La versión del oficial

This is a morality tale of investigating a military cover up. An explosion aboard an aging battleship is covered up to save face for the Navy. Captain Fred Moosally(James Caan) agrees with his superiors that the fatal explosion that killed 47 is to be blamed on a homosexual rift between two sailors. LTJG Dan Meyer(Robert Sean Leonard)struggles to convince his captain that faulty equipment an gunpowder on board was the real cause of the tragedy. Meyer was considered disloyal until a congressional hearing forced the Navy to revise its findings.

Well scripted and kudos to director Mikael Salomon. This true life drama packs a punch. Special effects were a bit gruesome, but very essential focal point for the story.

Also in the cast are: Andrew MacVicar, James Bulliard and Jamie Harrold.

Why does it take years after an event for the media to gain the courage to film an actual event with all its warts? The difficulty this guy had in even getting this mildly white-washed film made is witness to how sensitive we are in this country to even MILDLY criticizing our corrupt government.

The acting by James Caan is remarkable, as he has to portray a good ol boy captain, striving to be an admiral, was well as a self-important, lazy Navy officer, imposing no discipline on his troops, nor even overseeing properly the supplying of his ship (which might have saved a few of the 40+ lives). Yet, Caan also portrays his good side (which we all have), making him keep his lips tightly closed as he tries to walk the line between truth and completely throwing in with the whitewash of the Navy investigative committee. As if the higher-ups in government don't know that no group can truthfully investigate itself.

I find it puzzling that this was a Made for TV movie, instead of for the big screen. Having worked as a NASA contractor throughout its initial coverups and waiving of the O-rings preceding the Challenger debacle, I find the disingeniousness attempts by the NASA PMs presetly at work very similar to the nefarious activities by the Navy big wheels in this movie. Quite instructional for any idealist young patriot, and I mean that in the best sense.

I was on shore duty at the time of the Iowa disaster and I remember thinking something stank about blaming the turret 2 explosion on an allegedly suicidal, allegedly homosexual gunner's mate. The true cause fell on the shoulders of the Reagan Administration's lust for antiquated platforms (the battleship went out with Burma Shave signs back in the early 50's) while caught up in their irrational enthusiasm for a 600-ship Navy (which never materialized, incidentally). The then recently-elected George Bush would wisely decommission these dinosaurs. The true blame for the turret 2 disaster was old unstable and overloaded powder. The shame the Navy has to live with is the cover-up that followed. A Glimpse of Hell is a superior TV movie that probably deserved to be produced as a major motion picture. The performances are very good (James Caan and Daniel Roebuck are excellent)--- my only minor gripe is the interior shots of the 50-year old Iowa look phony (Roebuck has a stateroom as an E-6? I doubt it guys... and the boat would've been home to cockroaches the size of Buicks) and the ubiquitous sounds of the 1MC I recall are missing. The actual explosion and special effects are well done. Now if only I could only get the A&E Channel to cut back on commercials every 92 seconds...

In 1989, in the USS Iowa, while performing an experimental training, an explosion in tower 2 kills forty-seven militaries. The US Navy looks for a scapegoat, and accuses one officer of being gay and provoking the explosion, trying to commit suicide. Lt. Dan Meyer (Robert Sean Leonard) gives a honest testimony in the investigation, but the truth is hidden by his superiors. In the end, the Capt. Fred Moosally (James Caan) of the USS Iowa cleans his officer's name. Although being made for TV, this is a surprisingly good movie. The direction is sharp and the cast has a great performance. Very recommended, since it hooks the attention of the viewer until the last scene. My vote is seven.

Title (Brazil): `Vestígio do Inferno' (`Vestige of Hell')

This film vividly portrays the extent to which the male macho myth controls the military mentality. Youthful idealism is pitted against the false mask of professionalism. We see a literal dis-illusionment played out before our eyes -- and wish it were not so. We see loyalty used as an excuse for lying and prejudice -- and want to think these things can't really happen.

An excellent cast and clipped plotting provide us with a gripping tragedy which is all the more frightening because it is a true story of a decade-long cover-up and blatant homophobia. It is hard to believe that the military would lead a witch-hunt against one of its own men to cover its own ineptitude. But the facts are put before us in the shape of shredded, burned corpses. Telling the truth is condemned as ratting and snitching. Such is the paradox of 1984-style doublethink.

This film is a sobering look into the corporate mind, a grim revelation of the lengths people will go to hide from reality. I commend FX for being bold enough to present this sad tale in such an excellent film.