Una comedia negra que sigue la vida de una disfuncional familia californiana que se dedica a llevar unas pompas fúnebres.Una comedia negra que sigue la vida de una disfuncional familia californiana que se dedica a llevar unas pompas fúnebres.Una comedia negra que sigue la vida de una disfuncional familia californiana que se dedica a llevar unas pompas fúnebres.
- Ganó 9 premios Primetime Emmy
- 62 premios y 165 nominaciones en total
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Resumen
Reviewers say 'Six Feet Under' intricately weaves parallel storylines, focusing on the Fisher family's funeral home business and their complex lives. Each episode explores unique character arcs, highlighting struggles, growth, and relationships. The show is lauded for its realistic depiction of life, death, and human emotions, with themes of grief, love, and personal development. Characters are deeply flawed yet relatable, evolving in surprising ways, making the series compelling and introspective.
Reseñas destacadas
What a series. What a last season. What a finale!
I started watching it without knowing too much about it, I just knew from hearing about it a few years ago that it was one of those "Amazing HBO series" and that it was about a family owning a funeral home.
The actual "plot" is indeed about a family-owned funeral home in which the father of the family dies (this is at the very beginning of the first chapter, so I'm not spoiling anything), and the series follows the life of the rest of the family: The 3 sons (2 male of 30ish and the girl who is in the last year of school), the widow wife, and some supporting characters
If you ask me, the acting and the writing are everything in this show. Characters are complex, they evolve they don't always move forward - sometimes lessons need to be learned multiple times, as real people do. And each actor does an amazing job in portraying their character.
Each one has 2/3 major arcs throughout the show, so it is very interesting to see them navigate them.
Different topics are touched across the episodes, many of them very controversial, but the show portrays them in a very serious way. There's some dark humour though; after all it's about a funeral home where death comes with customers in every episode.
Definitely a must watch. And even though it is more than 20 years old, it has aged very well.
I started watching it without knowing too much about it, I just knew from hearing about it a few years ago that it was one of those "Amazing HBO series" and that it was about a family owning a funeral home.
The actual "plot" is indeed about a family-owned funeral home in which the father of the family dies (this is at the very beginning of the first chapter, so I'm not spoiling anything), and the series follows the life of the rest of the family: The 3 sons (2 male of 30ish and the girl who is in the last year of school), the widow wife, and some supporting characters
If you ask me, the acting and the writing are everything in this show. Characters are complex, they evolve they don't always move forward - sometimes lessons need to be learned multiple times, as real people do. And each actor does an amazing job in portraying their character.
Each one has 2/3 major arcs throughout the show, so it is very interesting to see them navigate them.
Different topics are touched across the episodes, many of them very controversial, but the show portrays them in a very serious way. There's some dark humour though; after all it's about a funeral home where death comes with customers in every episode.
Definitely a must watch. And even though it is more than 20 years old, it has aged very well.
And I rarely even watch television. I'm a book person.
Not since the "X-Files" has a TV show been so intriguing. Every time I watch an episode, I am struck back be depth of storyline, the intricate characters and the left-of-the-middle storytelling. I literally cannot control myself from discussing each new episode with (bored) family members.
SFU is a very introverted show - it resembles more a book or play than television. While the latter is extroverted and relies on events happening to characters (eg: the overboard emergencies of ER or the romances in soaps) to carry the story, Six Feet Under wants to communicate the deepest feelings and ideals of the people on screen. As a result, it not only stimulates the mind but also helps us analyse ourselves.
In the hands of any other creators, this would make for a very dull hour of suburban spirituality, but Allan Ball's menagerie of ghosts, (past characters influencing the present) trippy daydream sequences, surreal atmosphere and some wicked black humour make for a very entertaining show and sell what would otherwise be a marketing disaster to the masses. On top of that, every component from acting to directing to screenplay is flawless. (the dead boy's ghost in "a private life" still chills me to the bone).
Most, of all I admire the characters: some of the most complex and enchanting creatures ever to grace the idiot box. After a few episodes, they feel like a second family.
While I do have my complaints about the amount of obscenity, (I can swear that sometimes the writers want to offend us just for fun) I have to give my show the highest commendations. There are, of course, moments when I feel like throwing my chair at the television, but that is simply the consequence of watching a show that challenges me, rather than offer cheap amusement.
SFU may take a while to get into, but the rewards are bountiful.
