PUNTUACIÓN EN IMDb
6,5/10
15 mil
TU PUNTUACIÓN
Dos vendedores veteranos examinan una propuesta de venta de un cliente particular a través de su joven discípulo.Dos vendedores veteranos examinan una propuesta de venta de un cliente particular a través de su joven discípulo.Dos vendedores veteranos examinan una propuesta de venta de un cliente particular a través de su joven discípulo.
- Premios
- 1 nominación en total
Danny DeVito
- Phil Cooper
- (as Danny Devito)
Christopher Donahue
- Bartender
- (sin acreditar)
Ron Komora
- The Big Kahuna
- (sin acreditar)
Frank L. Messina
- Business Man
- (sin acreditar)
George F. Miller
- Hotel Patron Leaving Lobby
- (sin acreditar)
Jen Taylor
- Mrs. Jen Johnson
- (sin acreditar)
Reseñas destacadas
When I saw this movie, I had one sole motivation- It had Kevin Spacey in it. That, in my opinion, makes any of his films worth at least a glance. He's so brilliant. Also, I was in the mood for a good comedy. This film presented me with both the expected comedy and brilliant performance by Spacey. However, I guess I neglected to read up on what this movie was all about first.
Let me say that, as a Christian (and a Baptist), the portrayal of Bob is the single most realistic on screen portrayal of a true Christian that I have ever seen. Bravo to them for not giving into cliches! While some attacks were made on Bob's faith, they weren't presented as right or wrong, but different view points. I was frankly shocked (pleasently) by this film. I would deffinately recommend it.
Also, I am not a particurally big DeVito fan, but he turns in a truly moving and realistic performance in this film.
7/10
Let me say that, as a Christian (and a Baptist), the portrayal of Bob is the single most realistic on screen portrayal of a true Christian that I have ever seen. Bravo to them for not giving into cliches! While some attacks were made on Bob's faith, they weren't presented as right or wrong, but different view points. I was frankly shocked (pleasently) by this film. I would deffinately recommend it.
Also, I am not a particurally big DeVito fan, but he turns in a truly moving and realistic performance in this film.
7/10
Though essentially little more than a stage bound version of the play, `Hospitality Suite,' the film entitled `The Big Kahuna' earns distinction for its sharply delineated characters and the finely wrought performances of its three main actors. In fact, the stage origins of the film are evident in the fact that the action rarely extends beyond a single set a hotel suite in Wichita, Kansas in which three salesman are gathered for a convention and the fact that only four people are even assigned speaking parts (and even the fourth is a mere walk-on bellboy). All the other people we see serve as a kind of silent backdrop before which the three principal players enact their complex personal drama.
Kevin Spacey, in a truly brilliant performance, plays Larry, a middle-aged, sardonic salesman who sees life strictly from the perspective of a hardcore cynic and who, consequently, runs roughshod over his two business associates with his acerbic wit and hardnosed bluntness. In total contrast is Bob (Peter Facinelli), a 20-something neophyte to the selling business, a sincere, well-intentioned, but hopelessly naïve born-again Christian, who has trouble separating his career as a salesman from his felt need to fulfill the Biblical edict to go out among men and spread the Good News. Caught between the two is Phil (Danny DeVito), a 52-year old man who, after years of devoting his life to the cause of selling, has begun to seriously question the validity of his life's work and has, therefore, recently found himself contemplating such weighty matters as suicide, the existence of God and the meaning of love and friendship. Obviously, such cleanly delineated characters could well have slid over into two-dimensional stereotypes, yet the author, Roger Rueff, in adapting his play to the screen, has built into each of the three principal figures a dimension of multifaceted human complexity. Larry, for instance, despite all of his facile cynicism, shows a far deeper side to his character when, in a quiet moment in which Phil pours his heart out to him, he offers his buddy the hand of genuine compassion and friendship. We discover that the often-bitter tone Larry displays to the world is just a façade, a cover-up for the void that lies deep within his own troubled psyche. Similarly, Rueff avoids the common trap of reducing the devout Christian character to the customary level of a mindless buffoon. Although we sense that Bob too uses his Christianity as a way of ordering his life - thereby avoiding the messy ugliness that a more freethinking life often requires - yet, Rueff merely implies that Bob has some growing up to do, not that his belief system must itself be jettisoned. And Phil, caught between these two worldviews, provides, out of his own confused weakness, the voice of reasoned sanity that helps Larry and Bob come to a final understanding and mutual appreciation of each other. He sees Larry plainly for who he is, yet Phil knows that this is the person who means more to him than anyone else in the world. Similarly, though he somewhat admires and respects Bob's sincere devotion to his Christian principles, Phil knows that Bob has a long way to go before he becomes a true `man of character.'
