Ruta 666

Come on people, relax!

Taken for what it is -- a little horror flick -- ROUTE 666 more than fills the bill.

This one is worth a view just for Gary Farmer. Sure, his role was nothing more than a cameo (and he did seem to be trying to hide behind those sunglasses), but then all Gary needs is a cameo. Remember him in GHOST DOG: WAY OF THE SAMURAI? He only needed one line to steal that flick (Stupid white men.) and GHOST DOG is one damned great film.

I could defend the rest of the cast (I think everyone more than held their own and turned in solid performances) but there is no need. Gary Farmer and peyote tea? What else is needed?

I've only seen this one on the SCI/FI channel (a number of times), but will happily fork over the cash for the DVD the first chance I get.

Are you ready for some weird entertainment? What seems to be a decent cop show turns into a horror flick. Yes, there is plenty of action...but you find yourself wondering how much stranger can this thing get. Some pretty good actors assembled to do this thing for producer Terence M. O'Keefe. William Wesley directs no doubt with a grin. This is a toss up between being really bad and being just a below average B-movie.

Lou Diamond Phillips and Lori Petty are government agents that track down a Federally protected witness(Steven Williams)hiding in the desert along Route 66. After convincing him to return to LA for his appearance in court things get crazy. It is decided to take a shortcut on a piece of closed highway, Route 666, where the now small FBI caravan is attacked by four zombies. The undead are four prisoners/murderers that were slaughtered while working on a road crew several years earlier. One of the zombies happens to be Phillips' estranged father.

Phillips has starred in worst...check out BATS. Somehow he keeps his dignity without embarrassing his following too much. I found Miss Petty pretty much irritating throughout. Williams is outstanding and has most of the best dialogue. Dale Midkiff is notable as a pompous FBI agent. And kudos to the veteran actor L.Q. Jones playing the corrupt county sheriff. The road less traveled is finally rid of its phantoms. Worth your test drive.

ROUTE 666 isn't really a horror movie, though that's probably where you'll find it in the video story. Like TREMORS, ROUTE 666 is more of an old-fashioned B movie, the kind of film you'd see as the second feature at a 50s drive-in back. The plot is pretty basic: federal marshals transporting a key witness to testify in Los Angeles are stranded on a closed strip of Route 66 - known as Route 666 - and are besieged by the ghosts of four chain gang workers who were killed years before.

Lou Diamond Phillips is good, and Steven Williams manages to show some comedic skills with some funny dialogue and reactions. His frantic screaming for help after nearly being killed by one of the ghosts at an abandoned drive-in is particularly hilarious. He definitely has the best part of the film. Lori Petty isn't great, but at least she's not as bad as she can usually be, and Dale Midkiff is good, but the rest are pretty much unknowns in typical supporting roles. Veteran character L.Q. Jones plays the local sheriff with a secret.

The movie moves at a brisk pace, never dwelling on the quiet moments too long, and bringing some gritty, jittery camerawork to the action scenes, similar to the style of SAVING PRIVATE RYAN. Okay, ROUTE 666 is no PRIVATE RYAN, but it's not supposed to be. It's a well-crafted little suspense movie with some cool-looking zombie/ghosts, a good dose of comedy, lots of action, and a cool soundtrack that perfectly captures the feeling and bleakness of the landscape. I will definitely buy this one on DVD, but it would have been great to have a director commentary.

I am a really big Lou Diamond fan,and will see any movie he is in. But this movie is one of the worst I have EVER seen. I can't believe anyone would find anything good to say about it. The acting is atrocious and the zombies are pathetically unscary. AVOID !

Lou Diamond Phillips plays Jack La Roca, a U.S. Marshall and former Navy SEAL assigned to pick up "Rabbit" (Steven Williams), who is in the federal witness protection program but has been on the run. La Roca is to take Rabbit from Arizona to California to testify in court, but along the way they run into a variety of obstacles, mostly horrific, the most serious of which are the result of La Roca's decision to take a shortcut on Route 666.

Lou Diamond Phillips is a B and C-movie king. Route 666 nicely fits in with his oeuvre. The film is much better than it should be, perhaps, given the relatively small budget and a number of questionable decisions on technical aspects (life reflecting art, as the film hinges on a questionable decision). But although goofy at times, Route 666 is a fun-to-watch action/horror film. It actually ended up as a 7 out of 10 for me.

A number of things quickly drew me in, even though they do not directly have an impact on the quality of Route 666. The first two were the presence of Williams and character actor Dick Miller. I'm a big fan of Jason Goes To Hell: The Final Friday (1993). Williams plays Creighton Duke, one of the main characters, in that film. Miller is a genre veteran with over 100 titles to his name, and well loved by many genre fans, including me. The third immediate attraction for me is that Route 666 is set in a Joshua Tree-filled desert. I love deserts, and I especially love Joshua Trees. Director William Wesley actually acquired permission to shoot in Joshua Tree National Park, one of my favorites. This was the first film in about 10 years allowed to do so.

Wesley quickly builds an effective, sarcastic and usually witty rapport between La Roca, his partner Steph (Lori Petty) and Rabbit, although Petty can be a bit over-the-top at times. But Williams is particularly funny. There are other standout performances here, as well, especially L.Q. Jones as the Sheriff.

At the beginning, Route 666 seems like it will be an actioner. Although these aren't the most exciting shoot-out scenes ever filmed, they have a nice feel to them, partially due to the setting and lighting, and there is a pleasantly unusual tangent when Phillips has a bizarre "flashback" as he looks at a victim's blood spreading on the dirt.

There is an eerie atmosphere to the whole film, and especially when the horror material starts, it is very refreshing that Wesley chose to keep the proceedings in broad daylight. It also helps that there are two sets of villains, with the second, and possibly the most effective, not being very obvious until late in the film. The more traditional horror villains are very satisfying, with an interesting, unusual yet immediately recognizable look, and they are worked into the backstory of the characters extremely well. Their methods of dispatching victims are creative, although I wish Wesley would have gone into a gorier mode with the deaths. But one death, at least, near the end of the film, is particularly brutal in its abruptness. Even though this isn't Wesley's masterpiece, he shows that he has one in him.

Sure the film has flaws--Phillips plays much of the film with what looks like a large wad of raspberry gum stuck to his forehead, the shaky cam and other effects didn't work very well for me during the horror attack scenes, the score sounded fairly generic and repetitive (it reminded me of playing a video game), and there are some plot points that don't make a lot of sense if you think about them too much. But most horror fans probably will not expect a masterpiece when watching Route 666. With appropriately lowered expectations, you'll likely be pleasantly surprised at just how good this film is.