La tormenta perfecta

I was struck by the documentary quality of this film, and couldn't help but look back to an earlier Peterson film, Das Boot, where we got up close and intimate with all the crew of the submarine--where they slept, went to the washroom, their soaking wet clothes, the damp, the stink of unwashed clothes, the claustrophobia on board. I had absolutely no trouble believing that Mark Wahlberg and Clooney were fishermen, trying to earn a hardscrabble living against a tough and unforgiving sea. The movie even starts slowly, giving the viewers insights into their lives at home, why they fish, and why they make the decisions later on in the movie. Then the film starts to slowly build the tension as the storm builds in strength. The special effects were absolutely believable, and Peterson piles on the tension even while breaking it up by adding a parallel rescue at the same time as the Andrea Gail begins to run into trouble. An excellent summer thriller that is a real roller coaster ride--literally and figuratively--on water.

The Perfect Storm: Billy Tyne is a swordboat captain who's hit a patch of bad luck - while his colleagues have returned to port nearly bursting at the seams with fish, his hold is nearly empty. Convinced that it is his turn to score the big haul, Tyne convinces his crew to go on one last run before the end of the season and heads for the North Atlantic. He never figured Mother Nature into his plans.

I remember reading about the Andrea Gail soon after "The Storm of the Century" hit the eastern seaboard. It was only a matter of time before someone tried to bring this story to the big screen. Thankfully, it was Wolfgang Petersen who did so - here he does for fishing what he did for submarine warfare in "Das Boot" - puts the viewer in the midst of the action and scares the hell out of them.

I can say without exaggeration that I have never experienced a movie as stressful as this one (the friend I brought to the premiere was literally ill). The movie starts out slowly and deliberately, gradually setting the stage for what is about to come. Petersen utilizes several subplots to build the suspense: initially he focuses on the disappointment of the crew as they repeatedly fail to hit the motherlode. Masterfully intercut with this are scenes documenting an idyllic sailing trip that turns ugly, and the Coast Guard attempts to rescue them. Consequently, the tension, like the storm, continues to build to a crescendo, and never wanes. The movie also feels real.

I have been in twenty-foot seas once in my life, and that was more than enough for me (it was one of the few times I ever contemplated my own mortality). Watching this movie brought it all back: the waves looked so real that it is often difficult to differentiate between the CGI and the real thing. Also, I could feel the waves as they pounded relentlessly against the boat (the theatre I saw this in had a great sound system) and was deafened by the shrieking wind. The experience, is, for lack of a better word, ferocious - I kept everything to disintegrate in the onslaught. However, special effects alone do not adequately convey the appropriate sense of danger.

Many of the water scenes were actually shot in heavy seas - they managed to film in the tail end of a hurricane - adding to the realism (several members of the crew were regularly feeding the fish...). The actors faced additional dangers - Mark Wahlberg came perilously close to drowning, not once but twice, and was injured by one of the animatronic creatures. Anyone expecting Clooney or Wahlberg to be glamorous will be sorely disappointed - they are earthy, and scraggly. But more importantly, their performances ring true. Indeed, all of the main characters deliver subtle, believable performances.

I have never given a strong endorsement with an equally strong caveat - you must see this movie, but only if you can handle stress. And yes I am serious on both counts.

Directed by Wolfgang Petersen based on a true story about the Andrea Gail, a fishing vessel that in October 1991 left the port of Gloucester, Massachusetts, never to be seen again, lost in a terrible storm.

When a film says "based on true events", we always have to take into account certain creative freedoms for cinematographic effects, but in this case I won't even worry about that. This is a dramatization of a terrible event that could very well be (and will continue to be, unfortunately) the story of any fishing vessel anywhere in the world. It is a tribute to the men of the sea and the hardships they have to face in order to earn a living and survive, while bringing food to those of us on land.

That's what I love about movies: I've been with those men at sea, on their boat, I've fished with them, I've felt the joy and excitement of really productive fishing, and the camaraderie that forms when battling the odds of bad weather. I was also with the team of Coast Guard rescuers who risk their lives to save others, the work of true heroes.

The film is very atmospheric (pun not intended) and a great homage, very beautiful and felt. Thank you to everyone who was part of this production and tribute. Nominated for the Academy Awards for Best Sound and Best Visual Effects. BAFTA Winner for Best Visual Effects.

A great demonstration on how a great soundtrack can carry a mediocre film to astounding hights. Watched this when I was younger and was captured by the astounding VFX work.

Now years later, with gimicky tension devices and quite flat caracters that are well performed, it gets a 6. Without the soundtrack it probably would have been a 4 at best but my god, what a wonderful score this movie has. There pretty much is no plot to write home about but everything else is great.

A great weekday night flick to (re) watch with a nice cup of tea under a warm blanked, far away from the sea. An incredible true story.

While watching this movie, I kept imagining if this was how horrible it was for those people when this true story really happened. By the end, my heart went out to all of them. It was a good portrayal of what may have happened, and I enjoyed it immensely.