`The Big Kahuna' does not provide big laughs, though the sardonic wit often strikes a deep chord in the audience. The film may also seem claustrophobic to those who demand more movement from their movies. The dialogue, however, is consistently sharp and incisive, even though Phil's final speech borders a bit on the pedantic. (At this point, Phil's function as the author's mouthpiece becomes a bit heavy-handed to say the least). Nevertheless, for those in search of a fine character study, driven by strong performances and insightful observations about human nature, `The Big Kahuna' is definitely worth checking out.
Kevin Spacey, in a truly brilliant performance, plays Larry, a middle-aged, sardonic salesman who sees life strictly from the perspective of a hardcore cynic and who, consequently, runs roughshod over his two business associates with his acerbic wit and hardnosed bluntness. In total contrast is Bob (Peter Facinelli), a 20-something neophyte to the selling business, a sincere, well-intentioned, but hopelessly naïve born-again Christian, who has trouble separating his career as a salesman from his felt need to fulfill the Biblical edict to go out among men and spread the Good News. Caught between the two is Phil (Danny DeVito), a 52-year old man who, after years of devoting his life to the cause of selling, has begun to seriously question the validity of his life's work and has, therefore, recently found himself contemplating such weighty matters as suicide, the existence of God and the meaning of love and friendship. Obviously, such cleanly delineated characters could well have slid over into two-dimensional stereotypes, yet the author, Roger Rueff, in adapting his play to the screen, has built into each of the three principal figures a dimension of multifaceted human complexity. Larry, for instance, despite all of his facile cynicism, shows a far deeper side to his character when, in a quiet moment in which Phil pours his heart out to him, he offers his buddy the hand of genuine compassion and friendship. We discover that the often-bitter tone Larry displays to the world is just a façade, a cover-up for the void that lies deep within his own troubled psyche. Similarly, Rueff avoids the common trap of reducing the devout Christian character to the customary level of a mindless buffoon. Although we sense that Bob too uses his Christianity as a way of ordering his life - thereby avoiding the messy ugliness that a more freethinking life often requires - yet, Rueff merely implies that Bob has some growing up to do, not that his belief system must itself be jettisoned. And Phil, caught between these two worldviews, provides, out of his own confused weakness, the voice of reasoned sanity that helps Larry and Bob come to a final understanding and mutual appreciation of each other. He sees Larry plainly for who he is, yet Phil knows that this is the person who means more to him than anyone else in the world. Similarly, though he somewhat admires and respects Bob's sincere devotion to his Christian principles, Phil knows that Bob has a long way to go before he becomes a true `man of character.'
`The Big Kahuna' does not provide big laughs, though the sardonic wit often strikes a deep chord in the audience. The film may also seem claustrophobic to those who demand more movement from their movies. The dialogue, however, is consistently sharp and incisive, even though Phil's final speech borders a bit on the pedantic. (At this point, Phil's function as the author's mouthpiece becomes a bit heavy-handed to say the least). Nevertheless, for those in search of a fine character study, driven by strong performances and insightful observations about human nature, `The Big Kahuna' is definitely worth checking out.
Would you sell your soul to sell industrial lubricants? Based on a stage play called 'Hospitality suite', The Big Kahuna contains only 3 main actors in this movie who all give powerful performances.
Spacey as the no nonsense take no prisoners step on em when he's down salesman, DeVito as his colleague who's had enough and thinks he's wasted his life going from nameless towns, and boring hotel rooms, and the young up and coming Peter Facinelli as the 6 month newcomer who is like a babe in the woods, but has a strong spiritual side and stronger convictions than anyone else.
Spacey is great as always, and Facinelli is very believable as the devout Baptist. But it is DeVito who steals this movie in what has to be the best role I have ever seen him portray. A funny expose and what it means to be truly successful and happy in career and life. Kahuna scores high!
This movie has just great dialogue, and some incredibly memorable lines most of it coming from Spacey who keeps hitting Facinelli over his head with his sharp brute and dirty yet smart mouth.
A definite must see for 2000.
Rating 8 out of 10.
Spacey as the no nonsense take no prisoners step on em when he's down salesman, DeVito as his colleague who's had enough and thinks he's wasted his life going from nameless towns, and boring hotel rooms, and the young up and coming Peter Facinelli as the 6 month newcomer who is like a babe in the woods, but has a strong spiritual side and stronger convictions than anyone else.
Spacey is great as always, and Facinelli is very believable as the devout Baptist. But it is DeVito who steals this movie in what has to be the best role I have ever seen him portray. A funny expose and what it means to be truly successful and happy in career and life. Kahuna scores high!
This movie has just great dialogue, and some incredibly memorable lines most of it coming from Spacey who keeps hitting Facinelli over his head with his sharp brute and dirty yet smart mouth.
