La ciudad humana de Zion se defiende de la invasión masiva de las máquinas, mientras Neo lucha por acabar con la guerra en otro frente, al tiempo que se opone al malvado agente Smith.La ciudad humana de Zion se defiende de la invasión masiva de las máquinas, mientras Neo lucha por acabar con la guerra en otro frente, al tiempo que se opone al malvado agente Smith.La ciudad humana de Zion se defiende de la invasión masiva de las máquinas, mientras Neo lucha por acabar con la guerra en otro frente, al tiempo que se opone al malvado agente Smith.
- Premios
- 5 premios y 36 nominaciones
Argumento
¿Sabías que...?
- CuriosidadesThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- PifiasWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citas
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Créditos adicionalesThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versiones alternativasWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConexionesEdited into The Matrix: Path of Neo (2005)
- Banda sonoraThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
- pietzsche
- 27 ago 2004
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- Matrix revolutions
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- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 139.313.948 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 48.475.154 US$
- 9 nov 2003
- Recaudación en todo el mundo
- 427.344.325 US$
- Duración2 horas 9 minutos
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- Relación de aspecto
- 2.39 : 1