Añade un argumento en tu idiomaA fictitious Vancouver film crew documents the professional life of a parking enforcement officer.A fictitious Vancouver film crew documents the professional life of a parking enforcement officer.A fictitious Vancouver film crew documents the professional life of a parking enforcement officer.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 4 nominaciones en total
Diana Pavlovská
- Olena Polapov
- (as Diana Pavlovska)
Harry Rob Bruner
- Dispatcher
- (as Rob Bruner)
Tony Conte
- Jerome Huot
- (as Tony Conté)
Reseñas destacadas
10jgc229
I had the pleasure of watching Trenton Carlson's, The Delicate Art of Parking, at the Vancouver Film Festival. After it won best Canadian Feature at the Montreal Fest, I knew it was gonna be good, but I couldn't stop laughing. I can't look at a Parking Enforcer the same way again. The film was also quite touching though. The director, screenwriter and actors, take us on the emotional journey of these crazy Parking Enforcers. This gives the film another layer to appreciate it on. If you're looking for a smart and intriguing movie to let out some belly laughs to, then keep an eye out for, The Delicate Art of Parking. Until then be sure to plug your meter and don't double park.
I loved the idea for this movie - someone who has racked up almost $3000 worth of unpaid parking tickets and decides to make a documentary movie about it. The brilliant idea for this movie comes from the fact that everyone hates getting parking tickets and most of us think that these parking by-laws just exist as a cash cow.
I always watched with interest whenever they showed one of the officers ticketing a vehicle, then the owner would show up and shout obscenities, or use physical violence, like that delivery truck driver did. They didn't show the part where Murray, the parking officer's supervisor, was run over by an irate motorist whom he ticketed, leaving Murray in a coma. After this incident, the film director asked people on the street what they thought of this, and one guy smugly said "good." A few others felt sorry for him because he was just doing his job.
Although I tend to think that parking bylaws are a cash grab to some extent, I highly respect anyone who chooses to do such a thankless job for a living.
Overall this movie was entertaining and thought provoking, but it definitely showed the work of an amateur filmmaker on a low budget.
I always watched with interest whenever they showed one of the officers ticketing a vehicle, then the owner would show up and shout obscenities, or use physical violence, like that delivery truck driver did. They didn't show the part where Murray, the parking officer's supervisor, was run over by an irate motorist whom he ticketed, leaving Murray in a coma. After this incident, the film director asked people on the street what they thought of this, and one guy smugly said "good." A few others felt sorry for him because he was just doing his job.
Although I tend to think that parking bylaws are a cash grab to some extent, I highly respect anyone who chooses to do such a thankless job for a living.
Overall this movie was entertaining and thought provoking, but it definitely showed the work of an amateur filmmaker on a low budget.
This movie was absolutely atrocious and I'm sad to admit that it was filmed in my home city of Vancouver.
The screenplay was juvenile, predictable and the jokes were, I suppose, hidden somewhere in the profanity laden rants of people taking their frustrations out on pathetic parking cops. The reality is that it's just too far-fetched an idea to think there could be so much drama in the lives of parking attendants and so the authors of the screenplay really stretched to try and build a house out of sand. What they ended up with was a dry, boring script which was acted by a bunch of third string hacks. I kept thinking that something would happen and it would get better but alas it never came and I left feeling upset that I'd just lost 2 hours of my life.
Please don't rent or go see this film anywhere at any time. It'll just encourage the people responsible for this piece of trash to make more crappy films.
The screenplay was juvenile, predictable and the jokes were, I suppose, hidden somewhere in the profanity laden rants of people taking their frustrations out on pathetic parking cops. The reality is that it's just too far-fetched an idea to think there could be so much drama in the lives of parking attendants and so the authors of the screenplay really stretched to try and build a house out of sand. What they ended up with was a dry, boring script which was acted by a bunch of third string hacks. I kept thinking that something would happen and it would get better but alas it never came and I left feeling upset that I'd just lost 2 hours of my life.
Please don't rent or go see this film anywhere at any time. It'll just encourage the people responsible for this piece of trash to make more crappy films.
Mockumentary as a viable comedic genre was first hinted at by Woody Allen in ZELIG in 1983, more concretely defined the following year by Rob Reiner in THIS IS SPINAL TAP and then made into an art form by SPINAL TAP star Christopher Guest in his recent films, most notably WAITING FOR GUFFMAN (1997). THE DELICATE ART OF PARKING is Reel 13's Canadian effort along those same lines and while it doesn't measure to the standards of those other films, it does boast a moderate amount of cleverness and manages to be mildly entertaining for 90 minutes.
At the midpoint of the film, they introduce a "plot" to the film within the film in which a meter maid guru is viciously attacked by an irate ticketed citizen. This is a little distracting and probably unnecessary, but it goes on to dominate the rest of the film. They were doing fine by just doing portraits of these inane characters and the apparent futility of their occupations. Also, it feels a little contrived that such a dramatic thing would conveniently happen in the middle of a documentary about these characters. It seems to belie the mockumentary structure that was chosen. If you wanted to incorporate a complicated plot, just do a plain old-fashioned comedy and spare us the gimmicks.
