Kandahar

Nafas is an Afghan refugee in Canada, separated from what remains of her family. When she receives a letter from her sister in Kandahar saying that she intends to kill herself at the next eclipse, Nafas sets out to enter Afghanistan and find her sister in order to rescue her. Joining a family traveling across the desert she quickly remembers why she fled the country in the first place as her status as a woman is as dangerous as the unseen landmines as she tries to find her sister before time runs out.

I knew little about this film prior to watching it apart from that it was popular mostly due to its unfortunate relevance. Watching it from the start to the end I must admit that, as a film or a story it was not as good as some viewers have said. The narrative is simplistic and seems to alter the passing of time to suit itself, while major holes in plotting are rather annoying if that is what you are focusing on. The film also struggles in terms of characters, with Nafas being rather bland and hard to care for, her sister being unseen and not in any more danger than those we do see (ie minimising our passion for the quest) and even the noble Talib Sahid came across as rather an unlikely character to stumble upon.

However, I still consider this to be a film worth seeing even after all that. Why? Well, simply because of the view it gives us of Afghanistan – a view that not even the British media did a good job of giving us when the conflict started. I watched this thinking 'this is the country we have been bombing for several years now?' and, while I knew it was hardly the most technologically advanced country, it doesn't really hit home until you see it and, with US news coverage of this side of the country being limited to hyped-up soldiers then this film should be seen to help balance it all out. So Nafas' journey is little more than an excuse to show many aspects of the country within a sort of story and, as that, it is worth seeing – it is hard not to feel for the people as you see the treatment of women, the poor facilities, the horrors of landmines and so on.

True to the weakness of the plot, the ending just sort of 'happens' and those who had been holding to the hope of the vague narrative becoming stronger will also be let down. This is not a film to come to for a story or a strong plot because in these areas it is pretty weak and not very good as a film as you'd expect one to be. However it provides insight into a country that we have all heard a lot about over the past few years and, for that and that alone, it is valuable and worth seeing if you can get the chance.

This is an extremely beautiful film which inhabits a visual and emotional territory somewhere between Werner Herzog and Pasolini.

As others have stated, the actors are non-professionals and the plot is not the stuff of Hollywood melodrama. However the images and sounds are haunting and profound. Mahkmalbaf is truly a poet of the cinema.

The film does not attempt to make a political analysis of the situation of Afghanistan in 2001, but operates on a more humanistic and emotional level, showing the human consequences, the poverty both material and spiritual of life under the Taliban and the indifference of the outside world.

The "doctor" character, far from being implausible, is played by a real person with a very similar history. He is also a stand-in within the film for Makhmalbaf himself, who started as an Islamic fundamentalist revolutionary but has moved towards a more open-minded humanism.

The film itself describes a circle, the first scene is also the last, the sun shining through a burqa onto a woman's face. Between are unforgettable images, and a transit across a surreal and nightmarish landscape. Surrender yourself and you will really feel you have been on a journey.

The UK DVD also includes "The Afghan Alphabet" a similarly fictionalised documentary on the struggle to bring education to the three million or so Afghan refugees in Iran.

A haunting depressing but fascinating film. I used to believe (naively) in the melting pot theory but the melting pot does not exist. Some cultures are so far removed from what we have been brought up to believe in that is is almost impossible to connect with in any shape or form.

I have always believed that each culture should be looked at on its own merits and the Western Christian/Judeao civilisation is not necessarily the answer to it all. But how can anybody find any merit in a society run by someone like the Taliban. Everybody is opressed, the women more than any, but everybody lives a miserable life. There is no compassion, no respect for divergent views. The poverty is so all pervading that survival at the most basic level is all that matters.

The film is not really a coherent narrative, more a series of vignettes showing what life was like under the Taliban. Despite the amateur acting it is a powerful film. A number of powerful images, the most powerful, to me, is the scene depicting how female patients are dealt with by a "doctor". Horrifying. Western society has many many faults but by god I'm glad I live in it.

The film's great success with audiences was in part due to the timing of its release, at a moment when Afghanistan had been catapulted into the headlines by the activities of the Taliban and the attacks of September 11, 2001…

But the motion picture, directed by one of Iran's most prominent film artists, is much more than a story pulled out from the headlines… It stars Nelofer Pazira, a female journalist, based in Canada, playing Nafas, who is trying to get into Afghanistan to reach her sister who lives in Kandahar… Nafas's sister is threatening suicide because of the intolerable oppression of women by the Taliban…

In the course of her long and dangerous journey, Nafas encounters a mixed array of Afghan people, many of them refugees… An old man agrees to take her into the country disguised as his fourth wife… Later she acquires a young boy, Khak (Sadou Teymouri), as her guide after he has been expelled from a religious school… On the way she meets Tabib Sahid, an African-American who had come to fight the Soviets but who is now practicing medicine…

"Kandahar" mixes documentary authenticity with extraordinary moments of visual strangeness ad beauty… The Burka is an ever-present symbol of women's subjugation, yet underneath women wear varnished nails and lipstick, and their brightly-colored robes affirm their individuality… The film placed the suffering of the Afghan people, particularly the women, on an international stage

When I watched this film, I did not think about the recent events of 9/11. Instead, what I saw was art, philosophy and universal human conditions being displayed extremely well on the screen. It maybe about Kandahar and the people there, but what I saw was a universal message about everyone in all countries. When it comes to the end of the road, and there is nothing else to live for, hope becomes the meaning. I don't think it is a good idea to watch this film as a source of documentary, I think it is better to watch this in the state of mind of watching something beautiful/sorrowful/artful/philosophical all at the same time. I don't think this film is a comment on 9/11, but a comment on the human conditions that is common to all of us.