Corpse number 1084 is lying in the govt. mortuary, a life-less body which is reduced to a mere four digit number by the authorities and the mainstream. Nobody wants to claim the body, or accept his association with it, except his mother. But why is he so neglected, why do people want to forget him, why was he killed and what sort of a man was he, when alive? The film is the journey of his mother to give, and find answers to these questions and through this, the film tries to capture the story of those thousands youth of Naxalite Movement who dared to dream, and fight for a better alternative, and who were butchered by the the nexus of state, right wing parties, and betrayers and saboteurs present in the left movement itself.
Based on a novel with the same title by eminent Bengali writer Mahashweta Devi, this film tries to capture the Kolkata of Stormy-seventies, when Naxalite Movement was penetrating among the urban, educated middle-class youth.
Sujata(Jaya Bachchan) is the mother of Brati(Joy Sengupta), a brilliant and honest-to-self upper-middle class student, who chooses to dedicate his life to the cause of proletarian revolution and is murdered by state supported goons. Sujata goes through an epistemological journey in search of the reasons for this, and finally, realizing the relationship between her own oppression(in the household) and that of the poor (outside), she decides to resist, alike her son. In the end, the mother feels that each time she offers a resistance to injustice, she gives re-birth to her deceased son again, and gets more closer to him as a mother, a friend, and a comrade.
The film captures everything, and that too perfectly, be it the decadence of Bengali well-off society and artists, the tortures inflicted by police on the naxalites, the ideological deviations of the movement, the betrayals by insiders, the beauty and honesty of the dreams of the naxal youth, and the brutality and ugliness of their cold-blooded genocide by the state,the weaknesses of the movement at that time and its capacity to learn from mistakes; and all this added by masterly performances by Nandita Das(Nandini),Seema Biswas(Somu's mother), Jaya Bachchan, Joy and other actors. Govind Nihlani's direction is excellent and the film surely is one of his Masterpieces.
Above all, it shows that Naxalism is not about some splashes of blood or some crime oriented or mindless killings, but it is about a dream nurtured by a whole generation of 16 to 40, which sacrificed itself for the same and whose dream carries audience and relevance till now. Best Hindi film on Naxalism. 8 out of 10.
