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Cantando dietro i paraventi

  • 2003
  • 1h 38min
PUNTUACIÓN EN IMDb
6,3/10
598
TU PUNTUACIÓN
Cantando dietro i paraventi (2003)
DramaHistoryMusicWar

Añade un argumento en tu idiomaA young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.A young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.A young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.

  • Dirección
    • Ermanno Olmi
  • Guión
    • Ermanno Olmi
    • Jorge Luis Borges
  • Reparto principal
    • Bud Spencer
    • Jun Ichikawa
    • Sally Ming Zeo Ni
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    598
    TU PUNTUACIÓN
    • Dirección
      • Ermanno Olmi
    • Guión
      • Ermanno Olmi
      • Jorge Luis Borges
    • Reparto principal
      • Bud Spencer
      • Jun Ichikawa
      • Sally Ming Zeo Ni
    • 10Reseñas de usuarios
    • 18Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 7 premios y 8 nominaciones en total

    Imágenes56

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    + 48
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    Reparto principal74

    Editar
    Bud Spencer
    Bud Spencer
    • Il vecchio capitano
    Jun Ichikawa
    Jun Ichikawa
    • Vedova Ching
    Sally Ming Zeo Ni
    • Confidente
    Camillo Grassi
    • Nostromo
    Makoto Kobayashi
    Makoto Kobayashi
    • Ammiraglio Ching
    Li Xiang Yang
    • Supremo ammiraglio Kwo Lang
    Wen Li Guang
    • Dignitario imperiale
    Chen Ruohao
    • Emissario imperiale
    Davide Dragonetti
    • Cliente ignaro
    Alberto Capone
    • Cliente militare
    Carlene Ko
    • Mery Red
    Sultan Temir Omarov
    • Ammiraglio Thin Kwei
    Bellini Zheng
    • Il piccolo Guiady
    Gaowta Shara Azzolini
    • Piratessa
    Xuwu Chen
    • Figlio del Cielo
    Jiahua Chen
    • Pirata
    Mexiang Chen
    • Donna musicante
    Un Cho Sung
    • Pirata
    • (as Sung Un Cho)
    • Dirección
      • Ermanno Olmi
    • Guión
      • Ermanno Olmi
      • Jorge Luis Borges
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios10

    6,3598
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    Reseñas destacadas

    1CUDIU

    Do not watch this movie...

    This is probably the worst movie I have seen since another Italian 'masterpiece': Nonhosonno by director Dario Argento. Actors play awfully, the story is unbelievable, the shift from theatre stage to ships not consistent. Bud Spencer randomly mixing Italian with occasional Spanish words is pure crap (why has he to do it?? Is there any reason for that? Maybe because his character is supposedly from Andorra… where Spanish is NOT spoken…). Moreover, watching Chinese speaking Italian (some are VERY badly dubbed) is kind of ridiculous… Chinese proverbs are scattered in the screenplay, and no one of them makes any sense… The ships and the setting are indeed beautiful, but why not spending all the money they cost in other stuff, an average screenplay writer and an average director for example… oh, I see, they are the same person. I cannot understand why certain directors just do not retire as they should… Ermanno Olmi delighted us with at least one masterpiece (L'Albero degli Zoccoli), a lot of boring movies, but never had he attained such a horrible level… and still there are reviewers on the web that hold this movie in good opinion (have a look on Google and you'll see)! Hey, Italian film critics, why are you just so scared of writing a negative review for this film? Why praising it? Because Olmi is the prestigious, long career, beloved local filmmaker? Because of "political" reasons? An average Vanzina brothers' movie is 100 times better than this
    10adrienne-nolan

    Another "not to be missed" Ermanno Olmi Film.

    I have yet to be disappointed with Olmi's work and "Cantando dietro i paraventi" was no exception. It met all my expectations and more. It is a superbly executed film with all the hallmarks of Olmi's lyricism and beauty of composition. Each frame is a joy to behold and Olmi is a master at setting mood and tempo. From the stage to high seas the audience is taken on a memorable journey - a blend of the real and the performed which culminates in a beautiful and magical scene of kites soaring through and from the sky bearing their message of peace. Long may Olmi and his son continue to make films of such quality and visual delight.
    10carlosyrigoyen

    An all times tale... with a beautiful she-Pirate and a kind King (well, lets say an Emperor!)... with art & poetry!!