A definite must see for 2000.
Rating 8 out of 10.
Some movies are little more than photographed stage plays. 'The Big Kahuna' is like that. Most of the scenes are set in one hotel room and only 4 people have any lines. It could be said that all they do is talk, philosophize, and soul-search in this film. So if what they talk about is interesting and moves you, then the movie works. With subject matter such as religion, friendship, finding a meaning in life, and even the art of salesmanship, the characters definitely have a lot to say. And they're pretty funny, even if the film is too tragic to be called a comedy. Bottom line is, I'll long remember Danny DeVito's touching, understated performance.
He and Kevin Spacey (Phil and Larry, respectively) play experienced industrial lubricant salesman who've been sent to a convention in Wichita. Accompanying the two longtime friends and colleagues is a young co-worker, Bob (Peter Facinelli). They're hosting a small party in their hospitality suite for the elusive Dick Fuller. This is a client who could conceivably make or break their careers, but might not even show up to talk biz. Fuller represents the title character, although you could also say the kahuna is God. The final third of the picture delves deeply into spiritual belief and the search for the man above. Facinelli is devout, Spacey is not, DeVito rides in the middle lane and tries to keep the peace.
Whether or not they actually make the big deal plays second fiddle to the give-and-take relationship of the 3 very different men. Spacey is as witty and smart as usual, but DeVito is the soul of 'The Big Kahuna'. He's been good before, but he's generally a comic actor. Here, he's the straight man. The writer and director (Roger Rueff and John Swanbeck, who've never made another film) know how to give Spacey his big scenes and they REALLY know how to let DeVito play everything in expressions and tone. The filmmakers aren't breaking new turf, but they let their excellent actors act. Even if this is just another verse in the 'Death Of A Salesman' song, DeVito's got the goods on Willy Loman.
He and Kevin Spacey (Phil and Larry, respectively) play experienced industrial lubricant salesman who've been sent to a convention in Wichita. Accompanying the two longtime friends and colleagues is a young co-worker, Bob (Peter Facinelli). They're hosting a small party in their hospitality suite for the elusive Dick Fuller. This is a client who could conceivably make or break their careers, but might not even show up to talk biz. Fuller represents the title character, although you could also say the kahuna is God. The final third of the picture delves deeply into spiritual belief and the search for the man above. Facinelli is devout, Spacey is not, DeVito rides in the middle lane and tries to keep the peace.
Whether or not they actually make the big deal plays second fiddle to the give-and-take relationship of the 3 very different men. Spacey is as witty and smart as usual, but DeVito is the soul of 'The Big Kahuna'. He's been good before, but he's generally a comic actor. Here, he's the straight man. The writer and director (Roger Rueff and John Swanbeck, who've never made another film) know how to give Spacey his big scenes and they REALLY know how to let DeVito play everything in expressions and tone. The filmmakers aren't breaking new turf, but they let their excellent actors act. Even if this is just another verse in the 'Death Of A Salesman' song, DeVito's got the goods on Willy Loman.
For some, this movie might seem quite boring. What's the point in watching three men talking in one room for almost two hours?! But tell you what?.. this movie is not boring at all! There's almost no storyline to speak of, but the script is more than beautiful. It will turn you into one big attentive ear. In addition, Kevin Spacey with his wonderful performance and entertaining sense of humor and wit made this movie a must-see. The movie doesn't want you to side with any of the three characters; it simply displays three different samples of human nature, and their views on the world (especially the concept of appearance vs reality).
¿Sabías que...?
- CuriosidadesKevin Spacey's character, Larry Mann is a salesman that talks about manipulating clients throughout the movie. At about the 34 minute mark he wears the hat featured in the movie's poster and is apparently pitching to a group of clients. The pitch is inaudible since there's music playing, a trumpet-orchestra version of Henry Mancini's theme for Charada (1963) which starred Cary Grant and Audrey Hepburn, a movie that revolved around lies, deception and deceit.
- PifiasWhen Larry attacks Bob he pushes him on a table with food and juice glasses. But when Bob gets up a moment later there are no stains on the back of his white shirt.
- Citas
Larry Mann: There are people in this world, Bob, who look very official while they are doing what they are doing. And do you know why?
Bob Walker: Why?
Larry Mann: Because they don't know what they are doing. Because if you know what you are doing, then you don't have to look like you know what you are doing, because it comes naturally.
- Banda sonoraHey Pachuco!
Written by Eddie Nichols, James Achor & Mando Dorame
Performed by Royal Crown Revue
Published by Zip Gun Music, J. Achor Music & Dorame Music
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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- How long is The Big Kahuna?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 7.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.165.544 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 80.957 US$
- 30 abr 2000
- Recaudación en todo el mundo
- 3.728.888 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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