En el 2027, en un mundo caótico en el que las mujeres se han vuelto estériles sin que se sepa el motivo, un antiguo activista accede a prestar su ayuda para transportar a una mujer milagrosa... Leer todoEn el 2027, en un mundo caótico en el que las mujeres se han vuelto estériles sin que se sepa el motivo, un antiguo activista accede a prestar su ayuda para transportar a una mujer milagrosamente embarazada a un santuario junto al mar.En el 2027, en un mundo caótico en el que las mujeres se han vuelto estériles sin que se sepa el motivo, un antiguo activista accede a prestar su ayuda para transportar a una mujer milagrosamente embarazada a un santuario junto al mar.
- Dirección
- Guión
- Reparto principal
- Nominado para 3 premios Óscar
- 49 premios y 89 nominaciones en total
- Baby Diego
- (as Juan Yacuzzi)
- Café Customer
- (as Atlanta White)
- Ian
- (as Paul Sharma)
Reseñas destacadas
The action is impeccably done. The battle scenes are mind numbingly realistic. I still can't believe it was made in 05/06. Characters are so real. The atmosphere the attention to detail in scenes are incredible. Things happening in the background out of focus etc is just another layer of a real world that's been created. A huge epic movie with a hero who doesn't ever shoot a gun.
I will give it a week or so and watch it again. The director should've one an academy award.
Although the camera work and cinematography is nothing short of stunning the focus always with our protagonist, ensuring we're kept in the middle of the action throughout. It is also undoubtedly one of Owen's finest performances to date. Theo is never far from danger yet he struggles on with convincing dignity. Occasionally baffled but far from stupid - Theo is essentially a reckless, underplayed action hero that doesn't jump at every opportunity to arm himself with a gun. This works well with the international ensemble of incredible talent: Michael Caine's charming pot dealing hippie, feisty Julianne Moore, key role Claire-Hope Ashitey, the wonderful Pam Ferris, the increasingly busy, excellent Chiwetel Ejiofor, Danny Huston and writer/director/producer Peter Cullen (gloriously sadistic Syd) to name a few... This is surely a casting coup to be jealous of.
The episodic nature of the story makes Children of Men difficult to place into one genre alone. Briefly glimpsed futuristic sci-fi technology is grounded in reality and looks entirely achievable while grey, graffiti ridden concrete locations provide an excellent backdrop for the near satirical look of our current social and political climate. There's poignant drama interspersed amongst exhilarating action and yet enough twists to call it a thriller.
This is not to say it's flawless. Some exposition is handled better in places than others for instance. However Alfonso Cuarón has achieved a completely remarkable experience. Arguably the film could have been longer given how strong most of it is. The only really hard pill to swallow is the comedy juxtaposed with some stark imagery that looks all too familiar to anyone who has ever seen the News from the past few decades. Nice to see a Pink Floyd reference though (pigs might fly!), and someone finally found a use for Battersea Power Station.
Ideally an audience should see this film with no preconceptions and know as little about the plot as possible. This will be unlikely though due to a staggered box-office release schedule, word of mouth and a plethora of reviews and trailers that are eager to give much of the game away. Ironic then perhaps that it must be said - Children of Men is a cinematic milestone. Great special effects and an effective soundtrack accompany this heartfelt, moving and thought-provoking film. Easily one of the best films in recent memory.
1) Fantastic cinematography. Some like hand-held, some don't. It certainly worked very well here.
2) Related to (1), very long shots. There is one scene where the camera lens has blood splats on it for quite a few minutes. Hollywood would get rid of it, but for this movie it adds amazingly to the atmosphere that is being created.
3) Like "Code46" the technology is in the background. Just the way it should be, allowing us to focus on the story.
4) Theo as the central character NEVER picks up a gun, despite them being all over the place and easily available. As a viewer you are almost willing him to do so, to manage some of his challenges - but very deliberately the character does not.
5) I've read separately that yes this is a comment on current society. Being an Australian, with our controversial immigration laws and practices, that rings true.
6) Similar to (5), using the term "Homeland Security" in the movie is an obvious reference.
7) The revolutionaries/terrorists/fishes are shown to be just as political and militant as the government they oppose.
