En 1885, en Nuevo México, una curandera fronteriza forma una incómoda alianza con su distanciado padre cuando su hija es secuestrada por un brujo apache.En 1885, en Nuevo México, una curandera fronteriza forma una incómoda alianza con su distanciado padre cuando su hija es secuestrada por un brujo apache.En 1885, en Nuevo México, una curandera fronteriza forma una incómoda alianza con su distanciado padre cuando su hija es secuestrada por un brujo apache.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 8 nominaciones en total
- Tsi Beoyuao - Blowing Tree
- (as Matthew Montoya)
Reseñas destacadas
The most stand out aspect for me was the villain played by Eric Schweig. He totally creeped me out. I looked up his IMDb photos and he looks nothing like he did in the film - so the makeup department had a lot to do with making his face as ugly as they did. It really adds to the evil nature of this man.
Jones is quite convincing as a white man wanting to be Indian. His face looks so aged and weathered - you believe he has lived out in the harsh western wilderness all his life. I'm a big fan of his and could watch him do his thing all day.
The director and writers did a good job of creating tension and suspense in the film. There are numerous fight and chase scenes that had me on the edge of my seat. There is quite a bit of explicit violence so this isn't one for young kids to watch.
I think the movie weaves a good tale of hardship, tragedy, failings, forgiveness and redemption. The title, I think, refers to not only her daughter that is missing - I think it refers to several themes missing in the life of Cate Blanchett's character. First, there is the missing dad that abandoned her. There's the missing trust of men in general since she apparently was the victim of rape - and that subsequently resulted in the birth of her daughter. There are also the fathers of her daughter's who are no where to be seen - so that her daughters are having to grow up without a dad as well. No husband either (just a live-in boyfriend). She is totally alone and has to fend for herself and her girls. Blanchett does a great job of bringing the steeliness of her character to life.
Without giving away what happens, I found the ending very touching.
I've read whisperings of Oscar nominations, which may be a fair statement, but although these rumors have been directed towards Blanchett, I would say that Jones had the stronger performance. Blanchett was excellent as well though, depicting a hard-laboring no-nonsense rancher perfectly, not trying to inject any glamour into her role whatsoever, as might have been the case if certain other big name actresses had played the role. I am forever amazed by Blanchett's versatility! The girls playing the daughters were excellent
too, specially the youngest one, who had a number of intense emotional scenes.
I liked the bleak feeling presented in the film...the raw climate, the hopelessness combined with determination that the characters portrayed. The heroic rescue attempts were not without their screw-ups, making the story much more realistic than a typical Western shoot-em-up hero movie.
I also enjoyed the element of mysticism, which was pulled off without being too corny. The main villain in this film was quite possibly the creepiest, ugliest villain to grace the screen in years! Yet somehow it wasn't too trite either.
My personal beef with most Hollywood epics is that friggin' annoying sweeping soundtrack music, which practically spells out to you how you are supposed to feel, replacing the emotion that should have been created by the acting and directing. Thankfully, the soundtrack didn't overwhem this film. Just some well placed ambient music which supplemented the scenes nicely.
Definitely one of the better films I've seen lately. I rate it 8/10.
With so few westerns being released to our multiplexes it is important not to go crazy with hype when one is released. In the UK we will have this film and Open Range released within a few weeks of one another and nearly every review you read can't help but draw attention to that as if somehow the recent Westerns we've had are some sort of golden age. I watched this just as I watch any film of any genre, whether the western happens to be neglected recently or not. The plot here is basically the journey and Jones' attempts at a sort of redemption. The film is perhaps a touch long, but it still fills the running time well. The action stuff is good but it is also well complimented by the more emotional core. It isn't perfect of course, but it does well and makes for an engaging and entertaining film. Of the things I'd like to have seen gone, the whole black magic side of the film didn't work for me and gave the story a mysticism that I didn't think it actually needed.
The cast are very good though. Jones manages to actually play an unexplained white man who was `with the Indians' without it being unbearably laughable. He is a more interesting character than the writing would have done alone or with a lesser actor. Blanchett makes up for her dire work in LOTR with a gutsy performance that gradually transforms as the film goes. Schweig is a great baddie despite his low screentime. It is good that the PC brigade didn't mean that this character had to be twisted in keeping with the modern cliché that all Indians are moral and upright. Boyd is much better here than in that terrible Dickie Roberts thing. She does have to do a little too much screaming at times but generally is up to the task. Support from Kilmer, Clint Howard and others are welcome in support and there is not really a weak link in the cast.
Overall this is not a great western, and wouldn't really stand out in the genre. However it is one of the better films out in the cinema right now. It has a good central story with reasonably good characters and it is only the mystical stuff and some weaknesses in the script that stops it being better.
¿Sabías que...?
- CuriosidadesTommy Lee Jones and Eric Schweig learned some Chiricahua Apache for this film. Their instructors were two of the last three remaining fluent speakers.
- PifiasJones and Dot were wearing hats before they were washed downstream during the flash flood. But when they were climbing out of the water onto dry land, they weren't wearing their hats. In the next scene when they were riding their horses they were wearing their hats again. There is no way they could have found their hats after the flash flood.
- Citas
Maggie: Why didn't you stay?
Samuel: [long pause] There's an Apache story about a man that woke up one morning and saw a hawk on the wind. Walked outside and never returned. After he died he met his wife in the spirit world. She asked him why he never came home, he said "Well, the hawk kept flying".
[pause]
Samuel: There's always the next something, Maggie. And that will take a man away.
- Versiones alternativasAlthough the film was shot in the Super 35 format for 2.39:1 and protected for 1.33:1, the VHS and the Full Screen DVD mostly Pans and Scans as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are. Only a few shots in this movie were reframed properly.
- ConexionesEdited into New Frontiers: Making 'The Missing' (2004)
- Banda sonoraThe Daring Young Man on the Flying Trapeze
(uncredited)
Lyrics by George Leybourne
Music by Gaston Lyle
Selecciones populares
Detalles
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 27.011.180 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.833.633 US$
- 30 nov 2003
- Recaudación en todo el mundo
- 38.364.277 US$
- Duración2 horas 17 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1