Al ser mordido por una araña modificada genéticamente, un chico de instituto tímido y estudioso adquiere habilidades de araña que al final tendrá que usar para luchar contra el mal como un s... Leer todoAl ser mordido por una araña modificada genéticamente, un chico de instituto tímido y estudioso adquiere habilidades de araña que al final tendrá que usar para luchar contra el mal como un superhéroe tras una tragedia familiar.Al ser mordido por una araña modificada genéticamente, un chico de instituto tímido y estudioso adquiere habilidades de araña que al final tendrá que usar para luchar contra el mal como un superhéroe tras una tragedia familiar.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 17 premios y 65 nominaciones en total
Reseñas destacadas
The simple plot of good vs. evil begins when Peter Parker is bitten by a spider while touring a local museum with his high school class. The plot thickens when he develops webs and the ability to soar over rooftops and vehicles with ease--as well as climbing walls. Toby Maguire plays the nerdy teen-ager with a wholesome air of innocent charm, his open-eyed expression never concealing the delight he takes in the role. As his girlfriend, Mary Jane, Kirsten Dunst does a likable enough job even if the costume department decided to dress her like a teen hooker.
Everyone else is in fine form. William Dafoe deserves top praise for his Green Goblin--evil enough to frighten the wits out of the faint-hearted. J. Jonah Jameson is excellent as the bombastic newspaper editor who takes advantage of his most famous client. Rosemary Harris and Cliff Robertson, in quieter roles, are warm and human. James Franco is believable as Peter's best friend.
Admirers of the comic book tales should have no trouble liking the movie with its amazing CGI effects. It's heart-warming and funny, with some terror thrown in for good measure. Good escapist entertainment even if the message seems a little vague. Message??
As it turns out, this is probably the best super-hero film I've yet seen - certainly up there with Superman and Batman. People seem to automatically comment that the script and acting was bad because they expect it to be the case in these films; and indeed it usually is. But if you go into Spider-man without this prejudicial attitude you'll be pleasently suprised. The acting is generally great - there is never a time when anyone is not believable as their character and you think "Hey, that's an actor, not Peter Parker". The effects do look artificial but the pace of the movie means you don't have time to dwell on this and the script is fine! What do people want, Shakespearian soliloquies? That would sound incredibly out-of-place in modern day New York. There are few of the painful cliches or dreadful dialogue that plague films like The Phantom Menace and the catchphrases like "friendly neighbourhood spider-man" are fully in-keeping with the character.
The comic turns from J.J. Jameson hit the mark, the snarling facial contortions of Willem Defoe were suitably evil-looking (and the conversation with his mirror-image was a great touch). My only gripe was with the Green Goblin's costume. Very monotone green and not very scary.
All-in-all a great film that I wouldn't hesitate for a second in recommending.
Which Actors Almost Played Spider-Man?
Which Actors Almost Played Spider-Man?
¿Sabías que...?
- CuriosidadesThe first film to gross $100 million in its opening weekend alone. At the time, no movie had done so, even when adjusted for inflation.
- Pifias(at around 18 mins) After Parker wakes up the morning after getting bitten, a boom mic is seen at the top of the mirror as he is looking at himself.
- Citas
[last lines]
Peter Parker: [voiceover] Whatever life holds in store for me, I will never forget these words: "With great power comes great responsibility." This is my gift, my curse. Who am I? I'm Spider-Man.
- Créditos adicionalesAt the end of the closing credits the theme song from Spider-Man (1967) is played.
- Versiones alternativasIn the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing. All uses of ass, hell, and damn were scrubbed from the movie (i.e. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time"). References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent.
- ConexionesEdited from El más allá (1981)
- Banda sonoraWhen It Started
Written by Julian Casablancas
Performed by The Strokes
Courtesy of The RCA Records Label, a unit of BMG Music and Rough Trade Records Ltd. (UK and Eire)
Under license from BMG Special Products
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- El hombre araña
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 139.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 407.774.549 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 114.844.116 US$
- 5 may 2002
- Recaudación en todo el mundo
- 825.820.266 US$
- Duración2 horas 1 minuto
- Color
- Mezcla de sonido