There are more, but that is enough. Overall a wonderful movie which leaves me thinking for a long time, which is all I ask.
Cheers!
Anton.
If this doesn't get you engaged with the world today and the possibilities that might be in store for it then rewind, pause, and watch again. Great performances, spectacular cinematography and direction.
Last month, a decade later almost to the day, I suddenly felt the urge to revisit the film (because it was mentioned in an article about "long takes"), and upon re-watching it, it just blew my mind. This film is so, so, good!
It not only manages in many aspects to be the most prophetic - and most shockingly realistic - sci-fi film I have ever seen: it achieves that feat with a level of style and through such an abundance of fantastic creative choices and innovative camera techniques that I was simply left in awe.
I was forced to conclude that this film was a visionary piece of art (and how that fact had eluded me the first time around I couldn't - and still can't - explain). It's a cinéphile's dream come true; it's a masterpiece in the true sense of the word.
'Children of Men' is a gut-wrenching look at an all too possible future, but it also works as a heart-stopping, adrenaline-rush-inducing piece of entertainment featuring some of the most breathtaking camera work you'll ever see.
The performances are flawless. The artwork, the production design, the music; I could go on and on: this is one of those few real masterworks where everything just comes together right. And I believe the final 30 minutes of the film rank among the finest achievements in the history of Cinema. Period.
10 Stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
¿Sabías que...?
- CuriosidadesIn the movie, the infertility crisis is the result of all women being infertile. In the original novel by P.D. James, it's the result of all men producing no sperm.
- PifiasWhen Theo and Jasper smoke Strawberry Cough, the sleeping cat changes its position between every cut without ever waking up.
- Citas
Jasper: Everything is a mythical, cosmic battle between faith and chance.
[offers Miriam a joint]
Miriam: Maybe I shouldn't.
Jasper: You already did. Take another one. Now cough. What do you taste?
Miriam: Strawberries!
Jasper: Strawberries? That's what it's called: Strawberry Cough!
Kee: Wicked!
Jasper: So. You've got faith over here, right? And chance over there.
Miriam: Like yin and yang.
Jasper: Sort of.
Miriam: Or Shiva and Shakti.
Jasper: Lennon and McCartney!
Kee: [looking at pictures] Look, Julian and Theo.
Jasper: Yeah, there you go! Julian and Theo met among a million protestors in a rally by chance. But they were there because of what they believed in in the first place, their faith. They wanted to change the world. And their faith kept them together. But by chance, Dylan was born.
Kee: [picks up another photo] This is him?
Jasper: Yeah, that's him. He'd have been about your age. Magical child. Beautiful. Their faith put in praxis.
Miriam: "Praxis"? What happened?
Jasper: Chance. He was their sweet little dream. He had little hands, little legs, little feet. Little lungs. And in 2008, along came the flu pandemic. And then, by chance, he was gone. You see, Theo's faith lost out to chance. So, why bother if life's going to make its own choices?
Kee: Baby's got Theo's eyes.
Jasper: Yeah.
Miriam: Oh, boy. That's terrible. But, you know, everything happens for a reason.
Jasper: That, I don't know. But Theo and Julian would always bring Dylan. He loved it here.
- Créditos adicionalesAt the very end, one can read "Shanti, Shanti, Shanti" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shanti" means "peace" in Sanskrit.
- Banda sonoraFragments of a Prayer
Music by John Tavener
Recorded at Abbey Road Studios
Mezzo soprano: Sarah Connolly
Conducted by John Tavener
Orchestra contractor Isobel Griffiths
Recorded and Produced by Simon Rhodes
Assisted by Richard Lancaster and Ian Stickland
Selecciones populares
- How long is Children of Men?Con tecnología de Alexa
- What is 'Children of Men' about?
- Is 'Children of Men' based on a book?
- If the cause of the infertility is unknown, how can they be sure that the women are infertile and not the men?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Niños del hombre
- Localizaciones del rodaje
- Montevideo, Uruguay(on location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 76.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 35.552.383 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 501.003 US$
- 31 dic 2006
- Recaudación en todo el mundo
- 70.598.774 US$
- Duración1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1