural maturity Danny undergoes is engaging, and it's to no small measure of Li's performance that we hope Danny can entirely shed his former life even when we know it'll inevitably catch up with him.

Li is surrounded by a fantastic cast with great actors Morgan Freeman and Bob Hoskins pulling their own weight. Freeman delivers as always, playing the kindly authority figure with firm but gentle resolve. Hoskins is over-the-top but suitably so as Bart, whom we're quite sure is complete scum, yet one can't dismiss the fact that he holds Danny in a certain esteem, and that he may actually be the only person in the world Bart cares for, however twisted a manner he chooses to show it. Relative newcomer Kerry Condon is cute and appealing, although she could just as easily have won me over with that great smile of hers.

As a kick-ass action film, Unleashed is superb. The ratio of action to story might be a bit less than hardcore martial arts fans desire, but there's no question every facet of the plot bolsters the fight scenes, giving every battle a palpable and underlying current of emotion that adds to the thrills of the spectacle. And spectacular action this is; every fight scene-most especially the brutal opening sequence and the thrilling, almost emotionally exhausting climax-is brilliantly filmed and edited, wisely emphasizing Li's natural abilities in favor of quick-cuts and wirework. There are a few instances of Matrix-style slow motion, but the spare usage works to the film's advantage. There's even a terrific fight scene inside a tiny bathroom that far outdoes a similar scene in The Matrix.

An absolute winner on almost every conceivable level (the exception being that the title should be changed back to Danny the Dog, but I'm not going to hold that against the movie), Unleashed delivers some of the best action scenes I've seen to go hand-in-hand with memorable characters I adored and a story that riveted me from start to finish. I should also not slight director Louis Leterrier, who puts it all together with the right mix of strong style and natural storytelling. Why can't all action films be this good?

This film, circulates around a purity, and a rage entwined around each other. It's beyond timeless, Jet Li is perfect and more. It portrays the sick people in this world, and what they do for the most pathetic tools everyone needs. It shows Love, and Death. And it shows Need for the Truth. Its far to obvious that anyone that opposes this is simply out of their own mind in egotistical attention. The question is, is this movie portraying the actual real world we live in, or is it not? This movie floods your mind and heart with power and love. It was perfectly articulate, and balanced between life and death. This movie was never over-advertised, showing that it was made for the intent of impressing, rather then selling, and getting money... Its perfect.