With that said, the actors in the film are all very talented and do a great job fleshing out their respective characters. Of particular note is Nancy Robertson as the acid-tongued Harriet Sharpe and Fred Ewanuick as the die-hard parking attendant Grant, who revolves his whole life around his seemingly meaningless job. The level of detail these actors present about their characters is reminiscent of the work done by some of the Christopher Guest ensemble, like Catherine O'Hara and Eugene Levy. Their characters have an element of silliness to them, but they feel so real and full that they work perfectly within the parameters of the mockumentary genre.
You're probably sensing my ambivalence about the film, which is pretty much true. I often find it difficult to fall in love with comedies in general because most of them are throwing jokes at you non-stop, but most are only truly funny for a part of the time. So, like the other film this week ONE, TWO, THREE - even if a film makes you laugh a few times, that means it is probably failing to make you laugh the rest of the time, which lessens the overall impact of the film. THE DELICATE ART OF PARKING is a perfect example. While it is never riotous, it has a great deal of charm and good intentions. The very idea of a mockumentary about meter maids is funny by itself, even if it has very few moments of hilarity.
(For more on this or any other Reel 13 film, check out their website at www.reel13.org)
At the midpoint of the film, they introduce a "plot" to the film within the film in which a meter maid guru is viciously attacked by an irate ticketed citizen. This is a little distracting and probably unnecessary, but it goes on to dominate the rest of the film. They were doing fine by just doing portraits of these inane characters and the apparent futility of their occupations. Also, it feels a little contrived that such a dramatic thing would conveniently happen in the middle of a documentary about these characters. It seems to belie the mockumentary structure that was chosen. If you wanted to incorporate a complicated plot, just do a plain old-fashioned comedy and spare us the gimmicks.
With that said, the actors in the film are all very talented and do a great job fleshing out their respective characters. Of particular note is Nancy Robertson as the acid-tongued Harriet Sharpe and Fred Ewanuick as the die-hard parking attendant Grant, who revolves his whole life around his seemingly meaningless job. The level of detail these actors present about their characters is reminiscent of the work done by some of the Christopher Guest ensemble, like Catherine O'Hara and Eugene Levy. Their characters have an element of silliness to them, but they feel so real and full that they work perfectly within the parameters of the mockumentary genre.
You're probably sensing my ambivalence about the film, which is pretty much true. I often find it difficult to fall in love with comedies in general because most of them are throwing jokes at you non-stop, but most are only truly funny for a part of the time. So, like the other film this week ONE, TWO, THREE - even if a film makes you laugh a few times, that means it is probably failing to make you laugh the rest of the time, which lessens the overall impact of the film. THE DELICATE ART OF PARKING is a perfect example. While it is never riotous, it has a great deal of charm and good intentions. The very idea of a mockumentary about meter maids is funny by itself, even if it has very few moments of hilarity.
(For more on this or any other Reel 13 film, check out their website at www.reel13.org)
here we have a 'mockumentary'(fake documentary)on the people who enforce the parking laws.you know who i mean.you leave your car,and come back to it,only to find that nice little piece of paper on it.you know the 1 that says you have to pay a fine because you parked 30 seconds too long at the metre,or you parked half an inch to far from the curb.well the movie is about the people who put those nice pieces of paper on the windshield,i person in particular.this person's name is Grant,and Grant is of the opinion that his job is very important.it is a public service,and to hear him talk about it,akin to curing disease.they even have a 'guru'of parking enforcement named Murray which they revere very highly,like a god.they even spout philosophical drivel from the man himself.this movie should be funny,but it isn't.it is mildly amusing(and i do mean mildly)at best.there is nothing profound in this movie,that i can see.i wouldn't recommend renting it,but if you see it on TV,and you have nothing else to do,it will serve as a diversion for around 90 minutes.it is less than 90 minutes,and it does go by quickly,so that is a plus.others may find some this movie hysterical and even 'deep'but for me,it is average entertainment at best.'my vote for 'The Delicate art of Parking'? 5/10
¿Sabías que...?
- Créditos adicionalesThe characters and events portrayed in this motion picture are entirely fictional. Any similarity to actual persons or events is purely unintentional. Except for Bob - he's based on Blake Corbet. And the scene where he's dancing - that was based on the time that Blake was dancing at the Mile Zero (2001) wrap party. Everything else we made up. Honest.
- Banda sonoraJ'Ai Besoin De Toi
Performed and Written by The Holograms
Used under license from The Holograms
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Detalles
Taquilla
- Presupuesto
- 944.149 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 213.008 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.859 US$
- 4 abr 2004
- Recaudación en todo el mundo
- 213.008 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido
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By what name was The Delicate Art of Parking (2003) officially released in Canada in English?
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