Not since the "X-Files" has a TV show been so intriguing. Every time I watch an episode, I am struck back be depth of storyline, the intricate characters and the left-of-the-middle storytelling. I literally cannot control myself from discussing each new episode with (bored) family members.
SFU is a very introverted show - it resembles more a book or play than television. While the latter is extroverted and relies on events happening to characters (eg: the overboard emergencies of ER or the romances in soaps) to carry the story, Six Feet Under wants to communicate the deepest feelings and ideals of the people on screen. As a result, it not only stimulates the mind but also helps us analyse ourselves.
In the hands of any other creators, this would make for a very dull hour of suburban spirituality, but Allan Ball's menagerie of ghosts, (past characters influencing the present) trippy daydream sequences, surreal atmosphere and some wicked black humour make for a very entertaining show and sell what would otherwise be a marketing disaster to the masses. On top of that, every component from acting to directing to screenplay is flawless. (the dead boy's ghost in "a private life" still chills me to the bone).
Most, of all I admire the characters: some of the most complex and enchanting creatures ever to grace the idiot box. After a few episodes, they feel like a second family.
While I do have my complaints about the amount of obscenity, (I can swear that sometimes the writers want to offend us just for fun) I have to give my show the highest commendations. There are, of course, moments when I feel like throwing my chair at the television, but that is simply the consequence of watching a show that challenges me, rather than offer cheap amusement.
SFU may take a while to get into, but the rewards are bountiful.
Six Feet Under is meticulous, beautiful, daunting, and powerful. One way or another, it will connect with you, perhaps in places you didn't expect and aren't willing to expose. At times wrenching, at other times cathartic, but always staring back at you knowingly, this show stands head and shoulders above the advertising-driven fare that clogs network TV with mediocrity, token minorities, and jarring commercial breaks. It changed the way I view television, and I recommend it to anyone who's tired of the same old crap.
After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.
This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.
I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.
After watching the series finale (which I won't spoil, don't worry), I sat in bed, unable to sleep. After poring over everything I'd seen over the past season, it struck me that SFU is the most raw and personal television show I've ever seen. Even more, there are no stand-alone episodes for easy syndication. Every single installment is part of a huge puzzle, or a few more miles on the Fisher family's road. I've always found Peter Krause to be a disappointingly flat performer, which is unfortunate because his character anchors the show, but the other actors are often transcendent. Regardless, every one of them radiates with a sometimes painfully familiar pathos. The cinematography is also staggering sometimes, taken from film rather than typical 3-camera TV work. If that's not enough, the music they choose to score the episodes is almost symbiotic; it seems ingrained into the film itself, even when you know it was just licensed.
This is not really a family-friendly show, though, encompassing profanity, nudity, violence, drug use, "alternative lifestyles" ... So in other words, it's just like real life. And despite the interpersonal conflicts that fuel the narrative to the point of melodrama, the show isn't afraid to pause every once in a while and let the show communicate without dialogue.
I feel very gratified to have watched SFU, and I've never felt that way about any other show in the almost-27 years I've been alive. Hopefully it will start a trend, if only on premium cable.
Never gets old, never will.
If you have never seen this gem, do yourself a favor and watch it.
If you watched it almost 20 years ago, do yourself a favor, and watch it again.
If you have never seen this gem, do yourself a favor and watch it.
If you watched it almost 20 years ago, do yourself a favor, and watch it again.
When using superlatives with this show it is totally fair. This show does something all other movies, shows, etc cannot do: it can safely apply any genre and still function as a deep and very entertaining show. As everybody episode goes by the show only becomes more addictive. It taps into almost every aspect of life. Every emotion is shown; love, hate, forgiveness, triumph and the list goes on and on. In fact this show depicts life the most realistically. The strangeness and peculiarity of the many themes perfectly displays the confusion in life and how it affects us. The show displays confusion in the clearest way making it almost impossible not to some how relate to the characters in the show. Not to mention also the series ends on one finest note you will ever see not just satisfying the viewer but taking the show to a level far and above anything else I have ever seen before. This show does the impossible twice over.
¿Sabías que...?
- CuriosidadesAlan Ball was inspired to write this series after losing his sister.
- PifiasTodas las entradas contienen spoilers
- ConexionesFeatured in The 59th Annual Golden Globe Awards (2002)
- Banda sonoraSix Feet Under (Original Main Theme)
Written by Thomas Newman
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- Duración1 hora
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- Mezcla de sonido
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What was the official certification given to A dos metros bajo tierra (2001) in Japan?
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