    First of all, I must apologize on behalf of my Latin (Italian) blood!! I mean, if there is something I like... I really LIKE IT !! and let me say it again: I really loved & LIKED this film!! The script takes you back to those stories by Emilio Salgari about the Malasya's Tigers or even to those other Pirates at the Caribbean Sea. But this time, just sailing by the Sea of China... Oh sorry!! it is a little far away from the Hispaniola...? It must be the Butterfly Effect!! Changing places, from behind the screen to the open sea, or inside the Captain's Cabin to the beautiful Widow Ching's heart (Jun Ichikawa not only speaks Italian with Rome accent, but her eastern beauty has that touch too!!), or deep her (ours) thoughts, memories or dreams... who really knows? It is more than a tale for grown people that used to be children once upon a time... Lovely!! I really enjoy it!! Oh!! by the way, if you are planning to watch it with your kids, beware about some elegant & artistic views of Miss Ichikawa's beauty... just a few minutes before the end of the story... But don't loose the message that comes on the gorgeous kites... Lovely!! This is a film to enjoy it.
    9postcefalu

    Olmi's best?

    There's a laconic but amazing beauty in Olmi's last release. "Cantando dietro i paraventi" is a song for all the adventures that we didn't experiment, for all the landscapes we'd never see. It's his more "wellesian" work and one of the movies that impressed me the most in the last five years. I don't want to think what would Greenaway do with this material but probably a total failure. This film from a veteran like Olmi remembers us that weerasethakul and Sang-soo are the present, not the future. After a long career and still recent his brilliant "Ilo mestiere delle armi", Olmi returns to a place that he never thought: the land of the filmmakers compromised with themselves and the history. It's amazing doing this in a rickety cinematography like Italy's. Cheers, signore Olmi
    8CambelIMDB

    Impressive

    Surely it is not a masterpiece but a very very impressive work.

    First of all watching a far-eastern myth from the perspective of an Italian director is really exciting. Costume and production designs are very good. On the other hand cinematography is also brilliant. The most interesting part is that cinematography is not something we used to see in far-eastern movies. That increases the originality. Italian speaking characters are not artificial since all the dialogs and themes contain universal issues. Bud Spencer's performance is really good. But the biggest thing is, of course, Olmi's narration style. There were some parallel editing samples in the movie that should have been shown in film classes.

    Más del estilo

    El oficio de las armas
    6,9
    El oficio de las armas
    Cien clavos
    6,4
    Cien clavos
    La leyenda del santo bebedor
    7,1
    La leyenda del santo bebedor
    Torneranno i prati
    6,9
    Torneranno i prati
    El árbol de los zuecos
    7,8
    El árbol de los zuecos
    Larga vida a la señora
    6,7
    Larga vida a la señora
    I fidanzati
    7,6
    I fidanzati
    La voz de la luna
    6,3
    La voz de la luna
    El tiempo se ha detenido
    7,5
    El tiempo se ha detenido
    Mord ist mein Geschäft, Liebling
    5,7
    Mord ist mein Geschäft, Liebling
    La circostanza
    6,6
    La circostanza
    El pueblo de cartón
    6,3
    El pueblo de cartón

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Bud Spencer initially asked the producers if he could be credited under his real name (Carlo Pedersoli), due to the film's more serious tone compared to the titles he was most commonly associated with. He reconsidered after being told that his presence would boost the film's box office prospects.
    • Conexiones
      Features La bella corsara (1928)
    • Banda sonora
      L'oiseau de feu: Berceuse
      (suite, final)

      Written by Igor Stravinsky

      Interpreted by the Rundfunk-Sinfonieorchester Berlin (as Radio Symphonie Orchester Berlin)

      Directed by Lorin Maazel

      Published by Sugar Deutsche Grammophon

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de octubre de 2003 (Italia)
    • Países de origen
      • Italia
      • Reino Unido
      • Francia
    • Sitio oficial
      • Mikado (Italy)
    • Idiomas
      • Italiano
      • Mandarín
      • Inglés
    • Títulos en diferentes países
      • Singing Behind Screens
    • Localizaciones del rodaje
      • Podgorica, Montenegro(mountain range, naval scenes and battles)
    • Empresas productoras
      • Cinemaundici
      • Rai Cinema
      • Lakeshore Entertainment
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 1.071.748 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 38 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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