Tras la muerte de su marido y verse obligada a ingresar en una residencia de ancianos, una mujer empieza a buscar su independencia.Tras la muerte de su marido y verse obligada a ingresar en una residencia de ancianos, una mujer empieza a buscar su independencia.Tras la muerte de su marido y verse obligada a ingresar en una residencia de ancianos, una mujer empieza a buscar su independencia.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
- Nurse Knight
- (as Julie Wilson-Nimmo)
Reseñas destacadas
Pauline Collins, plays her part so well, to be put into a home, just because her son (Peter Capaldi) and his wife want her home after his father dies, and now his mother has become "past it." The film shows just how in a position to either be putting someone in to a care home, or being made to go into a care home should be aware of, because this certainly is an eye opener. People are not "past it" just because they don't work, or have lost their partners.
The movie starts with strong overtones of 'Shirley Valentine' (though not as good) as an older Pauline Collins again plays the part of a much put upon not to say bullied wife and mother with no life of her own. There is a small undertone of rebellion even before the fateful day when her husband is laid out for duck or should I say for want of a duck.
Mrs Caldicot finds she does indeed have a mind of her own and starts a small rebellion in the twilight rest home where she has been parked by her son, baulking at the harsh regime and standover tactics of the management.
The story then moves on to an oft repeated scenario of old folks locked away, drugged to the eyeballs to keep them subdued as selfish offspring fulfil their own needs at the expense of the parent. Unfortunately it wont prick the conscience of those guilty of these deeds in real life for two reasons, they wouldn't be able to see themselves up there and they probably wouldn't watch or appreciate a movie of this calibre.
It was fun to see John Alderton up there as an antagonist of Pauline Collins which would have made for some interesting and fiery rehearsals at home I'm sure. Parts of the movie were a little far fetched but added to the overall fun of it. I hope the message got through to viewers about the quality of life for the older generation because there are going to be a lot more of them in the future with the improved health habits and mobility of most aging people. I certainly plan to be one! It may be distressing of course for those who don't have any choice about the long term care of their aged relations, knowing that they may be experiencing these same degrading practices.
Overall a very pleasant 100 minutes of humour, pathos and reckoning and I shall be heartily recommending that my own aged in-laws go and see it.
This could only be a topping up the bank account acting job for those involved in this travestry. Nothing about it is worth watching even the advert breaks are more entertaining.
This could have been a chance to shine a light on how the elderly are treated in uncaring care homes in a light-hearted way.
There aren't any laughs to be found in this rubbish. Considering the cast assembled the script is poor and formulated from various sitcoms with the humour removed. This is even worse than the later Carry on films, a sad waste of celluloid that could of been put to better use.
¿Sabías que...?
- CuriosidadesPauline Collins (Thelma Caldicot) is married in real life to John Alderton (Hawksmoor).
- PifiasIn the scene where everyone is watching the TV interview from the hotel room, there is a reflection in the silver serving trays of the studio lighting rig. Something moves back and forward, possibly a boom mic.
- Citas
[Hawksmoor bursts in on the residents and some of the nurses dancing while Bernard plays the organ, in memory of Edith who died earlier on]
Bernard: Uh-oh. Bandit at nine o'clock.
Hawksmoor: [picks up a bottle of wine] Clear this drink away. Where's Matron? Lost your tongues, have you? Whose idea was this?
Thelma Caldicot: It's Edith's wake. We felt she needed a good send off.
Hawksmoor: Who says so?
Thelma Caldicot: I do.
Bernard: So do I.
[others join in, supporting Thelma]
Thelma Caldicot: It's all right, folks. I take full responsibility. I felt it was something you would have organised, had you been here.
Hawksmoor: Don't you be clever with me. I want you packed and out of this place first thing in the morning.
Bernard: You can't do that. If she goes, so do I.
Thelma Caldicot: [sighing] Oh, you can't, Bernard. You've got nowhere to go. And this miserable bugger knows it.
Hawksmoor: [walking away] Before breakfast, Mrs Caldicot.
Thelma Caldicot: Just a minute. Oh, I *am* leaving, because I don't belong here. In fact, none of us belongs here in your second-rate, overpriced knacker's yard. And we don't need you or our relatives to tell us when we're ready for the scrap heap. *We'll* decide that. Do you know, I spent 40 years of my life under the boot of a mean-spirited tyrant just like you. And I'm not going to let it happen again.
[she turns to all the other residents]
Thelma Caldicot: Good night, folks.
Everyone: Good night. Thank you.
- Banda sonoraWE'LL GATHER LILACS
Written by Ivor Novello
© Chappell Music Limited
By kind permission of Warner/Chappell Music Limited
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Detalles
Taquilla
- Recaudación en todo el mundo
- 999.142 US$
- Duración1 hora 46 minutos